Image
Complete Citation:
Kirkpatrick, John. Liner notes for “The ‘Concord’ Sonata, by Charles Ives.” Columbia MS 7192, 1968, 33.3 RPM.
Bibliography
Genres
Kirkpatrick, John
Year: 1968
Source: Liner notes
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1968
Complete Citation:
Kirkpatrick, John, ed. “Preface.” In Eleven Songs and Two Harmonizations. New York, NY: Associated Music, 1968.Source: Score
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1970
Complete Citation:
Kirkpatrick, John. “Words and Music: Ives.” Lecture, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 8, 1970.Notes:
Tape version in the Ives Collection (Yale University, New Haven, CT). Kirkpatrick also spoke at Helen Boatwright’s recital.
Source: Lecture
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1975
Complete Citation:
Kirkpatrick, John. “Editor’s Notes.” In Charles Ives, Study No. 21: Some South--Paw Pitching! for Piano, 7-12. Bryn Mawr, PA: Mercury Music Corporation, 1975.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1981
Complete Citation:
Kirkpatrick, John. “Notes.” In Charles E. Ives, Study No. 20 for Piano, edited by John Kirkpatrick, 12--18. Bryn Mawr, PA: Merion Music, 1981.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1982
Complete Citation:
Kirkpatrick, John. Liner notes for Charles Ives’ Five Violin Sonatas. MusicMasters 20056/57, 1982, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Kirkpatrick, John (editor)
Year: 1953
Complete Citation:
Kirkpatrick, John, editor. “American Piano Music: 1900-1950,” 35-41. In Proceedings of the Music Teachers National Association (1950), 35-41. Pittsburgh, PA: Music Teachers National Association, 1953.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Knight, John Wesley
Year: 1979
Complete Citation:
Knight, John Wesley. “Graphic Analyses of the Conducting Techniques for Irregular Meters and Nonmetrical Organizations Found in Selected 20th- century Band Literature.” Ph.D. diss., Louisiana State University, 1979. Source: Ph.D. Dissertation
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Koch, Gerhard R.
Year: 1975
Complete Citation:
Koch, Gerhard R. “‘Das himmlische Land’ von Ives.” Musica 29, no. 3 (1975): 230-233.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Kopetz, Barry E.
Year: 1991
Complete Citation:
Kopetz, Barry E. “Charles Ives's Variations on ‘America’: An Interpretive Analysis.” Instrumentalist 45/9 (April 1991): 20-28, 75-79. Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Kostelanetz, André and Gloria Hammond
Year: 1981
Complete Citation:
Kostelanetz, André and Gloria Hammond. Echoes- Memoirs of Andre Kostelanetz, 181. New York, NY: Harcourt Brace Jovanovich, 1981.Notes:
Credits Leopold Stokowski as being “the first to play Gustav Mahler in the U. S., to give the American composer Charles Ives a hearing, and to introduce Le sacre du printemps here.”
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Kraft, Leo
Year: 1990
Complete Citation:
Kraft, Leo. “Afterglow / Charles Ives.” In Gradus: the second year and after: an integrated approach to harmony, counterpoint, and analysis. New York, NY: W.W. Norton, 1990.Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Kramer, A. Walter
Year: 1921
Complete Citation:
Kramer, A. Walter. “A Pseudo-literary Sonata!!!” Musical America (April 2, 1921): 36.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Kramer, Jonathan D.
Year: 1988
Complete Citation:
Notes:
Includes Charles Ives Symphony No. 2, Symphony No. 4, and Three Places in New England
Source: Book
Reprints:
Kramer, Jonathan D. <i>Listen to the music: a self-guided tour through the orchestral repertoire</i>. New York, NY: Schirmer Books.
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Kramer, Lawrence
Year: 2008
Complete Citation:
Kramer, Lawrence. “Music and the Politics of Memory: Charles Ives’s A Symphony: New England Holidays.” Journal of the Society for American Music 2/4 (2008): 459--475.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 2008
Complete Citation:
Kramer, Lawrence. “Music and the Politics of Memory: Charles Ives's A Symphony: New England Holidays.” Journal of the Society for American Music 2/4 (2008): 459--475.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 2013
Complete Citation:
Kramer, Lawrence. “Musique et politique de la mémoire: a symphony: New England holidays de Charles Ives.” In Du politique en analyse musicale, edited by Estaban Buch, Nicolas Donin, and Laurent Feneyrou. Paris, France: VRIN, 2013.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Krehm, Ida
Year: 1946
Complete Citation:
Krehm, Ida. “The Performing Artist Looks at American Music.” Pan Pipes 38/4 (April 1946): 260--262.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Krider, Dale
Year: 2012
Complete Citation:
Krider, Dale. “Musicians in Part-Time Employment: Do Only Organists Play the Organ?” The American Organist, Vol. 46, No. 6 (2012): 50.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Kumlien, Wendell C.
Year: 1974
Complete Citation:
Kumlien, Wendell C. “The Music for Chorus.” Music Educators Journal 61/2 (1974): 48-52.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works