Hubbs, Nadine
Year: 2019
Complete Citation:
Hubbs, Nadine. “Being Musical: Gender, Sexuality, and Musical Identity in Twentieth-Century America.” In The Queer Composition of America's Sound: Gay Modernists, American Music, and National Identity. Berkeley, CA: University of California Press, 2004.Source: Newsletter
VI. Topical Studies
S. Reception Studies and Related Scholarship
Hüppe, Eberhard
Year: 2012
Complete Citation:
Hüppe, Eberhard. “Dvořák, Ives: Mahler: New York im Konnex europäischer Städte.” In Urbanisierte Musik: eine Studie über gesellschaftliche Determinanten musikalischer Raumproduktion und Raumaneignung. Münster, Germany: Verlagshaus Monsenstein und Vannerdat, 2012.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2012
Complete Citation:
Hüppe, Eberhard. “Charles Ives’ Entkoppelung von Europa.” In Urbanisierte Musik: eine Studie über gesellschaftliche Determinanten musikalischer Raumproduktion und Raumaneignung. Münster, Germany: Verlagshaus Monsenstein und Vannerdat, 2012.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Hurley, Frank H.
Year: 1969
Complete Citation:
Hurley, Frank H. “Freedom: Enterprise and Charles Ives.” Lecture, Music and the American Heritage, Cleveland Institute of Music, Cleveland, Ohio, November 14, 1969.Notes: Musical illustrations were per-formed by Donald Payne, piano, Mary Michael Earl, soprano, and the Cleveland Quartet.
Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Hutton, Edna Rait
Year: 1955
Complete Citation:
Hutton, Edna Rait. “Charles Ives-America's Musical Prophet.” Pan Pipes 46/2 (January 1955): 20-21.Source: Journal
VI. Topical Studies
W. Obituaries
Year: 1963
Complete Citation:
Hutton, Edna Rait. “The Legacy of Charles Ives.” Pan Pipes 55/2 (January 1963): 13-14, 30.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1965
Complete Citation:
Hutton, Edna Rait. “Years Add Luster to Ives Legacy.” Pan Pipes 57/3 (March 1965): 35.Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy
Hwang, Mi Kyung
Year: 2010
Complete Citation:
Hwang, Mi Kyung. “Charles Ives’s Variations on “America”: A Musical Analysis Based upon Jazz Elements.” The Organ, Vol. 89 (2010): 26-35.Source: Magazine
VI. Topical Studies
G. Music Theory Analyses
Isham, Howard
Year: 1973
Complete Citation:
Isham, Howard. “The Musical Thinking of Charles Ives.” Journal of Aesthetics and Art Criticism 31 (1973): 395-404.Source: Journal
VI. Topical Studies
I. Compositional Process
Ivashkin, Alexander
Year: 2013
Complete Citation:
Ivashkin, Alexander and John Cage. “John Cage in Soviet Russia.” Tempo, vol. 67, no. 266 (2013): 18-27.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2016
Complete Citation:
Ivashkin, Alexander. “Symbols, Metaphors and Irrationalities in Twentieth-Century Music.” In Facets of Russian Irrationalism between Art and Life, 415-432. Amsterdam, Netherlands: Rodopi, 2016.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Ives, Charles
Year: 1920
Complete Citation:
Ives, Charles. How to Read the Rate Book. New York, NY: Ives & Myrick, 1920.Source: Book
VI. Topical Studies
D. Insurance
Year: 1968
Complete Citation:
Ives, Charles. “Charles Ives.” In The bitch-goddess success: variations on an American theme by… (Katz, Leslie George, editor). New York, NY: Eakins Press, 1968.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Year: 1971
Complete Citation:
Ives, Charles. “Thoreau.” In Henry David Thoreau: a profile. New York, NY: Hill and Wang, 1971.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Iverson, Jennifer
Year: 2002
Complete Citation:
Iverson, Jennifer. “Ives Reworks Thoreau: Charles Ives’ Interpretation of Thoreau in 114 Songs and Essays before a Sonata.” Publications of the Missouri Philological Association, vol. 27 (2002): 66.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 2011
Complete Citation:
Iverson, Jennifer. “Creating Space: Perception and Structure in Charles Ives’ Collages.” Music Theory Online, Vol. 17 (2011).Source: Journal (online)
VI. Topical Studies
G. Music Theory Analyses
Year: 2011
Complete Citation:
Iverson, Jennifer. “Creating Space: Perception and Structure in Charles Ives’s Collages.” Music Theory Online 17.2 (July 2011).Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Iwaschkin, Aleksandr
Year: 1987
Complete Citation:
Iwaschkin, Aleksandr. “Das Paradoxon des Traditionellen in der Musik von Charles Ives.” Kunst und Literaturrichtung 35 (1987): 812-837.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
J. W. Larson, Arthur W. Murphy, and Brooks Shepard, Jr.
Year: 1964
Complete Citation:
HiFi Stereo Review (November) 13/5: 8, 12.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Jackson, K. David
Year: 2015
Complete Citation:
“Machado and the Spectacle of the World.” In Machado De Assis: A Literary Life, by K. David Jackson, 281-300. New Haven, CT: Yale University Press, 2015.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
