Image
Complete Citation:
Danuser, Hermann. Amerikanische Musik seit Charles Ives: Interpretationen Quellentexte Komponistenmonographien. Laaber: Laaber Verlag, cop. 1987.
Bibliography
Genres
Danuser, Hermann
Year: 1987
Source: Book
III. Book-Length Studies
B. Other
B. Other
Denave, Laurent
Year: 2017
Complete Citation:
Denave, Laurent. Charles Ives: naissance de la modernité musicale aux États-Unis. Chateau-Gontier, France: Editions Aedam Musicae, 2017.Source: Book
III. Book-Length Studies
B. Other
B. Other
DeVenney, David P.
Year: 1999
Complete Citation:
DeVenney, David P. “The End of the Century: Impressionism and the Flowering of Roman-ticism.” In Varied Carols: A Survey of American Choral Literature, 105-109. Westport, CT: Greenwood Press, 1999.Notes:
In Chapter 5, “The End of the Century: Impressionism and the Flowering of Roman-ticism,” some details are given about General William Booth Enters into Heaven, Psalm 90, Psalm 24, Psalm 54, Psalm 135, The Celestial Country, and Three Harvest Home Chorales.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Duane, Ben
Year: 2013
Complete Citation:
Duane, Ben. “Auditory Streaming Cues in Eighteenth- and Early Nineteenth-Century String Quartets: A Corpus-Based Study.” Music Perception: An Interdisciplinary Journal 31/1 (2013): 46-58.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Duke, Vernon
Year: 1937
Complete Citation:
Duke, Vernon. “Musicalantics and Antiques.” Stage (March 1937): 78.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Felsenfeld, Daniel
Year: 2004
Complete Citation:
Felsenfeld, Daniel. Charles Ives and Aaron Copland: A Listener’s Guide. Pompton Plains, NJ: Amadeus Press, 2004.Notes:
Includes accompanying CD
Source: Book
III. Book-Length Studies
B. Other
B. Other
Fenner, Lucie
Year: 2005
Complete Citation:
Fenner, Lucie. Erinnerung und Entlehnung im Werk von Charles Ives. Tutzing, Germany: Hans Schneider, 2005.Source: Book
III. Book-Length Studies
B. Other
B. Other
Gail, Dorothea
Year: 2018
Complete Citation:
Gail, Dorothea. Weird American music: Case Studies of Underground Resistance, BarlowGirl, Jackalope, Charles Ives, and Waffle House Music. Heidelberg, Germany: Universitätsverlag Winter, 2018.Source: Book
III. Book-Length Studies
B. Other
B. Other
Giebisch, Thomas
Year: 1993
Complete Citation:
Giebisch, Thomas. Take-off als Kompositionsprinzip bei Charles Ives. Kassel, Germany: Bosse, 1993.Source: Book
III. Book-Length Studies
B. Other
B. Other
Henderson, Clayton W.
Year: 1990
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. Sterling Heights, MI: Harmonie Park Press, 1990.Source: Book
III. Book-Length Studies
B. Other
B. Other
Year: 1990
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. Bibliographies in American Music, 14, edited by James R. Heintze. Warren, MI: Harmonie Park Press, 1990.Notes:
A collection of melo-dies (i.e., without their original harmonizations) that Ives used in his compositions. Part I: hymn tunes, patriotic songs, military music, pop-ular songs, college music, popular instrumental melodies, and some classical pieces. Part II: unknown tunes, [a list of] Ives's compositions with quotations, and musical incipits.
Source: Book
III. Book-Length Studies
B. Other
B. Other
Year: 2008
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. 2nd ed. Bloomington, IN: Indiana University Press, 2008.Source: Book
III. Book-Length Studies
B. Other
B. Other
Hitchcock, H. Wiley
Year: 1977
Complete Citation:
Hitchcock, H. Wiley. Ives: A Survey of the Music. New York, NY: Institute for Studies in American Music, 1977.Source: Book
Reprints:
Hitchcock, H. Wiley. <i>Ives: A Survey of the Music</i>. 2nd ed. London, United Kingdom: Oxford University Press, 1983.
III. Book-Length Studies
B. Other
B. Other
Year: 1977
Complete Citation:
Hitchcock, H. Wiley. Ives. London, England: Oxford University Press, 1977.Source: Book
III. Book-Length Studies
B. Other
B. Other
Hüppe, Eberhard
Year: 2012
Complete Citation:
Hüppe, Eberhard. “Charles Ives’ Entkoppelung von Europa.” In Urbanisierte Musik: eine Studie über gesellschaftliche Determinanten musikalischer Raumproduktion und Raumaneignung. Münster, Germany: Verlagshaus Monsenstein und Vannerdat, 2012.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Ivashkin, Alexander
Year: 1991
Complete Citation:
Ivashkin, Alexander. Charlʹz Aĭvz i muzyka XX veka. Moscow, Russia: Sov. kompozitor, 1991.Source: Book
III. Book-Length Studies
B. Other
B. Other
Johnson, Marc E.
Year: 2002
Complete Citation:
Johnson, Marc E. “Charles Ives’s (Utopian, Pragmatist, Nostalgic, Progressive, Romantic, Modernist) Yankee Realism.” American Music 20.2 (Summer 2002): 188-233.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Johnson, Timothy A.
Year: 2004
Complete Citation:
Johnson, Timothy A. Baseball and the Music of Charles Ives: A Proving Ground. Lanham, MD: Scarecrow Press, 2004.Source: Book
III. Book-Length Studies
B. Other
B. Other
Karl, Frederick R.
Year: 1985
Complete Citation:
Karl, Frederick R. Modern and Modernism: The Sovereignty of the Artist, 1885-1925, 337. New York, NY: Atheneum, 1985.Notes:
“In America, Charles Ives was, without direct awareness of European developments, pursuing his own forms of Modernism,” (340-341).
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Karolyi, Otto
Year: 1996
Complete Citation:
Source: Chapter in Book
III. Book-Length Studies
B. Other
B. Other