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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Pavlyshyn, Stepanii︠a︡ Stefanivna

Year: 1979
Complete Citation:
Pavlyshyn, Stepanii︠a︡ Stefanivna. Charlz Aĭvz. Moscow, USSR: Sov. kompozitor, 1979.
Source: Book
III. Book-Length Studies
A. Biographies

Perlis, Vivian

Year: 1996
Complete Citation:
Perlis, Vivian. “Ives Spirit Moves Brits.” Piano & Keyboard (1996): 12-14.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Pergament, Moses

Year: 1933
Complete Citation:
Pergament, Moses. “Fourth of July.” Svenska Dogbladet [Stockholm], November 1933, 35.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Perkins, Lawrence

Year: 1961
Complete Citation:
Perkins, Lawrence. “The Sonatas for Violin and Piano by Charles Ives.” Master’s Essay, Eastman School of Music, University of Rochester, 1961.
Notes:

Unpublished

Source: Master’s Thesis
IV. Individual Studies by Genre
B. Chamber Works

Phelps, Thomas

Year: 1997
Complete Citation:
Phelps, Thomas. “‘As I Look Back on These Times’—über Charles Ives und seine Musik in drei Satze.” In Musik/Revolution: Festschrift für Georg Knepler zum 90. Geburststag, edited by Hanns--Werner Heister, 209-240. Volume 2. Hamburg, Germany: Von Bockel Verlag, 1997.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2004
Complete Citation:
Phelps, Thomas. “Manner, Muskeln, Diskussionen. Zum 2. Streich-quartett.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 85-105. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works

Pohly, Linda

Year: 1995
Complete Citation:
Pohly, Linda. “Alleluia! Sacred Choral Music in New England.” American Music 13, no. 1 (Spring 1995): 124-126.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Porter, Cecelia

Year: 1998
Complete Citation:
Porter, Cecelia. “Classical Music: Organist Gregory D’Agostino.” The Washington Post (1998): C4.
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works

Porter, David

Year: 1998
Complete Citation:
Porter, David. “Reconstructing the Emerson Concerto.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Source: Conference paper
Reprints:

“Reconstructing the Emerson Concerto.” College Music Symposium (1999) 39: 27--42.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Porter, David G.

Year: 1998
Complete Citation:
Porter, David G. “On the Reconstruction of Charles Ives’s ‘Emerson’ Piano Concerto.” Unpublished commentary, 1998.
Source: Unpublished commentary.
IV. Individual Studies by Genre
A. Orchestral and Band Works

Porter, David Gray

Year: 1980
Complete Citation:
Porter, David Gray. “The Third Orchestral Set of Charles Edward Ives.” M.A. thesis, California State University, Fullerton, 1980.
Source: M.A. Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works

Porter, David H.

Complete Citation:
Porter, David H. “From Plato to piano strings: An ‘Outward Bound’ for the mind.” The Chronicle of Higher Education 42, no. 28 (March 22, 1996): A52.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Pozzi, Raffaele

Year: 1985
Complete Citation:
Pozzi, Raffaele. “Polemica antiurbana ed isolamento ideologico in ‘Central Park in the Dark’ di Charles Ives.” Nuova Rivista Musicale Italiana 19 (1985): 471-481.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Quinn, Ian

Year: 2006
Complete Citation:
Quinn, Ian. “Collections: “Microtonal Chamber Music.”” American Record Guide, Vol. 69, No. 2 (2006): 201-202.
Source: Magazine (recording review)
IV. Individual Studies by Genre
B. Chamber Works

R&S National Committee, and Barbara Tagg

Year: 2003
Complete Citation:
Repertoire & Standards National Committee and Barbara Tagg. “American Composers and Arrangers: A List.” The Choral Journal, vol. 43, no. 8 (2003): 43-46.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Rasmussen, Jane E.

Year: 1975-1976
Complete Citation:
Rasmussen, Jane E. “Charles Ives’s Music for the Piano.” Student Musicologists at Minnesota 6 (1975-1976): 201-217.
IV. Individual Studies by Genre
C. Keyboard Works

Rathert, Wolfgang

Complete Citation:
Rathert, Wolfgang. “Between the “Self” and the “World.” Remarks on the Development of the Art Song in the 20th Century: With a Commentary on the Art Songs by Sang-Geun Lee.” 이상근 연구, vol. 1 (2015): 7.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1982-1983
Complete Citation:
Rathert, Wolfgang. “Charles Ives: Symphonie Nr. 4, 1911-1916.” Neuland 3 (1982-83): 226-241.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1983
Complete Citation:
Rathert, Wolfgang. “Charles Ives, Symphonie Nr. 4 (1910-1916).” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1986
Complete Citation:
Rathert, Wolfgang. “Paysage imaginaire et perception totale: L’idée et la forme de la symphonie Universe.” Contrechamps 7 (1986): 129-154.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works