Alexander, Shaina
Year: 1999
Complete Citation:
Alexander, Shaina. Charles Ives: His Life and Esthetic Theories. Morris Moore Series in Musicology, No. 11. Silver Spring, MD: Shazco, 1999.Source: Book
III. Book-Length Studies
B. Other
Anderson, William
Year: 1975
Complete Citation:
Anderson, William. “Editorially Speaking: Composer Charles Ives Enters History.” Stereo Review 34/3 (March 1975): 4.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Austin, Larry
Year: 1976
Complete Citation:
Austin, Larry. “Reconstruction of Ives’ Universe Symphony.” In Desert Plants: Conversations with 23 American Musicians, interviewed by Walter Zimmermann, 207-220. Vancouver, BC: A.R.C. Publications, 1976.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modem Performance from Sketches for His Universe Symphony.” Percussionist 23, no. 6 (1985): 58-84.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Bales, Richard and Charles Seeger
Year: 1950
Complete Citation:
Bales, Richard and Charles Seeger. “Tone Roads No. 1 for Chamber Orchestra (performable also as chamber music).” New York: Peer International Corp., 1949. Notes 7/3 (June 1950): 432-433.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Bemlef, J.
Year: 1974
Complete Citation:
Bemlef, J. “On Charles Ives and Wild Gardening.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 232-238. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Block, Geoffrey
Year: 1996
Complete Citation:
Geoffrey Block. Ives: Concord Sonata. Cambridge Music Handbooks, general editor, Julian Rushton. Cambridge, United Kingdom: Cambridge University Press.Source: Book
III. Book-Length Studies
B. Other
Year: 1997
Complete Citation:
Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, UK: Cambridge University Press, 1997.Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1997
Complete Citation:
Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Block, Geoffrey, and J. Peter Burkholder (editors)
Year: 1996
Complete Citation:
Block, Geoffrey, and J. Peter Burkholder, eds. Charles Ives and the Classical Tradition. New Haven, CT: Yale University Press, 1996.Source: Book
III. Book-Length Studies
B. Other
Block, Geoffrey and Julian Rushton
Year: 1996
Complete Citation:
Block, Geoffrey. Ives: Concord Sonata. Cambridge Music Handbooks. Cambridge: Cambridge University Press, 1996.Source: Book
III. Book-Length Studies
B. Other
Brandt, Maarten
Year: 2002
Complete Citation:
Brandt, Maarten. “Klinkende Alchemie.” Mens en Melodie, Vol. 57, No. 5 (2002): 170-172.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Brown, Marshall
Year: 1992
Complete Citation:
Brown, Marshall. “Origins of Modernism: Musical Structures and Narrative Forms.” In Music and Text: Critical Inquiries, edited by Steven Paul Scher, 75--92. Cambridge, UK: Cambridge University Press, 1992.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Brown, Ray
Year: 1932
Complete Citation:
Brown, Ray. “Saminsky Revises Music of Our Day.” Modern Music (November--December 1939) 17/1: 65-66.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Budiansky, Stephen
Year: 2014
Complete Citation:
Budiansky, Stephen. Mad Music: Charles Ives, the Nostalgic Rebel. Lebanon, NH: ForeEdge, 2014.Source: Book
III. Book-Length Studies
B. Other
Burkholder, J. Peter
Year: 1985
Complete Citation:
Burkholder, J. Peter. Charles Ives: The Ideas Behind the Music. New Haven: Yale University Press, 1985.Source: Book
Reprints: Burkholder, J. Peter. Charles Ives: The Ideas Behind the Music [<i>チャールズ・アイブズ : 音楽にひそむアメリカ思想 /<br></i>Chāruzu aibuzu: ongaku ni hisomu amerika shisō]. Translated by Kazuhiko Kimura. 旺史社, Tōkyō : Ōshisha, 1993.
III. Book-Length Studies
B. Other
Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives the Avantgardist, Charles Ives the Traditionalist.” In Bericht über das Internationale Symposion “CharIes Ives und die amerikanische Musiktradition bis zur Gegenwart,” Köln 1988,” edited by Klaus W. Niemöller, 164, 37-52. Regensburg, Germany: Kölner Beiträge zur Musikforschung, 1990.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1996
Complete Citation:
Burkholder, J. Peter “Models and Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 39-43. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 2021
Complete Citation:
Burkholder, J. Peter. Listening to Charles Ives: Variations on His America. London, United Kingdom: Amadeus Press, 2021.Notes: Includes foreword by Leonard Slatkin.
Source: Book
III. Book-Length Studies
B. Other
Burkholder, J. Peter, ed.
Year: 1996
Complete Citation:
Burkholder, J. Peter, ed. Charles Ives and his World. Princeton, NJ: Princeton University Press, 1996.Source: Book
III. Book-Length Studies
B. Other