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Bibliography

Karolyi, Otto

Year: 1996
Complete Citation:
Source: Chapter in Book
III. Book-Length Studies
B. Other

Karrel, John

Year: 1974
Complete Citation:
Karrel, John. “‘Musical Meeting’ on Ives Draws Many.” The Hartford Courant, August 18, 1974, A2.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kart, Larry

Year: 1979
Complete Citation:
Kart, Larry. “Two Explosive Albums Emit Shattering Waves of Sound.” Chicago Tribune, May 27, 1979, G6.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kastendieck, Miles

Year: 1946
Complete Citation:
Kastendieck, Miles. “Music Critics Circle Awards.” Christian Science Monitor. July 5, 1946: 9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Keats, Sheila

Year: 1955
Complete Citation:
Keats, Sheila. “American Music on LP Records: An Index,” Part II. Juilliard Review 2/2 (Spring 1955): 31-43.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kelly, Kevin

Year: 2011
Complete Citation:
Kelly, Kevin. “Recording Reviews: Charles Ives - “The Light That Is Felt: Songs of Charles Ives”.” Journal of the Society for American Music, Vol. 5, No. 2 (2011): 283-285.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kendall, Blanche and Marguerite Kelly Kyle

Year: 1947
Complete Citation:
Kendall, Blanche and Marguerite Kelly Kyle. “Music of the Moment.” Pan Pipes 40/2 (December 1947): 126--129.
Notes:

Cited among the several dozen newly -issued scores are Ives's two songs: Evening and Walking.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kennicott, Philip

Year: 2005
Complete Citation:
Kennicott, Philip. “The Magnificent Miss Graham”. Gramophone, Vol. 83 (2005): 24-27, 29.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2012
Complete Citation:
Kennicott, Philip. “An American Idol.” Gramophone, Vol. 89 (2012): 28-29, 31, 33.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2012
Complete Citation:
Kennicott, Philip. Sounds of America: Ives’s Answered Question. Gramophone, Vol. 89 (2012): I, III.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kimberley, Nick

Year: 2005
Complete Citation:
Kimberley, Nick. “Reviews: Vocal - Gerald Finley on the Songs of Charles Ives.” Gramophone, Vol. 83 (2005): 77.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kirzinger, Robert

Year: 2000
Complete Citation:
Kirzinger, Robert. “Classical Recordings: Cowell - “Exultation”; “Aeolian Harp”; “The Lilt of the Reel”; “Tiger”; “Dynamic Motion”; “What’s This”; “Amiable Conversation”; “Advertisement”; “Antinomy”; “Time Table”; “The Banshee”; Ives - “The Alcotts”; 3 Improvisations; Study No. 22; “The Celestial Railroad”; Harrison - Piano Sonata No. 3; Prelude for Grandpiano; “Homage to Milhaud”; “New York Waltzes”; Large Ostinato; “May Rain”; Saraband. Fanfare: The Magazine for Serious Record Collectors, Vol. 24, No. 2 (2000): 255-256.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kislinger, Peter

Year: 2005
Complete Citation:
Kislinger, Peter. “Echo: “I hear America singing”: Projekt Thomas Hampson.” Österreichische Musikzeitschrift, Vol. 60, No. 4 (2005): 46-47.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Klein, Howard

Year: 1966
Complete Citation:
Klein, Howard. “Symphony no. 4 by Ives Recording is Extraordinary.” The Atlanta Constitution, January 1, 1966, 2G.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kolodin, Irving

Year: 1965
Complete Citation:
Kolodin, Irving. “Music to My Ears.” The Saturday Review 48, no. 20 (May 15, 1965): 32.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Konold, Wulf

Year: 1972
Complete Citation:
Konold, Wulf. “Charles Ives—eine Nachlese.” Musica 26/4 (July-August 1972): 410-411.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1972
Complete Citation:
Konold, Wulf. “Schallplatten: Werke von Charles Ives.” Musica 26/3 (May-June 1972): 296-301.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Koob, Lindsay

Year: 2004
Complete Citation:
Koob, Lindsay. “Guide to Records: Ives - “The Celestial Country; Silence Unaccompanied.” American Record Guide, Vol. 67, No. 2 (2004): 139-140.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kozinn, Allan

Year: 1999
Complete Citation:
Kozinn, Allan. “American Music’s Coming of Age.” New York Times, October 10, 1999, sec. 2, 29.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kreigsman, Alan M.

Year: 1968
Complete Citation:
Kreigsman, Alan M. “Record Player: A.U.’s Mandel Adds to Ivesiana.” The Washington Post and Times Herald, April 14, 1968, E8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews