Image
Complete Citation:
Bergman, Timothy. “Symphony no. 2 by Charles Ives: a basis for interpretation.” D.M.A. Thesis, University of Miami, 1993.
Bibliography
Genres
Bergman, Timothy
Year: 1993
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Berns, John Edgar
Year: 2005
Complete Citation:
Berners, John Edgar. “Use of Time and Spatial Form in String Quartet No. 2 by Charles Ives.” Ph.D. diss., University of Michigan, 2005.Notes:
Volume II of Berns’ dissertation. Volume I is an original composition. Makes reference to Robert P. Morgan’ “Spatial Form in Ives.”
Source: Ph.D. dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Berneking, Vicki Lynn
Year: 1973
Complete Citation:
Berneking, Vicki Lynn. “A study of two twentieth-century piano sonatas: Ives’ Concord sonata and Ginastera’s Sonata para piano.” M.A. thesis, Central Missouri State University, 1973.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Bestor, Charles
Year: 1976
Complete Citation:
Bestor, Charles. “The Second symphony: an introduction to the compositional approach and technique of Charles Ives.” D.M.A. diss., University of Colorado, 1976.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Bird, Liz
Year: 1996
Complete Citation:
Bird, Liz. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Brio 33/1 (Spring-Summer 1996): 74.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Blake, Andrew
Year: 1996
Complete Citation:
Blake, Andrew. Review of Charles E. Ives, by Leo Schrade. History: The Journal of the Historical Association 83/272 (1998): 686.Notes:
Claims that Ives was adopted as “a national musical mascot during Amer-ica’s great patriotic moment of the early 1940s.”
Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1998
Complete Citation:
Blake, Andrew. “Charles Ives and His World.” History, vol. 83, no. 272 (October 1998): 686.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Blassnigg, Katharina
Year: 2008
Complete Citation:
Blassnigg, Katharina. Review of Charles Ives Reconsidered, by Gayle Sherwood Magee. Leonardo, vol. 42, no. 1 (2009): 78-80.Source: Book
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Blaufuss, Margaret Joanna
Year: 1967
Complete Citation:
Blaufuss, Margaret Joanna. “Charles Ives: “Transcendentalist”” M.A. Thesis, University of Wyoming, 1967.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Blim, Dan
Year: 2013
Complete Citation:
Blim, Dan. “Patchwork Nation: Collage, Music, and American Identity.” Ph.D. diss., University of Michigan, 2013.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Block, Geoffrey
Year: 1985
Complete Citation:
Block, Geoffrey. Review of Charles Ives: The Ideas behind the Music, by J. Peter Burkholder. Journal of Musicology 5/2 (Spring 1987): 308-311.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1992
Complete Citation:
Block, Geoffrey. Review of The Evolving Keyboard Style of Charles Ives, by Michael John Alexander. American Music 10 (Spring 1992): 98-100.III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1992
Complete Citation:
Block, Geoffrey. Review of The art of speaking extravagantly: eine vergleichende Studie der ‘Concord Sonata’ und der ‘Essays before a Sonata’ von Charles Ives, by Felix Meyer. Notes 48/4 (June 1992): 1297-1299.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1992
Complete Citation:
Block, Geoffrey. Review of The Charles Ives Tunebook, by Clayton W. Henderson. Notes 49/1 (September 1992): 134-136.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 2001
Complete Citation:
Block, Geoffrey. Music & Letters 82/3 (August 2001): 470-472.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Boardman, Katherine R.
Year: 1969
Complete Citation:
Boardman, Katherine R. “Ives in Performance: 1900-1950.” Term paper, Yale University, 1969.Notes:
Copy in the Charles Ives Papers, Irving S. Gilmore Library, Yale University, New Haven, CT.
Source: Term paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
C. Baccalaureate Essays
Boatwright, Howard
Year: 1956
Complete Citation:
Howard Boatwright, ed. “Epilogue.” In Paul Boatwright's B.A. thesis, Yale University, 1956.Notes:
B.A. thesis in graphic arts
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Bogulavsky, Johanna
Year: 1995
Complete Citation:
Bogulavsky, Johanna. “Reception theory as a technique for musical analysis : the case of Charles E. Ives' "Putnam's Camp”.” M.M. thesis, Columbia University, 1995.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Bonham, Robert John
Year: 1981
Complete Citation:
Bonham, Robert John. “Some common aesthetic tendencies manifested in examples of pioneer American cabins and Old Harp music and in selected works of H.H. Richardson and Charles E. Ives.” Ph.D. diss., Ohio University, 1981.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Booth, Earl W.
Year: 1974
Complete Citation:
Booth, Earl W. “New England Quartet: E.A. Robinson, Robert Frost, Charles Ives and Carl Ruggles.” Ph.D. diss., University of Utah, 1974.Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations