Lang, Paul Henry
Year: 1961
Complete Citation:
Lang, Paul Henry. One Hundred Years of American Music, 98--99, 108. New York, NY: G. Schirmer, 1961.Notes: Scattered passing references.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Layton, Robert
Year: 1960
Complete Citation:
Layton, Robert. “Music in the United States.” Twentieth Century Music, edited by Rollo H. Myers, 197-198. London, United Kingdom: John Calder, 1960.Notes: “His works show an extraordinary admixture of sheer genius and downright incom-petence.”
Source: Chapter in Book
Reprints: Revised and Enlarged Edition, 1968: 232-240.
VII. Entries in Larger Volumes
A. Textbook Accounts
Machlis, Joseph
Year: 1979
Complete Citation:
Machlis, Joseph. Introduction to contemporary music. 2nd ed. New York, NY: Norton, 1979.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Magee, Gayle Sherwood
Year: 2008
Complete Citation:
Magee, Gayle Sherwood. Charles Ives Reconsidered. Music in American Life. Urbana, IL: University of Illinois Press, 2008.Source: Book
III. Book-Length Studies
B. Other
McDonald, Matthew James
Year: 2014
Complete Citation:
McDonald, Matthew James. Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives. Bloomington, IN: Indiana University Press, 2014.Source: Book
III. Book-Length Studies
B. Other
Paul, David C.
Year: 2014
Complete Citation:
Paul, David C. Charles Ives in the mirror: American histories of an iconic composer. Urbana, Illinois: University of Illinois Press, 2014.III. Book-Length Studies
B. Other
Perlis, Vivian
Year: 1974
Complete Citation:
Perlis, Vivan. Charles Ives Remembered: an Oral History. New Haven, CT: Yale University Press, 1974.Notes: 2002 Edition contains foreword by J. Peter Burkholder.
Source: Book
Reprints: Perlis, Vivan. <i>Charles Ives Remembered: an Oral History</i>. Champaign, IL: University of Illinois Press, 2002.
III. Book-Length Studies
B. Other
Perry, Rosalie Sandra
Year: 1974
Complete Citation:
Perry, Rosalie Sandra. Charles Ives and the American Mind. Kent, OH: Kent State University Press, 1974.Source: Book
III. Book-Length Studies
B. Other
Riedel, Johannes and Robert Oudal
Year: 1969
Complete Citation:
Riedel, Johannes and Robert Oudal. A Charles Ives primer; a tentative introduction to music ideas as found in Charles Ives’ music. Minneapolis, MN: University of Minnesota, 1969.Source: Book
III. Book-Length Studies
B. Other
Routh, Francis
Year: 1968
Complete Citation:
Routh, Francis. “Contemporary music: an introduction.” London, United Kingdom: English Universities Press, 1968.VII. Entries in Larger Volumes
A. Textbook Accounts
Sadie, Stanley, and Alison Latham, ed.
Year: 1986
Complete Citation:
Sadie, Stanley, and Alison Latham, ed. Stanley Sadie’s Music Guide: An Introduction, 458-463. Englewood Cliffs, NJ: Prentice-Hall, 1986.Notes: The main entry includes some biography and a list of works and uses Three Places in New England for study: “Putnam’s Camp,” No. 2. “Charles Ives was composing pieces of irrational juxtaposition of musi-cal ideas and deliberately distorted harmonies” (423).
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Salzman, Eric
Year: 1967
Complete Citation:
Salzman, Eric. Twentieth -Century Music: An Introduction, 61, 64, 97, 143--148, 152, 164. Englewood Cliffs, NJ: Prentice- Hall, 1967.Source: Book
Reprints: Salzman, Eric. <i>Twentieth -Century Music: An Introduction</i>, 128--131.<i> </i>Second Edition. Englewood Cliffs, NJ: Prentice- Hall,. 1974. * Third Edition, 1988. * Fourth Edition, 2002: 136--139.
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1967
Complete Citation:
Salzman, Eric. “Ives.” In 20th-century Music: An Introduction, 143-147. Englewood Cliffs, NJ: Prentice Hall, 1967.Source: Chapter in Book
Reprints: Salzman, Eric. “Ives.” In <i>20th-century Music: An Introduction</i>, 128-131. Englewood Cliffs, NJ: Prentice Hall, 1974.
VII. Entries in Larger Volumes
A. Textbook Accounts
Saminsky, Lazare
Year: 1949
Complete Citation:
Saminsky, Lazare. Living Music of the Americas, 43, 149-152. New York, NY: Howell, Soskin and Crown, 1949.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Simms, Bryan R.
Year: 1996
Complete Citation:
Simms, Bryan R. Music in the Twentieth Century: An Anthology. New York, NY: Schirmer, 1996.Notes: Accompanying CD includes Charlie Rutlage and from Paracelsus.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Slominsky, Nicolas
Year: 1937
Complete Citation:
Slominsky, Nicolas. Music since 1900. New York, New York: W.W. Norton, 1937.Source: Book
Reprints: Second Edition, 1938. Third Edition, 1949. Fourth Edition, 1971. Fifth Edition, 1994.
VII. Entries in Larger Volumes
A. Textbook Accounts
Starr, Larry.
Year: 1992
Complete Citation:
Starr, Larry. A Union of Diversities: Style in the Music of Charles Ives. New York, NY: Schirmer Books, 1992.Source: Book
III. Book-Length Studies
B. Other
Stolba, K. Marie
Year: 1990
Complete Citation:
Stolba, K. Marie. “Late Nineteenth-Century—Early Twentieth-Century Music.” In The Development of Western Music: An History, 789-793. Madison, WI: Brown and Benchmark, 1990.Notes: Discusses "The Alcotts" from the Concord Sonata, which is supplied with the supplementary recordings {D101}.
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Tadday, Ulrich
Year: 2004
Complete Citation:
Tadday, Ulrich. Musik-Konzepte 123 — Charles Ives. Munich, Germany: Edition Text und Kritik, 2004.Source: Book
III. Book-Length Studies
B. Other
Taruskin, Richard
Year: 2005
Complete Citation:
Taruskin, Richard. The Oxford History of Western Music: The Early Twentieth Century, 245-292. Vol. 4 of The Oxford History of Western Music. Oxford, United Kingdom: Ox-ford University Press, 2005.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts