Image
Complete Citation:
Cooke, Antony. Charles Ives and his Road to the Stars: a Guide to the Music and the Man. Charleston, SC: Estrella Books, 2012.
Bibliography
Genres
Cooke, Antony
Year: 2012
Source: Book
III. Book-Length Studies
B. Other
B. Other
Year: 2015
Complete Citation:
Cooke, Antony. Charles Ives's Musical Universe: Unlocking the Code... Reassessing his Provenance. West Conshohocken, PA: Infinity Publishing, 2015.Source: Book
III. Book-Length Studies
B. Other
B. Other
Danuser, Hermann
Year: 1987
Complete Citation:
Danuser, Hermann. Amerikanische Musik seit Charles Ives: Interpretationen Quellentexte Komponistenmonographien. Laaber: Laaber Verlag, cop. 1987.Source: Book
III. Book-Length Studies
B. Other
B. Other
de Leeuw, Reinbert
Year: 1975-76
Complete Citation:
de Leeuw, Reinbert. “Charles Ives, Zijn Muziek: Inleidung, Ives’ Gebruik van Muzikaal Materiaal.” [From J. Bernlef and Reinbert de Leeuw, Charles Ives.] Translated by Bertus Polman. Student Musicologists at Minnesota 6 (1975-76): 128-191.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Denave, Laurent
Year: 2017
Complete Citation:
Denave, Laurent. Charles Ives: naissance de la modernité musicale aux États-Unis. Chateau-Gontier, France: Editions Aedam Musicae, 2017.Source: Book
III. Book-Length Studies
B. Other
B. Other
Dickinson, Peter
Year: 1979
Complete Citation:
Dickinson, Peter. “The Achievement of Ragtime: An Introductory Study with Some Implications for British Research in Popular Music.” In Proceedings of the Royal Music Association 105, 63-76. Oxford, United Kingdom: Oxford University Press, 1979.Notes:
Ives is in-cluded in list of composers influenced by ragtime.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1989
Complete Citation:
Dickinson, Peter. “Style-Modulation: An Approach to Stylistic Pluralism.” The Musical Times, vol. 130, no. 1754 (1989): 208-211.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Ellison, Mary
Year: 1976
Complete Citation:
Ellison, Mary. “Ives’ Use of American ‘Popular’ Tunes as Thematic Material.” In South Florida’s Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 30--34. -Coral Gables, FL: University of Miami at Coral Gables, 1976.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Felsenfeld, Daniel
Year: 2004
Complete Citation:
Felsenfeld, Daniel. Charles Ives and Aaron Copland: A Listener’s Guide. Pompton Plains, NJ: Amadeus Press, 2004.Notes:
Includes accompanying CD
Source: Book
III. Book-Length Studies
B. Other
B. Other
Fenner, Lucie
Year: 2005
Complete Citation:
Fenner, Lucie. Erinnerung und Entlehnung im Werk von Charles Ives. Tutzing, Germany: Hans Schneider, 2005.Source: Book
III. Book-Length Studies
B. Other
B. Other
Gail, Dorothea
Year: 2018
Complete Citation:
Gail, Dorothea. Weird American music: Case Studies of Underground Resistance, BarlowGirl, Jackalope, Charles Ives, and Waffle House Music. Heidelberg, Germany: Universitätsverlag Winter, 2018.Source: Book
III. Book-Length Studies
B. Other
B. Other
Garrett, Charles Hiroshi
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Charles Ives's Four Ragtime Dances and "True American Music.”” In American music and the twentieth century. CA: University of California Press: John Wiley and Sons Ltd., 2008.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Chinatown, Whose Chinatown?: Defining America’s Borders with Musical Orientalism.” In Struggling to Define a Nation: American Music and the Twentieth Century, 1st ed., 121-164. Berkeley, CA: University of California Press, 2008.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Gibbons, William
Year: 2008
Complete Citation:
Gibbons, William. “‘Yankee Doodle’ and Nationalism, 1780-1920.” American Music 26/2 (2008): 246-274.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Giebisch, Thomas
Year: 1993
Complete Citation:
Giebisch, Thomas. Take-off als Kompositionsprinzip bei Charles Ives. Kassel, Germany: Bosse, 1993.Source: Book
III. Book-Length Studies
B. Other
B. Other
Harrison, Lou
Year: 1946
Complete Citation:
Harrison, Lou. “On Quotation,” Modern Music, Vol. 23, No. 3 (Summer 1946).Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Henderson, Clayton W.
Year: 1974
Complete Citation:
Henderson, Clayton W. “Ives’ Use of Quotation.” Music Educators Journal 61/2 (October 1974): 24-28.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1990
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. Bibliographies in American Music, 14, edited by James R. Heintze. Warren, MI: Harmonie Park Press, 1990.Notes:
A collection of melo-dies (i.e., without their original harmonizations) that Ives used in his compositions. Part I: hymn tunes, patriotic songs, military music, pop-ular songs, college music, popular instrumental melodies, and some classical pieces. Part II: unknown tunes, [a list of] Ives's compositions with quotations, and musical incipits.
Source: Book
III. Book-Length Studies
B. Other
B. Other
Year: 1990
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. Sterling Heights, MI: Harmonie Park Press, 1990.Source: Book
III. Book-Length Studies
B. Other
B. Other
Year: 2008
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. 2nd ed. Bloomington, IN: Indiana University Press, 2008.Source: Book
III. Book-Length Studies
B. Other
B. Other