Rathert, Wolfgang
Year: 1991
Complete Citation:
Rathert, Wolfgang. “The seen and unseen: Studien zum Werk von Charles Ives.” Ph.D. diss., Freie Universität Berlin, 1987.Source: Ph.D. Dissertation
Reprints: Rathert, Wolfgang. <i>The seen and unseen: Studien zum Werk von Charles Ives</i>. Berliner musikwissenscaftliche Arbeiten 38. Munich, Germany: Musikverlag Emil Katzbichler, 1991.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Reichert, Linda
Year: 1996
Complete Citation:
Reichert, Linda. “Charles Ives and quarter-tone music: a transcription of "Three Quarter-tone Pieces for Two Pianos.” D.M.A. Thesis, Temple University, 1996.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Reitz, Howard D.
Year: 1969
Complete Citation:
Reitz, Howard D. “Performance-related research document no. 1.” D.M.A. research project, University of Colorado, 1969.Source: D.M.A. Research Project
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Riedel, Johannes
Year: 1973
Complete Citation:
Riedel, Johannes. Review of Essays Before a Sonata and Other Writings, by Charles Ives, edited by Howard Boatwright. Journal of Research in Music Education 13/1 (1965): 61-63;Source: Journal
III. Book-Length Studies
C. Book Reviews
Rinehart, John McLain
Year: 1970
Complete Citation:
Rinehart, John McLain. “Ives’ Compositional Idioms: An Investigation of Selected Short Compositions as Microcosms of His Musical Language.” Ph.D. diss., Ohio State University, 1970.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Robinson, Bradley Craig
Year: 1999
Complete Citation:
Robinson, Bradley Craig. “A study of Charles Ives's use of self-borrowing in the composition of selected songs for solo voice and piano.” D.M.A. diss., University of Illinois at Urbana-Champaign, 1999.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Robinson, David
Year: 1975
Complete Citation:
Robinson, David. Review of Charles Ives and the American Mind, by Rosalie Sandra Perry. American Literature, Vol. 47, No. 3 (November 1975): 458-460.Source: Journal
III. Book-Length Studies
C. Book Reviews
Robison, Richard William
Year: 1969
Complete Citation:
Robison, Richard William. “Reading contemporary choral literature : an analytical study of selected contemporary choral compositions with recommendations for the improvement of choral reading skills.” Ph.D. diss., Brigham Young University, 1969.VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Roeder, Matthew James
Year: 2005
Complete Citation:
Roeder, Matthew James. “Select ragtime music of Scott Joplin, Charles Ives, and Igor Stravinsky: a set of analyses.” D.M.A. Thesis, University of Colorado, 2005.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Rogers, Harold
Year: 1955
Complete Citation:
Rogers, Harold. “Truly American Composer.” Christian Science Monitor (May 5): 7.Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Roller, Jonathan Brian
Year: 1995
Complete Citation:
Roller, Jonathan Brian. “An analysis of selected movements from the symphonies of Charles Ives using linear and set theoretical analytical models.” Ph.D. diss., University of Kentucky, 1995.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Rosenberg, Donald
Year: 2005
Complete Citation:
Review of Horowitz, Classical music in America - Donald Rosenberg. Gramophone 82/990 (March 2005): A18.Source: Journal
III. Book-Length Studies
C. Book Reviews
Rosenberg, Marion L.
Year: 2012
Complete Citation:
Rosenberg, Marion L. “Keepers of the Musical Flame; in “Moral Fire,” Joseph Horowitz Offers Portraits of Four Figures from America’s Gilded Age Who Believed that Great Art can Uplift. Music in Particular was at the Heart of their Outlook and Sense of Mission.” The Wall Street Journal, August 30, 2012.Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Rossiter, Frank
Year: 1973
Complete Citation:
Roster, Frank. Review of Charles E. Ives: Memos, edited by John Kirkpatrick. Yearbook for Inter-American Music Research 9 (1973):182-185.Source: Journal
III. Book-Length Studies
C. Book Reviews
Rossiter, Frank R.
Year: 1970
Complete Citation:
Rossiter, Frank R. “Charles Ives and American Culture: The Process of Development, 1874-1921.” Ph.D. diss., Princeton University, 1970.Source: Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1973
Complete Citation:
Rossiter, Frank R. Review of Charles E. Ives: Memos. Yearbook for Inter-American Musical Research 9 (1973): 182-185.Source: Article
III. Book-Length Studies
C. Book Reviews
Year: 1986
Complete Citation:
Rossiter, Frank R. Review of Charles Ives: The Ideas behind the Music, by J. Peter Burkholder. American Historical Review 91/4 (October 1986): 1007.Source: Journal
III. Book-Length Studies
C. Book Reviews
Rothstein, Evan
Year: 2001
Complete Citation:
Rothstein, Evan. “‘What Its Signs of Promise Are’: The tradition of developing variation and the problem of “folkloristic” music in Ives’s First violin sonata. D. Mus. thesis, Indiana University, 2001.Source: D. Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Ruhleder, Kathleen
Year: 2012
Complete Citation:
Ruhleder, Kathleen. “Art Songs of Charles Ives Accessible to Beginning Singers.” D.M.A. diss., Arizona State University, 2012.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Rycenga, Joanne
Year: 1992
Complete Citation:
Rycenga, Jennifer Joanne. “The Composer as a Religious Person in the Context of Pluralism.” Ph.D. diss., Graduate Theological Union, 1992.Notes: Compares Ives’s Transcendentalist philosophy with his compositional materials.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations