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Bibliography

Mörchen, Raoul

Year: 2009
Complete Citation:
Mörchen, Raoul. “Bücher: Schlechte und wahre Unendlichkeit.” Dissonanz (2009): 56-57.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Morehouse, Christopher

Year: 2005
Complete Citation:
Morehouse, Christopher. “Ivesian Borrowing, Imagery, and Place in Eric Stokes’s ‘The Continental Harp and Band Report’: An American Miscellany’ (1975).” D.M.A. diss., University of Cincinnati, 2005.
Notes:

Discusses the various influences of Ives on Eric Stokes in his composition, "The Continental Harp and Band Report."

Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Morelli, Giovanni

Year: 1974
Complete Citation:
Morelli, Giovanni. Review of L'America musicale di Charles Ives, by Gianfranco Vinay. Rivista Italiana di Musicologia 9 (1974): 316-322.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Morgan, Phillip

Year: 1967
Complete Citation:
Morgan, Phillip. “Three contemporary trios for piano, violin, and violoncello.” D.M.A. thesis, University of Rochester, 1967.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Morgan, Robert P.

Year: 1975
Complete Citation:
Morgan, Robert P. Review of Charles Ives and His America, by Frank R. Rossiter. Yearbook for Inter-American Musical Research 11 (1975): 225-228.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Muff, Timothy Wellington

Year: 1986
Complete Citation:
Muff, Timothy Wellington. “The First Symphony of Charles Ives: A Historical and Analytical Survey.” M.A. thesis, Ohio State University, 1986.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Muffitt, Timothy

Year: 1986
Complete Citation:
Muffitt, Timothy. “The first symphony of Charles Ives: a historical and analytical survey.” M.A. Thesis, Ohio State University, 1986.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Mugmon, Matthew

Year: 2015
Complete Citation:
Mugmon, Matthew “Reviews: “Charles Ives in the Mirror: American Histories of an Iconic Composer” by David C. Paul.” The Bulletin of the Society for American Music, Vol. 41, No. 1 (2015): 11-13.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2015
Complete Citation:
Mugmon, Matthew. “Book Review: Moral Fire: Musical Portraits from America's Fin de Siècle.” Journal of the Society for American Music, Vol. 9, No. 1 (2015): 130-133.
Notes:

Moral Fire: Musical Portraits from America’s Fin de Siècle

Source: Journal
III. Book-Length Studies
C. Book Reviews

Mulligan, Terry Gilbert

Year: 1978
Complete Citation:
Mulligan, Terry Gilbert. “Charles Ives: a study of the works for chamber ensemble written between 1898 and 1908 which utilize wind instrument.” Ph.D. Diss., University of Texas at Austin, 1978.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Mullinger, Lisa N.

Year: 2013
Complete Citation:
Mullinger, Lisa N. “Nicolas Slonimsky’s Role in the Musical Modernism of the Early Twentieth Century.” M.M. thesis, University of Kansas, 2013.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Mumper, Dwight Robert

Year: 1971
Complete Citation:
Mumper, Dwight Robert. “The First Piano Sonata of Charles Ives.” D.M.A. diss., Indiana University, 1971.
Source: D.M.A. dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Muñiz, Jorge

Year: 2004
Complete Citation:
Muñiz, Jorge. “The Use of Quotation in the Music of John Corigliano.” D.M.A. diss., Manhattan School of Music, 2004.
Notes:

Includes references to Ives.

Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Muser, Frani

Year: 1975
Complete Citation:
Muser, Frani. Review of Charles Ives and the American Mind, by Rosalie Sandra Perry. The Musical Quarterly 61 (July 1975): 489-490.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1975
Complete Citation:
Muser, Frani. Review of Charles Ives Remembered, by Vivian Perlis, and Charles Ives and the American Mind, by Rosalie Sandra Perry. The Musical Quarterly 61/3 (July 1975): 485-490.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Myers, Betty Dustin

Year: 1951
Complete Citation:
Myers, Betty Dustin. “The Orchestral Music of Charles Ives.” M.M. Thesis, University of Indiana, 1951.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Myers, Eric

Year: 2003
Complete Citation:
Myers, Eric. “The Crooked Mirror: New Temporalities in Ives, Mes-siean, and Feldman.” M.A. thesis, Mills College, 2003.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Nehrenberg, Steven D.

Year: 1992
Complete Citation:
Nehrenberg, Steven D. “Three levels of quotation in the music of Charles Ives.” M.A. Thesis, University of Oregon, 1992.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Newlin, Dika

Year: 1971
Complete Citation:
Newlin, Dika. Review of Memos, by Charles Ives. Library Journal (1971 December) 96/22: 4097.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Nicholls, David

Year: 1991
Complete Citation:
Nicholls, David. Review of The Evolving Keyboard Style of Charles Ives, by Michael John Alexander. Music and Letters 72/3 (August 1991): 494.
III. Book-Length Studies
C. Book Reviews