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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Ashbee, Andrew

Year: 2016
Complete Citation:
Ashbee, Andrew. “James Shirley’s The Triumph of Peace Revisited.” The Consort: European Journal of Early Music, Vol. 72 (2016): 31-48.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Atlas, Allan W.

Year: 1996
Complete Citation:
Atlas, Allan W. The Wheatstone English Concertina in Victorian England. Oxford, United Kingdom: Clarendon Press, 1996.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Banyai, Istvan

Year: 2004
Complete Citation:
Banyai, Istvan. Illustration, 2004. New Yorker, June 7, 2004, 97.
Source: Illustration
XVI. Photographs and Artwork
B. Artwork

Bernlef, J., and Reinbert de Leeuw

Year: 1969
Complete Citation:
Bernlef, J., and Reinbert de Leeuw. Charles Ives. Amsterdam: DeBezige Bij, 1969.
Notes:

Pages 133-209 of 1969 publication are reprinted in 1975-1976 publication.

Source: Book
Reprints:

Bernlef, J., and Reinbert de Leeuw. “<i>Charles Ives—Zijn Muziek: Inleiding, Ives’ Gebruik van Muzikaal Materiaal</i> [Charles Ives—His Music: Introduction, Ives’ use of musical material].” Translated by Bertus Polman. <i>Student Musicologists at Minnesota</i> 6 (1975-76): 128-191.

III. Book-Length Studies
A. Biographies

Bernstein, Leonard

Year: 1982
Complete Citation:
Bernstein, Leonard. “The Absorption of Race Elements into American Music.” In Findings: Fifty Years of Meditations on Music, 36-99. New York, NY: Doubleday, 1982.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Block, Geoffrey

Year: 1996
Complete Citation:
Block, Geoffrey. “Ives and the ‘Sounds that Beethoven Didn't Have.’” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 34-50. New Haven, CT: Yale University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives

Bower, Tim

Year: 2001
Complete Citation:
Bower, Tim. Caricature. New Yorker, 2001 January 22): 17.
Source: Caricature
Reprints:

Reproduced: announcement for an American Composers Orchestra concert.

XVI. Photographs and Artwork
B. Artwork

Breger, Leonard

Year: 1997
Complete Citation:
Leonard Breger. “Homage: Charles Ives 4th Symphony,” acrylic collage on cut-out shape masonite, 1997. Composer Homages Series.
Notes:

Includes a likeness of Ives.

Source: Acrylic Cutout
XVI. Photographs and Artwork
B. Artwork

Brotman, Adolf E.

Complete Citation:
Brotman, Adolf E. Sketch/line drawing. Music Journal (March 1966) 24/3: 47.
Notes:

Based on a photograph by Halley Erskine. See frontispiece of Burk’s <i>Omnibus</i>.

Source: Drawing
XVI. Photographs and Artwork
B. Artwork

Budiansky, Stephen

Year: 2014
Complete Citation:
Budiansky, Stephen. Mad Music: Charles Ives, the Nostalgic Rebel. Lebanon, NH: ForeEdge, 2014.
Source: Book
III. Book-Length Studies
A. Biographies

Burkholder, J. Peter

Complete Citation:
Burkholder, J. Peter. “Introduction: “A Continuing Spirit.”” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 1-8. New Haven, CT: Yale University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
Year: 1996
Complete Citation:
Burkholder, J. Peter. “Ives and the Four Musical Traditions.” In Charles Ives and His World, 3-34. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives

Cadieu, Martine

Year: 1975
Complete Citation:
Cadieu, Martine. Charles Ives. Paris, France: Discothèque de France, 1975.
Source: Book
III. Book-Length Studies
A. Biographies

Chandler, Bruce

Complete Citation:
Chandler, Bruce. Woodcut portrait, 1977. In A Meditation on Charles Ives, by Mark Weiss. Ephemon Collection, Rare Book, New York Public Library, 1977.
Source: Woodcut portrait
XVI. Photographs and Artwork
B. Artwork

Cober, Alan E.

Year: 1994
Complete Citation:
Cober, Alan E. Illustration. Atlantic Monthly 273/1 (January 1994): 106.
Source: Illustration
XVI. Photographs and Artwork
B. Artwork

Cowell, Henry

Year: 1925
Complete Citation:
Cowell, Henry. “The Value of Eclecticism.” Sackbut 5, no. 9 (1925): 264--265.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Cowell, Henry and Sidney

Year: 1955
Complete Citation:
Cowell, Henry and Sidney. Charles Ives and His Music. New York, NY: Oxford University Press, 1955.
Notes:

From 1969 Second Edition: Additions include “Some Corrections and Amplifications,” “List of Published Compositions,” “List of Re-corded Compositions,” and “Additional Entries” ap-pended to the bibliography. * From 1971 Spanish translation: Prologue by Juan Carlos Paz especially for this edition (p. 5-22) entitled “Charles E. Ives, un fenomeno musical. ... El musico creador mas potente y personal que haya surgido en America.” * From 1983 Third Edition: Includes a reprint of “Ivesiana: ‘More Than Something Just Usual’” as a Foreword, a “Supplementary List of Published Compositions,” a “Supplementary List of Recorded Compositions,” and a “Supplementary Bibliography.”

Source: Book
Reprints:

Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Oxford University Press, 1966. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. Second Edition. New York, NY: Oxford University Press, 1969. * Cowell, Henry and Sidney. <i>Charles Ives and His Music </i>[Charles Ives y su musica]. Translated to Spanish by Floreal Mazia. Argentina: Rodolfo Alonso Editor, 1971. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Oxford University Press, 1974. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. Translated to Polish by Andrzej Darowski. Krakow, Poland: Polskie Wydawnictwo Muzyczne, 1982. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Da Capo Press, 1983.

III. Book-Length Studies
A. Biographies

Dattel, Michel

Complete Citation:
Dattel, Michel. Homage to Charles Ives (1996--1999); mixed media (col-lage, watercolor, ink) on paper (16 x 24 inches).
Notes:

“A graphic interpretation of Ives’ music, especially ‘The Unanswered Question’ (1906) and ‘Three Places in New England’ (1903--1904).”

Source: Mixed media
XVI. Photographs and Artwork
B. Artwork

Dayton, Daryl D.

Year: 1972
Complete Citation:
Dayton, Daryl D. Charles Ives: American musical pioneer. ICS Thematic Program, 1972.
Source: Book
III. Book-Length Studies
A. Biographies

DeVenney, David P.

Year: 1999
Complete Citation:
DeVenney, David P. “The End of the Century: Impressionism and the Flowering of Roman-ticism.” In Varied Carols: A Survey of American Choral Literature, 105-109. Westport, CT: Greenwood Press, 1999.
Notes:

In Chapter 5, “The End of the Century: Impressionism and the Flowering of Roman-ticism,” some details are given about General William Booth Enters into Heaven, Psalm 90, Psalm 24, Psalm 54, Psalm 135, The Celestial Country, and Three Harvest Home Chorales.

Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives