Image
Complete Citation:
Daugherty, Michael. “Goethe and Emerson: the link between aesthetic theories and compositional processes of Gustav Mahler and Charles Ives.” M.M.A. Thesis, Yale University, 1982.
Bibliography
Genres
Daugherty, Michael
Year: 1982
Source: M.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Davies, Hilary W.
Year: 1987
Complete Citation:
Davies, Hilary W. "The correlation between source and style in the music of Ives.” Ph.D. diss., University of Wales, 1987.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Davis, Joel Scott
Year: 2011
Complete Citation:
Davis, Joel Scott. “The Populist Variations: The Role of Hymnody in the Music of Charles Ives, Aaron Copland, and John Adams.” D.M.A. diss., Claremont Graduate University, 2011.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Davies, John Nigel
Year: 1973
Complete Citation:
Davies, John Nigel. “Two aspects of the American avant-garde: Charles Ives and John Cage: a dissertation.” Ph.D. diss., 1973.Source: Book
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Davy, Rebecca Evers
Year: 2008
Complete Citation:
Davy, Rebecca Evers. “The First Piano Sonata of Charles Ives: An Analytical and Historical Study.” Ph.D. diss., University of Southern California, 2008.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Denave, Laurent
Year: 2017
Complete Citation:
Denave, Laurent. Charles Ives: naissance de la modernité musicale aux États-Unis. Chateau-Gontier, France: Editions Aedam Musicae, 2017.Source: Book
III. Book-Length Studies
B. Other
B. Other
Dosches, Barbara
Year: 1970
Complete Citation:
Dosches, Barbara. “‘Substance’ and ‘Manner’ in the Music of Charles Ives.” D.M.A. document, University of Colorado, 1970.Source: D.M.A. Document
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Dotson, Mary Elizabeth
Year: 1976
Complete Citation:
Dotson, Mary Elizabeth. Selected research and the corollary performance of two piano pieces by Charles Ives. Jefferson City, TN: Carson-Newman College, 1976.Source: Honors Project
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
C. Baccalaureate Essays
Eames, Philip
Year: 2010
Complete Citation:
Eames, Philip. “Approaches to the Hawthorne Movement of the Concord Sonata by Charles Ives.” M. Mus. Thesis, Griffith University, 2010.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Easter, Stanley Eugene
Year: 1969
Complete Citation:
Easter, Stanley Eugene. “A Study Guide for the Performance of Twent-ieth Century Music from Selected Ballet Repertoires for Trombones and Tuba.” Ed.D. diss., Columbia University, 1969.Notes:
Dis-cusses (in Chapter III) music for twelve ballets including Ivesiana {E216}, especially Central Park in the Dark, and A Set of Theater Pieces ("In the Inn" and "In the Night").
Source: Ed.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Eckert, David C.
Year: 2012
Complete Citation:
Eckert, David C. “An instrumental conducting recital document.” M.M. thesis, University of Texas at San Antonio, 2012.Source: M.M. Thesis/Recital Document
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Eiseman, David
Year: 1972
Complete Citation:
Eiseman, David. “Charles Ives and the European tradition: a historical reappraisal.” Ph.D. diss., University of Illinois, 1972.Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Year: 1972
Complete Citation:
Eiseman, David. “Charles Ives and the European Symphonic Tradition: A Historical Reappraisal.” Ph.D. diss., University of Illinois, 1972.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Evseeva, Marina
Year: 1989
Complete Citation:
Evseeva, Marina. “Fortepiannaja sonata v tvorcestve kompozitorov SSA XX veka: Carl’z Ajvz, Aaron Koplend, Vinsent Persiketti.” Ph.D. diss., Gosudarstvennaja Konservatorija, Moscow, 1989.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Ewing, James William
Year: 1965
Complete Citation:
Ewing, James William. “A study of selected songs of Charles Edward Ives.” D. Mus. thesis, Northwestern University.Source: D.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Fairfield, Patrick K.
Year: 2000
Complete Citation:
Fairfield, Patrick K. “Representations of gender and sexuality in the music and writings of Charles Ives.” Ph.D. diss., Brandeis University, 2000.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Felsenfeld, Daniel
Year: 2004
Complete Citation:
Felsenfeld, Daniel. Charles Ives and Aaron Copland: A Listener’s Guide. Pompton Plains, NJ: Amadeus Press, 2004.Notes:
Includes accompanying CD
Source: Book
III. Book-Length Studies
B. Other
B. Other
Fenner, Lucie
Year: 2005
Complete Citation:
Fenner, Lucie. Erinnerung und Entlehnung im Werk von Charles Ives. Tutzing, Germany: Hans Schneider, 2005.Source: Book
III. Book-Length Studies
B. Other
B. Other
Fessel, Pablo
Year: 2006
Complete Citation:
Fessel, Pablo. “Heterogeneidad y concreción en la simultneidad musical. Una caracterización teórica e histórica del concepto de textura.” Doctoral thesis, Universidad de Buenos Aires, 2005.Source: Doctoral Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Filho, Carlos Marigo
Year: 2001
Complete Citation:
Filho, Carlos Marigo. “L'allusion musicale au début du XXe siècle.” Ph.D. diss., Université Panthéon-Sorbonne (Paris), 2001.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations