Chmaj, Betty E.
Year: 1978
Complete Citation:
Chmaj, Betty E. “Sonata for American studies: perspectives on Charles Ives.” Cambridge, United Kingdom: Cambridge University Press, 1979.Source: Book
III. Book-Length Studies
B. Other
Cooke, Antony
Year: 2012
Complete Citation:
Cooke, Antony. Charles Ives and his Road to the Stars: a Guide to the Music and the Man. Charleston, SC: Estrella Books, 2012.Source: Book
III. Book-Length Studies
B. Other
Year: 2015
Complete Citation:
Cooke, Antony. Charles Ives's Musical Universe: Unlocking the Code... Reassessing his Provenance. West Conshohocken, PA: Infinity Publishing, 2015.Source: Book
III. Book-Length Studies
B. Other
Cowell, Henry
Year: 1955
Complete Citation:
Cowell, Henry. “Ivesiana.” Musical Quarterly 41/1 (January 1955): 85-89.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Currier, Ruth
Complete Citation:
Ruth Currier, choreographer. Phantasmagoriad; Jose Limon Dance Com-pany.
Music: Song for Harvest Season; From the Steeples and the Mountains.Notes: Music: Song for Harvest Season; From the Steeples and the Mountains.
Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Danuser, Hermann
Year: 1987
Complete Citation:
Danuser, Hermann. Amerikanische Musik seit Charles Ives: Interpretationen Quellentexte Komponistenmonographien. Laaber: Laaber Verlag, cop. 1987.Source: Book
III. Book-Length Studies
B. Other
Denave, Laurent
Year: 2017
Complete Citation:
Denave, Laurent. Charles Ives: naissance de la modernité musicale aux États-Unis. Chateau-Gontier, France: Editions Aedam Musicae, 2017.Source: Book
III. Book-Length Studies
B. Other
Dunning, Jennifer
Year: 1998
Complete Citation:
Dunning, Jennifer. “Venturing out to the Limits of Partnering.” The New York Times, 13 June 1998, sec. B: 7.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 2000
Complete Citation:
Dunning, Jennifer. “A Serving of American, Garnished with Russian.” The New York Times, February 4, 2000, sec. E, 17.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 2001
Complete Citation:
Dunning, Jennifer. “Care to Try the Special? It’s Beefcake.” The New York Times, March 29, 2001, sec. E, 9.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Feld, Eliot, choreographer
Year: 1988
Complete Citation:
Eliot Feld, choreographer. The Unanswered Question (1988); New York City Ballet. Music: The Unanswered Question; Calcium Light Night; Fugue in Four Keys; "The Housatonic at Stockbridge" from Orchestral Set No. 1 [Three Places in New England]; Sonata No. 2 for violin and piano (2nd movement): "In the Barn;" Remembrance; An Old Song De-ranged.
Prf: 1988 April 30: New York; Paul Zukovsky, violin; Jeananne Albee, piano. 1999 June 17: New York; New York State Theater; Guillermo Figueroa, violin; Cameron Grant, piano.Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Felsenfeld, Daniel
Year: 2004
Complete Citation:
Felsenfeld, Daniel. Charles Ives and Aaron Copland: A Listener’s Guide. Pompton Plains, NJ: Amadeus Press, 2004.Notes: Includes accompanying CD
Source: Book
III. Book-Length Studies
B. Other
Fenner, Lucie
Year: 2005
Complete Citation:
Fenner, Lucie. Erinnerung und Entlehnung im Werk von Charles Ives. Tutzing, Germany: Hans Schneider, 2005.Source: Book
III. Book-Length Studies
B. Other
Field, Eliot, choreographer
Year: 1977
Complete Citation:
Eliot Feld, choreographer. Variations on "America"-, (1977); ballet; New York City Ballet.
Prf: 1977 March 9: New York; City Center. 2003 March 11: New York.Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Fisher, Barbara Milberg
Year: 2005
Complete Citation:
Fisher, Barbara Milberg. “Rehearsing with Mr. B: Stravinsky, Schoenberg, Ives.” Dance Chronicle 28/3 (2005): 293-322.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Gail, Dorothea
Year: 2018
Complete Citation:
Gail, Dorothea. Weird American music: Case Studies of Underground Resistance, BarlowGirl, Jackalope, Charles Ives, and Waffle House Music. Heidelberg, Germany: Universitätsverlag Winter, 2018.Source: Book
III. Book-Length Studies
B. Other
Giebisch, Thomas
Year: 1993
Complete Citation:
Giebisch, Thomas. Take-off als Kompositionsprinzip bei Charles Ives. Kassel, Germany: Bosse, 1993.Source: Book
III. Book-Length Studies
B. Other
Henderson, Clayton W.
Year: 1990
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. Sterling Heights, MI: Harmonie Park Press, 1990.Source: Book
III. Book-Length Studies
B. Other
Year: 1990
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. Bibliographies in American Music, 14, edited by James R. Heintze. Warren, MI: Harmonie Park Press, 1990.Notes: A collection of melo-dies (i.e., without their original harmonizations) that Ives used in his compositions. Part I: hymn tunes, patriotic songs, military music, pop-ular songs, college music, popular instrumental melodies, and some classical pieces. Part II: unknown tunes, [a list of] Ives's compositions with quotations, and musical incipits.
Source: Book
III. Book-Length Studies
B. Other
Year: 2008
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. 2nd ed. Bloomington, IN: Indiana University Press, 2008.Source: Book
III. Book-Length Studies
B. Other