Feder, Stuart
Year: 1992
Complete Citation:
Feder, Stuart. Charles Ives: “My Father’s Song”: A Psychoanalytic Biography. New Haven, CT: Yale University Press, 1992.Source: Book
III. Book-Length Studies
A. Biographies
Year: 1992
Complete Citation:
Feder, Stuart. Charles Ives: “My Father’s Song”: A Psychoanalytic Biography. New Haven, CT: Yale University Press, 1992.Source: Book
III. Book-Length Studies
A. Biographies
Year: 1999
Complete Citation:
Feder, Stuart. The Life of Charles Ives. Cambridge, UK: University of Cambridge Press, 1999.Source: Book
III. Book-Length Studies
A. Biographies
Feld, Eliot, choreographer
Year: 1988
Complete Citation:
Eliot Feld, choreographer. The Unanswered Question (1988); New York City Ballet. Music: The Unanswered Question; Calcium Light Night; Fugue in Four Keys; "The Housatonic at Stockbridge" from Orchestral Set No. 1 [Three Places in New England]; Sonata No. 2 for violin and piano (2nd movement): "In the Barn;" Remembrance; An Old Song De-ranged.
Prf: 1988 April 30: New York; Paul Zukovsky, violin; Jeananne Albee, piano. 1999 June 17: New York; New York State Theater; Guillermo Figueroa, violin; Cameron Grant, piano.Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Field, Eliot, choreographer
Year: 1977
Complete Citation:
Eliot Feld, choreographer. Variations on "America"-, (1977); ballet; New York City Ballet.
Prf: 1977 March 9: New York; City Center. 2003 March 11: New York.Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Fisher, Barbara Milberg
Year: 2005
Complete Citation:
Fisher, Barbara Milberg. “Rehearsing with Mr. B: Stravinsky, Schoenberg, Ives.” Dance Chronicle 28/3 (2005): 293-322.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Heister, Hanns-Werner and Werner Kremp
Year: 2004
Complete Citation:
Heister, Hanns-Werner and Werner Kremp. Charles Ives, 1874-1954: amerikanischer Pionier der neuen Musik. Amerikanischer Pionier der Sieuen Musik (Atlantische Texte 23). Trier, Germany: Wissenschaftlicher Velag Trier, 2004.Source: Book
III. Book-Length Studies
A. Biographies
Henry, Derrick
Year: 1997
Complete Citation:
Henry, Derrick. “Atlanta Ballet Performing ‘Carmina Burana’ and ‘Prisma.’” Atlanta Constitution, May 8, 1997, sec. G, 2.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Jacobson, Robert
Year: 1973
Complete Citation:
Prf: 1973 January 17: New York; City Center; Alexander Horvath, violin; Howard Baer, piano.
Lar Lubovitch, choreographer. Three Essays (1974); ballet; American Ballet Theater.
Music: Orchestral Set No. 2.
Prf: 1974 January 15: New York; City Center.Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Kerwin, Bud, choreographer
Year: 1974
Complete Citation:
Bud Kerwin, choreographer. The Subjective Man (1974); choreographic setting. Music: From the Swimmers', Like a Sick Eagle', Walt Whitman', The Cage', The Indians. Prf: 1974 October 20: Indianapolis; Clowes Memorial Hall, Butler University; Charles Ives Celebration Program; Dina Korta,
Cheryl Palonis. Gathering: A Choreographic Tribute to Charles Ives (1976). M.F.A.; Department of Ballet and Modern Dance; University of Utah.Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Kisselgoff, Anna
Year: 1978
Complete Citation:
Kisselgoff, Anna. “City Ballet Offers ‘Calcium Light Night.’” The New York Times, January 21, 1978, 26.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle.” New York Times. June 19, 1999, sec. B: 15.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 2000
Complete Citation:
Kisselgoff, Anna. “On Pulling Teeth, and ‘Degenerate Art’ Brought to Life.” The New York Times. January 8, 2000, sec. B, 17.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Mackrell, Judith
Year: 2000
Complete Citation:
Mackrell, Judith. “Witching Hour: Black Magic and Slapstick Are an Unlikely Mix for a Night of American-Themed Ballet.” The Guardian, April 15, 2000, 5.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Maderuelo, Javier
Year: 1986
Complete Citation:
Maderuelo, Javier. Charles Ives. Madrid, Spain: Circulo de Bellas Artes, 1986.Source: Book
III. Book-Length Studies
A. Biographies
Madreruelo, Javier
Year: 1986
Complete Citation:
Madreruelo, Javier. Charles Ives. Madrid, Spain: Circulo de Bellas Artes, 1986.Source: Book
III. Book-Length Studies
A. Biographies
Magee, Gayle Sherwood
Complete Citation:
Magee, Gayle Sherwood. Charles Ives Reconsidered. Music in American Life. Urbana: University of Illinois Press, 2008.Source: Book
III. Book-Length Studies
A. Biographies
Martins, Peter, choreographer
Year: 1978
Complete Citation:
Peter Martins, choreographer. Calcium Light Night (1977); ballet; New York City Ballet.
Music: The See'r, The New River, Incantation-, At Sea, Ann Street; Gyp the Blood or Hearst! Which is Worst?-, Hallowe'en-, Calcium Light Night. Prf: 1977 November 15: Spokane, WA. 1978 January 19: New York.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Pavlyshyn, Stepanii︠a︡ Stefanivna
Year: 1979
Complete Citation:
Pavlyshyn, Stepanii︠a︡ Stefanivna. Charlz Aĭvz. Moscow, USSR: Sov. kompozitor, 1979.Source: Book
III. Book-Length Studies
A. Biographies