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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
A. Biographies
B. Other
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
A. Transcendentalism or Philosophy
B. Musical Quotation or Borrowing
C. Chronology
D. Insurance
E. Comparisons and Relationships with Other Composers, Artists, and Writers
F. Polytonality
H. Ives, 20th Century Music, and Experimental Styles
I. Compositional Process
J. Extra-Musical Themes in Ives’s Compositions
K. Stylistic Influences on Ives
L. Ives and America
M. Ives and Manhattan
N. Ives’ Childhood
O. Ives and Yale
P. Ives Collaborators and Colleagues
Q. Ives Scholars
R. Performance Approaches
S. Reception Studies and Related Scholarship
T. Ives in Music Education
U. Institutions and Ives’ Legacy
V. Awards
W. Obituaries
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Cooke, M.

Year: 2001
Complete Citation:
Cooke, M. “Review of Books,” review of The Life of Charles, by Stuart Feder. Music and Letters, vol. 82, no. 3 (2001): 470-477.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Covey, Cyclone

Year: 1970
Complete Citation:
Covey, Cyclone. Review of Music in the United States, by H. Wiley Hitchcock. American Historical Review 75/4 (1970): 1177-1178.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Cowell, Henry

Year: 1954
Complete Citation:
Cowell, Henry. “The Music and Motives of Charles Ives." Center 1 (August-September 1954): 2-5.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Craft, Robert

Year: 1977
Complete Citation:
Craft, Robert. Review of Charles Ives and His America, by Frank R. Rossiter. The Sunday Times of London. November 28, 1976, 40.
Source: Newspaper
Reprints:

Craft, Robert. “Ives’s World.” In <i>Current Convictions: Views and Reviews</i>. New York, NY: Alfred A. Knopf, 1977.

III. Book-Length Studies
C. Book Reviews

Crunden, Robert M.

Year: 1972
Complete Citation:
Crunden, Robert M. Review of Charles Ives and American Culture: The Process of Development, 1874-1921, by Frank R. Rossiter. Anuario Interamericano de Investigacion Musical 8 (1972): 181-184.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Robert M. Crunden. “On Charles Ives.” Modernism/Modernity 4/3 (September 1997): 154--159.
Notes:

Posits that Ives was a “progressive," not a “modernist"because of religion, sexuality, technology, and time.

Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Crunden, Robert M. “On Charles Ives.” Modernism/Modernity 4/3 (September 1997): 154-159.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Dalton, Kathleen M.

Year: 1993
Complete Citation:
Dalton, Kathleen M. Review of Charles Ives: “My Father’s Song”: A Psychoanalytic Biography, by Stuart Feder. The American Historical Review 98, no. 3 (June 1993): 960.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Danner, Gregory

Year: 1984
Complete Citation:
Danner, Gregory “Ives’ Harmonic Language.” Journal of Musicological Research 5/1-2 (1984): 237-249.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Debruyn, Randall Keith

Year: 1975
Complete Citation:
Debruyn, Randall Keith. “Contrapuntal Structure in Contemporary Tonal Music: A Preliminary Study of Tonality in the 20th Century.” D.M.A. dis-s., University of Illinois, 1975.
Source: D.M.A. Dis-sertation
VI. Topical Studies
G. Music Theory Analyses

DeCesare, Ruth

Year: 1963
Complete Citation:
DeCesare, Ruth. Review of Essays Before a Sonata, The Majority and Other Writings, edited by Howard Boatwright. Music Journal 21/5 (May 1963): 62.
Source: Journal
III. Book-Length Studies
C. Book Reviews

DeLerma, Dominique-René

Year: 1974
Complete Citation:
DeLerma, Dominique-René. Review of Charles E. Ives: Discography, by Richard Warren Jr. American Reference Books Annual (1974): 400.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Dibelius, Ulrich

Year: 2005
Complete Citation:
Dibelius, Ulrich. Review of Charles Ives, edited by Ulrich Tadday. Österreichische Musikzeitschrift, Vol. 60, No. 4 (2005): 82-83.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Dickinson, Peter

Year: 1974
Complete Citation:
Dickinson, Peter. Review of Charles E. Ives: Memos, edited by John Kirkpatrick. Musical Times 115 (November 1974): 947-948.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1978
Complete Citation:
Dickinson. Peter. Review of Ives, by H. Wiley Hitchcock. The Musical Times 119 (March 1978): 239.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1993
Complete Citation:
Dickinson, Peter. Review of The Charles Ives Tunebook, by Clayton W. Henderson. Music & Letters 74/1 (1993): 116-117.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Dickinson, Peter. “Style-modulation as a compositional technique: an inaugural lecture.” London, United Kingdom: Goldsmiths, University of London, 1996.
Source: Book/Lecture
VI. Topical Studies
G. Music Theory Analyses
Year: 1999
Complete Citation:
Dickinson, Peter. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Music and Letters 80/3 (August 1999): 479-82.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2009
Complete Citation:
Dickinson, Peter. “Book Reviews: Ives Thrives: Books, Editions and Recordings.” Tempo, Vol. 63 (2009): 75-77.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Dobos, Lora Gingerich

Year: 1986
Complete Citation:
Dobos, Lora Gingerich. “A Technique for Melodic Motive Analysis in Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.
Notes:

Uses Sonata No. 4 for violin and piano for her example.

Source: Journal
VI. Topical Studies
G. Music Theory Analyses