Image
Complete Citation:
Madreruelo, Javier. Charles Ives. Madrid, Spain: Circulo de Bellas Artes, 1986.
Bibliography
Genres
Madreruelo, Javier
Year: 1986
Source: Book
III. Book-Length Studies
A. Biographies
A. Biographies
Magee, Gayle Sherwood
Complete Citation:
Magee, Gayle Sherwood. Charles Ives Reconsidered. Music in American Life. Urbana: University of Illinois Press, 2008.Source: Book
III. Book-Length Studies
A. Biographies
A. Biographies
Meine, Sabine
Year: 1992
Complete Citation:
Meine, Sabine. “Scenes from My Childhood Are with Me...Biographische Momente in den 114 Songs von Charles E. Ives.” Musik und Bildung: Praxis Musikerzeitung 24/3 (May-June 1992): 9-13.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Meister, Barbara
Year: 1980
Complete Citation:
Meister, Barbara. An Introduction to the Art Song, 189-191. New York, NY: Taplinger Publishing Company, 1980.Notes:
Discusses When General William Booth Enters into Heaven, “probably the most representative of the lot” (i.e., the songs], 190 (considers The Chil-dren's Hour, The Circus Band, The Greatest Man, The Housatonic at Stockbridge (“One of Ives's most evocative songs...an atmospheric, moody piece of simple serenity. One senses reverie, time suspended, peace.”), In Flanders Fields, The Last Reader, Maple Leaves, The Side- Show, They Are There!,The Things Our Fathers Loved, Tom Sails Away, Two Little Flowers), 191 (“He was the first major thoroughly American composer”).
Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Meyer, Felix
Year: 2000
Complete Citation:
Meyer, Felix. “Transformation and adaptation: the evolution of Charles Ives's song “From ‘Paracelsus.’” In The Rosaleen Moldenhauer memorial: music history from primary sources: a guide to the Moldenhauer Archives. Washington, D.C.: Library of Congress, 2000.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. Adaptation - Transformation - Rekomposition: zu einigen Liedbearbeitungen von Charles Ives. Stuttgart, Germany: Franz Steiner Verlag, 2003.Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. “Adaption - Transformation - Rekomposition. Zu Einigen Liedbearbeitungen Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 60, no. 2 (2003): 115-135.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Miller, Kenneth E.
Year: 1983
Complete Citation:
Miller, Kenneth E. Principles of Singing, 198. Englewood Cliffs, NJ: Pren-tice-Hall, 1983.Notes:
Discusses When Stars Are in the Quiet Skies.
Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Murphy, Scott
Year: 2008
Complete Citation:
Murphy, Scott. “A Composite Approach to Ives’ ‘Cage.’” Twentieth Century Music 5.2 (September 2008): 179-193.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Nathan, Hans
Year: 1960
Complete Citation:
Nathan, Hans. “The Modern Period—United States of America.” In A History of Song, edited by Denis Stevens, 431-437. New York, NY: W.W. Norton, 1960.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Newman, Philip Edward
Year: 1967
Complete Citation:
Newman, Philip Edward. “The Songs of Charles Ives,” Ph.D. diss., University of Iowa, 1967.Notes:
Unpublished
Source: Ph.D. Dissertation
IV. Individual Studies by Genre
E. Songs
E. Songs
Nixon, Marni
Year: 2006
Complete Citation:
Nixon, Marni. I Could Have Sung all Night, 53-54, 110, 253, and 257. New York, NY: Billboard Books, 2006.Notes:
Discussion of her performances of the songs for “Evenings on the Roof” (p. 53-54)
Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Park, Fye-kyung
Year: 2013
Complete Citation:
Park, Hye-kyung. “음악에서의 해체: 아이브즈 (C Ives)의 General William Booth Enters into Heaven에 나타나는 이항대립, 유표성, 음양.” 연세음악연구, no. 20 (2013): 103.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Parr, Sean
Year: 2005
Complete Citation:
Parr, Sean. “Singing the Unsingable: Ives and His 114 Songs.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.Source: Conference paper
IV. Individual Studies by Genre
E. Songs
E. Songs
Pavlyshyn, Stepanii︠a︡ Stefanivna
Year: 1979
Complete Citation:
Pavlyshyn, Stepanii︠a︡ Stefanivna. Charlz Aĭvz. Moscow, USSR: Sov. kompozitor, 1979.Source: Book
III. Book-Length Studies
A. Biographies
A. Biographies
Rathert, Wolfgang
Complete Citation:
Rathert, Wolfgang. “Between the “Self” and the “World.” Remarks on the Development of the Art Song in the 20th Century: With a Commentary on the Art Songs by Sang-Geun Lee.” 이상근 연구, vol. 1 (2015): 7.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1989
Complete Citation:
Rathert, Wolfgang. Charles Ives. Darmstadt, Germany: Wiss. Buchges., 1989.Source: Book
III. Book-Length Studies
A. Biographies
A. Biographies
Year: 1989
Complete Citation:
Rathert, Wolfgang. Charles Ives. Erträge der Forschung. Darmstadt, Germany: Wissenschaftliche Buchgesellschaft, 1989.Source: Book
Reprints:
Rathert, Wolfgang. <i>Charles Ives</i>. Erträge der Forschung. Second Corrected Edition. Wissenschaftliche Buchgesellschaft. Second Corrected Edition, 1996.
III. Book-Length Studies
A. Biographies
A. Biographies
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Hymne auf das Ende eines tragischen Tages. Charles Ives und sein “Orchestral Set No. 2.”” Neue Musikzeitung 5 (May 2004): 3-4.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Musik und Lyrik in der Musikgeschichte der USA.” In Musikalische Lyrik, edited by Hermann Danuser, 331-363. Handbuch der musikalischen Gattungen 8.2, edited by S. Mauser. Lilienthal, Germany: Laaber-Verlag, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs