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Bibliography

Lambert, Philip

Year: 1997
Complete Citation:
Lambert, Philip. The Music of Charles Ives. Composers of the Twen-tieth Century, series edited by Allen Forte. New Haven, CT: Yale University Press, 1997.
Notes:

Includes analyses of Tone Roads No. 1, Study No. 5, and The Cage.

Source: Book
III. Book-Length Studies
B. Other
Year: 2001
Complete Citation:
Lambert, Philip. The Music of Charles Ives. New Haven, CT: Yale University Press, 1997.
Source: Journal
III. Book-Length Studies
B. Other

Lambert, Philip, ed.

Year: 1997
Complete Citation:
Lambert, Philip, ed. Charles Ives Studies. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Book
III. Book-Length Studies
B. Other

Lambert, Philip (editor)

Year: 1997
Complete Citation:
Lambert, Philip, ed. Ives Studies. Cambridge, UK: Cambridge University Press, 1997.
Source: Book
III. Book-Length Studies
B. Other

Lang, Paul Henry

Year: 1961
Complete Citation:
Lang, Paul Henry. One Hundred Years of American Music, 98--99, 108. New York, NY: G. Schirmer, 1961.
Notes:

Scattered passing references.

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Layton, Robert

Year: 1960
Complete Citation:
Layton, Robert. “Music in the United States.” Twentieth Century Music, edited by Rollo H. Myers, 197-198. London, United Kingdom: John Calder, 1960.
Notes:

“His works show an extraordinary admixture of sheer genius and downright incom-petence.”

Source: Chapter in Book
Reprints:

Revised and Enlarged Edition, 1968: 232-240.

VII. Entries in Larger Volumes
A. Textbook Accounts

Llloyd, Norman

Year: 1968
Complete Citation:
Lloyd, Norman. “Ives, Charles Edward.” The Golden Encyclopedia of Music. New York, NY: Golden Press, 259-260.
Notes:

For young readers. An in-formative article, with minor errors. Discussion of Ives's Symphony No. 4, photograph, musical example No. 28 (tone clusters in Concord Sonata). Numerous other citations: 60, 126, 251, 473, 661.

Source: Article in Encyclopedia
VII. Entries in Larger Volumes
B. Encyclopedia Entries

Machlis, Joseph

Year: 1979
Complete Citation:
Machlis, Joseph. Introduction to contemporary music. 2nd ed. New York, NY: Norton, 1979.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Magee, Gayle Sherwood

Year: 2008
Complete Citation:
Magee, Gayle Sherwood. Charles Ives Reconsidered. Music in American Life. Urbana, IL: University of Illinois Press, 2008.
Source: Book
III. Book-Length Studies
B. Other

McDonald, Matthew James

Year: 2014
Complete Citation:
McDonald, Matthew James. Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives. Bloomington, IN: Indiana University Press, 2014.
Source: Book
III. Book-Length Studies
B. Other

Mellers, Wilfrid

Year: 1965
Complete Citation:
Mellers, Wilfrid. “Jottings of Charles Ives.” In Music in a new found land; themes and developments in the history of American music. New York, NY: A.A. Knopf, 1965.
Source: Chapter in Book
VII. Entries in Larger Volumes
D. Other

Paul, David C.

Year: 2014
Complete Citation:
Paul, David C. Charles Ives in the mirror: American histories of an iconic composer. Urbana, Illinois: University of Illinois Press, 2014.
III. Book-Length Studies
B. Other

Perlis, Vivian

Year: 1974
Complete Citation:
Perlis, Vivan. Charles Ives Remembered: an Oral History. New Haven, CT: Yale University Press, 1974.
Notes:

2002 Edition contains foreword by J. Peter Burkholder.

Source: Book
Reprints:

Perlis, Vivan. <i>Charles Ives Remembered: an Oral History</i>. Champaign, IL: University of Illinois Press, 2002.

III. Book-Length Studies
B. Other

Perry, Rosalie Sandra

Year: 1974
Complete Citation:
Perry, Rosalie Sandra. Charles Ives and the American Mind. Kent, OH: Kent State University Press, 1974.
Source: Book
III. Book-Length Studies
B. Other

Riedel, Johannes and Robert Oudal

Year: 1969
Complete Citation:
Riedel, Johannes and Robert Oudal. A Charles Ives primer; a tentative introduction to music ideas as found in Charles Ives’ music. Minneapolis, MN: University of Minnesota, 1969.
Source: Book
III. Book-Length Studies
B. Other

Riemann, Hugo

Year: 1968
Complete Citation:
Riemann, Hugo. Riemann Musik Lexikon, edited by Wilibald Gurlitt, 857--858. Vol. 1. 12th ed. Mainz, Germany: B. Schott, 1968.
Notes:

A compact, but useful, unsigned article with a substantial list of works and a brief biography.

Source: Book/Encyclopedia
VII. Entries in Larger Volumes
B. Encyclopedia Entries

Routh, Francis

Year: 1968
Complete Citation:
Routh, Francis. “Contemporary music: an introduction.” London, United Kingdom: English Universities Press, 1968.
VII. Entries in Larger Volumes
A. Textbook Accounts

Sadie, Stanley, and Alison Latham, ed.

Year: 1986
Complete Citation:
Sadie, Stanley, and Alison Latham, ed. Stanley Sadie’s Music Guide: An Introduction, 458-463. Englewood Cliffs, NJ: Prentice-Hall, 1986.
Notes:

The main entry includes some biography and a list of works and uses Three Places in New England for study: “Putnam’s Camp,” No. 2. “Charles Ives was composing pieces of irrational juxtaposition of musi-cal ideas and deliberately distorted harmonies” (423).

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Salzman, Eric

Year: 1967
Complete Citation:
Salzman, Eric. Twentieth -Century Music: An Introduction, 61, 64, 97, 143--148, 152, 164. Englewood Cliffs, NJ: Prentice- Hall, 1967.
Source: Book
Reprints:

Salzman, Eric. <i>Twentieth -Century Music: An Introduction</i>, 128--131.<i> </i>Second Edition. Englewood Cliffs, NJ: Prentice- Hall,. 1974. * Third Edition, 1988. * Fourth Edition, 2002: 136--139.

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1967
Complete Citation:
Salzman, Eric. “Ives.” In 20th-century Music: An Introduction, 143-147. Englewood Cliffs, NJ: Prentice Hall, 1967.
Source: Chapter in Book
Reprints:

Salzman, Eric. “Ives.” In <i>20th-century Music: An Introduction</i>, 128-131. Englewood Cliffs, NJ: Prentice Hall, 1974.

VII. Entries in Larger Volumes
A. Textbook Accounts