Englander, Roger, producer/director - Leonard Bernstein, narrator/conductor.
Year: 1961
Complete Citation:
Englander, Roger, producer/director; Bernstein, Leonard, narrator/conductor. “Folk Music in the Concert Hall.” New York, NY: CBS-TV Telecast, April 9, 1961.Notes: Includes 5th movement from Ives Symphony No. 2.
Source: Telecast
XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts
Felsenfeld, Daniel
Year: 2004
Complete Citation:
Felsenfeld, Daniel. Charles Ives and Aaron Copland: A Listener’s Guide. Pompton Plains, NJ: Amadeus Press, 2004.Notes: Includes accompanying CD
Source: Book
III. Book-Length Studies
B. Other
Fenner, Lucie
Year: 2005
Complete Citation:
Fenner, Lucie. Erinnerung und Entlehnung im Werk von Charles Ives. Tutzing, Germany: Hans Schneider, 2005.Source: Book
III. Book-Length Studies
B. Other
Gail, Dorothea
Year: 2018
Complete Citation:
Gail, Dorothea. Weird American music: Case Studies of Underground Resistance, BarlowGirl, Jackalope, Charles Ives, and Waffle House Music. Heidelberg, Germany: Universitätsverlag Winter, 2018.Source: Book
III. Book-Length Studies
B. Other
Giebisch, Thomas
Year: 1993
Complete Citation:
Giebisch, Thomas. Take-off als Kompositionsprinzip bei Charles Ives. Kassel, Germany: Bosse, 1993.Source: Book
III. Book-Length Studies
B. Other
Henderson, Clayton W.
Year: 1990
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. Sterling Heights, MI: Harmonie Park Press, 1990.Source: Book
III. Book-Length Studies
B. Other
Year: 1990
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. Bibliographies in American Music, 14, edited by James R. Heintze. Warren, MI: Harmonie Park Press, 1990.Notes: A collection of melo-dies (i.e., without their original harmonizations) that Ives used in his compositions. Part I: hymn tunes, patriotic songs, military music, pop-ular songs, college music, popular instrumental melodies, and some classical pieces. Part II: unknown tunes, [a list of] Ives's compositions with quotations, and musical incipits.
Source: Book
III. Book-Length Studies
B. Other
Year: 2008
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. 2nd ed. Bloomington, IN: Indiana University Press, 2008.Source: Book
III. Book-Length Studies
B. Other
Hitchcock, H. Wiley
Year: 1977
Complete Citation:
Hitchcock, H. Wiley. Ives. London, England: Oxford University Press, 1977.Source: Book
III. Book-Length Studies
B. Other
Year: 1977
Complete Citation:
Hitchcock, H. Wiley. Ives: A Survey of the Music. New York, NY: Institute for Studies in American Music, 1977.Source: Book
Reprints: Hitchcock, H. Wiley. <i>Ives: A Survey of the Music</i>. 2nd ed. London, United Kingdom: Oxford University Press, 1983.
III. Book-Length Studies
B. Other
Ivashkin, Alexander
Year: 1991
Complete Citation:
Ivashkin, Alexander. Charlʹz Aĭvz i muzyka XX veka. Moscow, Russia: Sov. kompozitor, 1991.Source: Book
III. Book-Length Studies
B. Other
James Drew
Year: 1970
Complete Citation:
“Modern Music and the Debt to Charles Ives.” Yale Reports Series. Hartford, CT: WTIC, 2 parts: 30 minutes each. Part 1 on December 27, 1970; Part 2 on January 3, 1971.Source: Telecast
Reprints: Discussion of Ives as a composer, of his father, of his musical background, of the traditions that influenced him, of the structure of his compositions, and of his influence on other composers by James Drew, Assistant Professor of Music Theory at Yale University. Recorded musical examples for illustration chosen from works by Ives, George Rochberg, Luciano Berio, and James Drew.
XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts
Johnson, Timothy A.
Year: 2004
Complete Citation:
Johnson, Timothy A. Baseball and the Music of Charles Ives: A Proving Ground. Lanham, MD: Scarecrow Press, 2004.Source: Book
III. Book-Length Studies
B. Other
Karolyi, Otto
Year: 1996
Source: Chapter in Book
III. Book-Length Studies
B. Other
Lambert, Philip
Year: 1997
Complete Citation:
Lambert, Philip. The Music of Charles Ives. Composers of the Twen-tieth Century, series edited by Allen Forte. New Haven, CT: Yale University Press, 1997.Notes: Includes analyses of Tone Roads No. 1, Study No. 5, and The Cage.
Source: Book
III. Book-Length Studies
B. Other
Year: 1997
Complete Citation:
Lambert, Philip. “The Music of Charles Ives.” New Haven, CT: Yale University Press, 1997.Source: Book
III. Book-Length Studies
B. Other
Year: 2001
Complete Citation:
Lambert, Philip. The Music of Charles Ives. New Haven, CT: Yale University Press, 1997.Source: Journal
III. Book-Length Studies
B. Other
Lambert, Philip, ed.
Year: 1997
Complete Citation:
Lambert, Philip, ed. Charles Ives Studies. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Book
III. Book-Length Studies
B. Other
Lambert, Philip (editor)
Year: 1997
Complete Citation:
Lambert, Philip, ed. Ives Studies. Cambridge, UK: Cambridge University Press, 1997.Source: Book
III. Book-Length Studies
B. Other
Lowens, Irving
Complete Citation:
Lowens, Irving. “Ives as a Versatile Man.” Sunday Star [Washington], April 17, 1966, sec. E, 4.Source: Telecast
Reprints: Background for WETA- TV telecast.
XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts