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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
(-) VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Matthews, David

Year: 1997
Complete Citation:
Matthews, David. “To the Point of Chaos.” Times Literary- Supplement 4939 (November 28, 1997): 12.
Source: Newsletter Supplement
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
David Matthews. “To the Point of Chaos.” Times Literary- Supplement 4939 (November 28, 1997): 12.
Notes:

An “engaging biography.”

Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Matthew, David

Year: 1997
Complete Citation:
David Matthews. “To the Point of Chaos,” review of The Music of Charles Ives, by Philip Lambert. Times Literary Supplement 4939 (November 28, 1997): 12.
Notes:

“Like a musi-cological laboratory.”

Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Mays, Kenneth Robert

Year: 1961
Complete Citation:
Mays, Kenneth Robert. “The use of hymn tunes in the works of Charles Ives.” M.M. Thesis, Indiana University, 1961.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

McCalla, J. Charles

Year: 2008
Complete Citation:
McCalla, J. Review of Charles Ives Reconsidered, by Gayle Sherwood Magee. American Library Association Choice, Vol. 46 (2008).
Source: Magazine
III. Book-Length Studies
C. Book Reviews

McCalla, James

Year: 1973
Complete Citation:
McCalla, James. “Structural and harmonic innovations in the music of Schoenberg, Stravinsky and Ives prior to 1915.” M.M. thesis, New England Conservatory of Music, 1973.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

McCandless, William Edgar

Year: 1974
Complete Citation:
McCandless, William Edgar. “Cantus firmus techniques in selected instrumental compostions, 1910-1960.” Ph.D. diss., Indiana University, 1974.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

McClees, Nancy Susan

Year: 1971
Complete Citation:
McClees, Nancy Susan. “The musical of Charles Ives as applied in his trio for violin and 'cello and piano.” M.A. Thesis, Dominican College of San Rafael, 1971.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

McDonald, Charlene Harb

Year: 1978
Complete Citation:
McDonald, Charlene Harb. “Trends in Selected Piano Sonatas of the First Quarter of the 20th Century: Formal Processes and Pianism.” D.M.A. diss., Indiana University, 1978.
Source: D.M.A. Disser-tation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

McDonald, Matthew James

Year: 2004
Complete Citation:
McDonald, Matthew James. “Translating experience, transcending time: temporal procedures and their expressive meanings in the music of Charles Ives.” Ph.D. diss., Yale University, 2004.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Mead, Ernest

Year: 1954
Complete Citation:
Mead, Ernest. “Ives and His Music: Life of Composer Timely, Absorbing.” Richmond News-Leader (1954).
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Mehl, Kenneth B.

Year: 1974
Complete Citation:
Mehl, Kenneth B. “A stylistic analysis and comparison of four settings of Psalm 150: Franck, Bruckner, Ives and Hanson.” M.M. thesis, Southern Illinois University Edwardsville, 1974.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Meine, Sabine

Year: 1997
Complete Citation:
Meine, Sabine. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Neue Zeitschrift für Musik 158/2, July-August 1997, 74-75.
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Meine, Sabine. Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Neue Zeitschrift fur Musik 158, no. 2 (July-August 1997): 75.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Mellers, Wiflrid

Year: 1969
Complete Citation:
Mellers, Wilfrid. Review of Charles Ives and His Music, by Henry and Sidney Cowell (2nd edition]. The Musical Times 110 (November 1969): 1144.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Mellers, Wilfrid

Year: 1955
Complete Citation:
Mellers, Wilfrid. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Music and Letters 36, no. 4 (October 1955): 400.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1969
Complete Citation:
Mellers, Wilfrid. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Instrumentalist 24/1 (August 1969): 16. “Ives."
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1986
Complete Citation:
Mellers, Wilfrid. “Stretching Manly Ears.” Review of Charles Ives: The Ideas behind the Music, by J. Peter Burkholder. Times Literary Supplement 4323 (February 7, 1986): 143.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Year: 1986
Complete Citation:
Mellers, Wilfrid. Review of Charles Ives: The Ideas Behind the Music, by J. Peter Burkholder. Times Literary Supplement (February 7, 1986): 143.
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1992
Complete Citation:
Wilfrid Mellers. “Ta-tas and Toodle-doodles.” Times Literary Supplement 4661, July 31, 1992, 17.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews