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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Gann, Kyle

Year: 1991
Complete Citation:
Gann, Kyle. “Pulitzer Hacks: Amateur Composers versus the Profes-sionals.” Village Voice, July 30, 1991.
Notes:

Cites the story from Milton Babbitt that Ives was not a professional composer.

Source: Newspaper
VI. Topical Studies
V. Awards
Year: 1992
Complete Citation:
Gann, Kyle. “Composer’s Clearing House: The Pulitzer Prize.” Village Voice, May 5, 1992.
Notes:

Claims Lou Harrison urged Ives to “expunge the 'ex-perimental' parts of the Third Symphony” [i.e., “shadow parts”].

Source: Newspaper
VI. Topical Studies
V. Awards

Giebisch, Thomas

Year: 1993
Complete Citation:
Giebisch, Thomas. Take-off als Kompositionsprinzip bei Charles Ives. Kassel, Germany: Bosse, 1993.
Source: Book
III. Book-Length Studies
B. Other

Henderson, Clayton W.

Year: 1990
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. Bibliographies in American Music, 14, edited by James R. Heintze. Warren, MI: Harmonie Park Press, 1990.
Notes:

A collection of melo-dies (i.e., without their original harmonizations) that Ives used in his compositions. Part I: hymn tunes, patriotic songs, military music, pop-ular songs, college music, popular instrumental melodies, and some classical pieces. Part II: unknown tunes, [a list of] Ives's compositions with quotations, and musical incipits.

Source: Book
III. Book-Length Studies
B. Other
Year: 1990
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. Sterling Heights, MI: Harmonie Park Press, 1990.
Source: Book
III. Book-Length Studies
B. Other
Year: 2008
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. 2nd ed. Bloomington, IN: Indiana University Press, 2008.
Source: Book
III. Book-Length Studies
B. Other

Hitchcock, H. Wiley

Year: 1977
Complete Citation:
Hitchcock, H. Wiley. Ives: A Survey of the Music. New York, NY: Institute for Studies in American Music, 1977.
Source: Book
Reprints:

Hitchcock, H. Wiley. <i>Ives: A Survey of the Music</i>. 2nd ed. London, United Kingdom: Oxford University Press, 1983.

III. Book-Length Studies
B. Other
Year: 1977
Complete Citation:
Hitchcock, H. Wiley. Ives. London, England: Oxford University Press, 1977.
Source: Book
III. Book-Length Studies
B. Other

Ivashkin, Alexander

Year: 1991
Complete Citation:
Ivashkin, Alexander. Charlʹz Aĭvz i muzyka XX veka. Moscow, Russia: Sov. kompozitor, 1991.
Source: Book
III. Book-Length Studies
B. Other

Johnson, Timothy A.

Year: 2004
Complete Citation:
Johnson, Timothy A. Baseball and the Music of Charles Ives: A Proving Ground. Lanham, MD: Scarecrow Press, 2004.
Source: Book
III. Book-Length Studies
B. Other

Karolyi, Otto

Year: 1996
Complete Citation:
Source: Chapter in Book
III. Book-Length Studies
B. Other

Kozinn, Allan

Year: 1998
Complete Citation:
Kozinn, Allan. “Composer Wins Freedom, but It's Temporary.” The New York Times, January 15 1998.
Source: Newspaper
VI. Topical Studies
V. Awards
Year: 2000
Complete Citation:
Kozinn, Allan. “Chinese-Born Composer Wins $225,000 Ives Prize.” The New York Times, December 21, 2000, sec. E, 11.
Source: Newspaper
VI. Topical Studies
V. Awards

Lambert, Philip

Year: 1997
Complete Citation:
Lambert, Philip. “The Music of Charles Ives.” New Haven, CT: Yale University Press, 1997.
Source: Book
III. Book-Length Studies
B. Other
Year: 1997
Complete Citation:
Lambert, Philip. The Music of Charles Ives. Composers of the Twen-tieth Century, series edited by Allen Forte. New Haven, CT: Yale University Press, 1997.
Notes:

Includes analyses of Tone Roads No. 1, Study No. 5, and The Cage.

Source: Book
III. Book-Length Studies
B. Other
Year: 2001
Complete Citation:
Lambert, Philip. The Music of Charles Ives. New Haven, CT: Yale University Press, 1997.
Source: Journal
III. Book-Length Studies
B. Other

Lambert, Philip, ed.

Year: 1997
Complete Citation:
Lambert, Philip, ed. Charles Ives Studies. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Book
III. Book-Length Studies
B. Other

Lambert, Philip (editor)

Year: 1997
Complete Citation:
Lambert, Philip, ed. Ives Studies. Cambridge, UK: Cambridge University Press, 1997.
Source: Book
III. Book-Length Studies
B. Other

Magee, Gayle Sherwood

Year: 2008
Complete Citation:
Magee, Gayle Sherwood. Charles Ives Reconsidered. Music in American Life. Urbana, IL: University of Illinois Press, 2008.
Source: Book
III. Book-Length Studies
B. Other

Manfried, Walter

Year: 1948
Complete Citation:
Manfried, Walter. “Composer Won a Pulitzer Prize, But He’s Still the Great Unheard: Charles Ives Has Written Strange Music for Horns, But Doesn’t Toot His Own.” Green Sheet - Milwaukee Journal. June 23, 1948.
Source: Newspaper
VI. Topical Studies
V. Awards