McClendon, Jr., James Wm.
Year: 1990
Complete Citation:
McClendon, Jr., James William. “Expanding the Theory: Charles Edward Ives — Theologian in Music.” In Biography as theology: how life stories can remake today’s theology. Eugene, OR: Wipf and Stock Publishers, 1990.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
McCorkle, Donald, ed.
Year: 1970
Complete Citation:
McCorkle, Donald, ed. “The Composer in Academia: Reflections on a Theme of Stravinsky.” College Music Symposium, Vol. 10 (Fall 1970): 57-58. Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
McDonald, Matthew
Year: 2012
Complete Citation:
McDonald, Matthew. “Ives and the Now.” In Music and Narrative since 1900, edited by Michael L. Klein and Nicholas Reyland, 285-307. Bloomington, IN: Indiana University Press, 2012.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
McGinness, John
Year: 2006
Complete Citation:
McGinness, John. 2006. “Essay: Has Modernist Criticism Failed Charles Ives?” Music Theory Spectrum 28: 99-109.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2006
Complete Citation:
McGinness, John. “How Modernist Criticism Failed Charles Ives.” Music Theory Spectrum 28/1 (Spring 2006): 99-109.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
McHard, James L.
Year: 2006
Complete Citation:
McHard, James L. Charles Ives. In The Future of Modern Music: A Vibrant New Modernism in Music for the Future. Livonia, MI: Iconic Press, 2006.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
McLendon, James Wm., Jr.
Year: 1974
Complete Citation:
McLendon, James William, Jr. “Expanding the Theory: Charles Edward Ives—Theologian in Music.” In Biography as Theology: How Life Stories Can Remake Today’s Theology, 140-169. Nashville, TN: Abingdon Press, 1974.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Mead, Andrew
Year: 2007
Complete Citation:
Mead, Andrew. “On Tempo Relations.” Perspectives of New Music 45, no. 1 (Winter 2007): 64-108.Source: Journal
VI. Topical Studies
R. Performance Approaches
Mead, Rita H.
Year: 1980
Complete Citation:
Mead, Rita H. “Cowell, Ives, and New Music.” Musical Quarterly 66, No. 4 (October 1980).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1981
Complete Citation:
Mead, Rita H. Henry. “Cowell’s “New Music,” 1925-36: The Society, the Music Editions and the Recordings.” Studies in Musicology No. 40. Ann Arbor, MI: UMI Research Press, 1981.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1982
Complete Citation:
Mead, Rita H. “Henry Cowell’s New Music.” The Journal of Musicology 1, No. 4 (October 1982).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1983
Complete Citation:
Mead, Rita H. “The Amazing Mr. Cowell.” American Music 1/4 (Winter 1983): 63-89.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Meelberg, Vincent
Year: 2006
Complete Citation:
Meelberg, Vincent. 2006. New Sounds, New Stories: Narrativity in Contemporary Music. Amsterdam, Netherlands: Leiden University Press, 2006.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Méfano, Paul
Year: 2011
Complete Citation:
Méfano, Paul. “Méfano, Paul (1937).” In Three Questions for Sixty-Five Composers, edited by Bálint András Varga, 174-176. Woodbridge, United Kingdom: Boydell and Brewer, 2011.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Mehring, Frank
Year: 2002
Complete Citation:
Mehring, Frank. “‘Unpremeditated Music’: Thoreaus Avantgardistische Vorstöße in Eine Neudefinition Von Musik.” Amerikastudien/ American Studies 47/1 (2002): 39-54.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 2003
Complete Citation:
Mehring, Frank. “Sphere melodies: die Manifestation transzendentalistischen Gedankenguts in der Musik der Avantgardisten Charles Ives und John Cage.” Series: M & P Schriftenreihe für Wissenschaft und Forschung. Stuttgart, Germany: Metzler, 2003.Source: Book
VI. Topical Studies
Year: 2004
Complete Citation:
Mehring, Frank. “Kontextualisierte Kreativitat: Charles Ives’ Ver-bindungen zum amerikanischen Transzendentalismus aus der Perspektive seiner Biographen.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 179-187. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Melady, Mark
Year: 1975
Complete Citation:
Melady, Mark. “Inns, Ives Win Prizes for Books.” The Hartford Courant, May 11, 1975, 3A.Source: Newspaper
VI. Topical Studies
V. Awards
Mellers, Wilfrid
Year: 1939
Complete Citation:
Mellers, Wilfrid. “Music in the Melting Pot: Charles Ives and the Music of the Americas.” Scrutiny 7 (March 1939): 390-403.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
Year: 1943
Complete Citation:
Mellers, Wilfrid. “American Music (An English Perspective).” Kenyon Review 5/3 (Summer 1943): 357-375.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
