
Bibliography
Genres
Schoenberg, Arnold
Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Oxford University Press, 1955.
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Correspondence from Arnold Schoenberg to Charles Ives. 1944. Charles Ives Papers. Irving S. Gilmore Music Library, Yale University, New Haven, CT.
A note written on a small piece of paper sent by Gertrud Schoenberg to Ives after the death of her husband. Reads “preserve one’s self esteem and to learn.” Initial printing incorrectly read as: “preserve one's self and to learn.” It first appeared in print in Henry and Sidney Cowell, Charles Ives and His Music as a footnote with lines 67 incorrectly reading: Initial misinterpretation was probably due to cursory reading of Schoenberg's problematic handwriting. Reprint Second Edition A reproduction of Schoenberg's note and the correct wording is given on the following page of the present volume. [The original is held in the Ives Papers at Yale University.]
Cowell, Henry and Sidney. Charles Ives and His Music. New York, NY: Oxford University Press, 1955.
E. Comparisons and Relationships with Other Composers, Artists, and Writers
A note written on a small piece of paper sent by Gertrud Schoenberg to Ives after the death of her husband. Reads “preserve one’s self esteem and to learn.” Initial printing incorrectly read as: “preserve one's self and to learn.” It first appeared in print in Henry and Sid-ney Cowell, Charles Ives and His Music as a footnote with lines 6-7 incorrectly reading: Initial misinterpretation was probably due to cursory reading of Schoenberg's problematic handwriting. Reprint Second Edition A repro-duction of Schoenberg's note and the correct wording is given on the following page of the present volume. See also B0972 and B1332 (Ward). [The original is held in the Ives Papers at Yale University.]
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Schoffman, Nach’m
H. Ives, 20th Century Music, and Experimental Styles
Schoffman, Nachum
G. Music Theory Analyses
G. Music Theory Analyses
Schofield, Edmund A.
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Schonberg, Harold
Schonberg, Harold C.
A. Short Biographies and Profiles
L. Ives and America
L. Ives and America
A review of recital that included ten Ives songs plus an unspecified encore (1962 March 2: New York; Museum of Modern Art; Composers Showcase; Helen Boatwright, soprano; William Dale, piano).
E. Comparisons and Relationships with Other Composers, Artists, and Writers
L. Ives and America
Schorske, Carl
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Schrade, Leo
Schrade, Leo. “Charles E. Ives: 1874-1954.” <i>Yale Review</i> 44/4 (June 1955): 535-545.
H. Ives, 20th Century Music, and Experimental Styles
Schubert, Giselher
L. Ives and America
Schuller, Gunther
Discusses absolute music and program music.
G. Music Theory Analyses
Schulz, Dieter
C. Keyboard Works
Schuman, William
A brief but worthwhile sur-vey, especially of “The League of Composers” (365): “The Arrow Music Press is a cooperative venture. The composer pays all, or a portion of, the expense of publishing his compositions and in return receives all but a small fraction of the return. A very interesting catalogue has al-ready been issued by the press, which appears to be increasing its acti-vities.” With the Arrow Press imprint and its subsidiary Cos Cob Press, the following works of Ives were published: Sonata [No. 4] for violin and piano; Serenity; Sixty--Seventh Psalm; Charlie Rutlage; Evening; The Greatest Man', Walking; Seven Songs’, Third Symphony (“The Camp Meeting”) [CI 87); Sonata No. 2, “Concord, Mass., 1840--1860,” for piano; and Where the Eagle (in the Cos Cob Song Volume). The Cos Cob Press was later absorbed by the Arrow Music Press that in turn was merged into Associated Music Publishers. Ives and Walter Piston had the most titles in this catalogue. The article re-prints “Prologue” from Essays Before a Sonata.
U. Institutions and Ives’ Legacy