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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Smith, Kenneth M.

Year: 2011
Complete Citation:
Smith, Kenneth M. “The Tonic Chord and Lacan's Object a in Selected Songs by Charles Ives.” Journal of the Royal Musical Association, vol. 136, no. 2 (2011): 353-398.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Starr, Larry

Year: 1977
Complete Citation:
Starr, Larry. “Charles Ives: The Next Hundred Years — Towards a Method of Analyzing the Music.” The Music Review, Vol. 38, No. 2 (May 1977): 101-111.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Starr, Larry.

Year: 1992
Complete Citation:
Starr, Larry. A Union of Diversities: Style in the Music of Charles Ives. New York, NY: Schirmer Books, 1992.
Source: Book
III. Book-Length Studies
B. Other

Tadday, Ulrich

Year: 2004
Complete Citation:
Tadday, Ulrich. Musik-Konzepte 123 — Charles Ives. Munich, Germany: Edition Text und Kritik, 2004.
Source: Book
III. Book-Length Studies
B. Other

Taruskin, Richard

Year: 2009
Complete Citation:
Taruskin, Richard. “Hearing Cycles.” In On Russian Music, 1st ed., 340-356. Berkeley, CA: University of California Press, 2009.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses

Tibbe, Monika

Year: 1971
Complete Citation:
Tibbe, Monika. “Musik in Musik.” Collagetechnik und Zitierverfahren. In Musica 25/6 (1971): 562-563.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Treider, Leo

Year: 1974
Complete Citation:
Treider, Leo. “Methods, Style, Analysis.” In Report of the Eleventh Congress Copenhagen 1972, Vol. 1, edited by Henrik Claim, Søren Sorensen, and Peter Ryom, 61--70. Copenha-gen, Denmark: Edition Wilhelm Hansen, 1974.
Source: Conference Proceeding/Publication
VI. Topical Studies
G. Music Theory Analyses

Vinay, Gianfranco and Marilène Raiola

Year: 2001
Complete Citation:
Vinay, Gianfranco and Marilène Raiola. Charles Ives et l'utopie sonore américaine. Paris, France: Tum et Michel de Maune, 2001.
Source: Book
III. Book-Length Studies
B. Other

Weiss, Mark

Year: 1977
Complete Citation:
Weiss, Mark. A Meditation on Charles Ives. Boston: Heron Press, 1977.
Source: Book
III. Book-Length Studies
B. Other

Wood, James

Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.
Notes:

Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”

Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Zierolf, Robert

Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element in
Ives’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.
Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses

no author listed

Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-tone User.” The New York Times. December 1, 1962, 17.
Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
Year: 1974
Complete Citation:
Ivesiana; Charles Ives (1874-1954): Zum hundertsten Geburtstag des “Vaters der amerikanischen Musik.” Hamburg, Germany: Peer Hamburg, 1974.
Source: Book
III. Book-Length Studies
B. Other
Year: 1983
Complete Citation:
Recordando a Charles Ives. Bogotá, Colombia: Centro Colombo Americano, 1983.
Source: Book/Pamphlet
III. Book-Length Studies
B. Other
Year: 2009
Complete Citation:
“Creó El Compositor Charles Ives Una Técnica Innovadora.” Notimex, October 19, 2009.
Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
Year: 2010
Complete Citation:
“Continúan vigentes técnicas que incorporó Charles Ives a la música.” Notimex, October 19, 2010.
Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses