Image
Complete Citation:
Buddin, David E. “A few lessons in transformation from Ives' Waltz-Rondo: Litany for orchestra.” Ph.D. diss., Rutgers University, 2006.
Bibliography
Genres
Buddin, David E.
Source: Ph.D. dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Bumpass, Kathryn
Year: 1998
Complete Citation:
Bumpass, Kathryn. “Book Reviews: Two Books about Charles Ives.” Music Library Association, Vol. 54, USA, 1998.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1998
Complete Citation:
Bumpass, Kathryn. Notes (March 1998) 54/3: 677-680.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1998
Complete Citation:
Bumpass, Kathryn. Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Notes 54 (March 1998): 677-680.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Burke, Jack
Year: 1971
Complete Citation:
Burke, Jack. Community Herald (Monona, Washington). June 10, 1971: 7.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Burkholder, J. Peter
Year: 1983
Complete Citation:
Burkholder, J. Peter. “The Evolution of Charles Ives’s Music: Aesthetics, Quotation, Technique." PhD diss., University of Chicago, 1983.Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Year: 1983
Complete Citation:
Burkholder, J. Peter. “The evolution of Charles Ives’s music: aesthetics, quotation, technique (Vol. 1).” Ph.D Dissertation, University of Chicago, 1983.Source: Ph.D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Year: 1983
Complete Citation:
Burkholder, J. Peter. “The Evolution of Charles Ives’s Music: Aesthetics, Quotation, Technique.” Ph.D. diss., University of Chicago, 1983.Source: Ph.D. dissertation
Reprints:
Chapters 1-4 reprinted as <i>Charles Ives: The Ideas Behind the Music</i>. New Haven, CT: Yale University Press, 1985. * Chapter 5 reprinted as ““Quotation” and Emulation: Charles Ives's Uses of His Models.” <i>The Musical Quarterly</i> 71, no. 1 (1985): 1-26.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Year: 2001
Complete Citation:
Burkholder, J. Peter. “To the Editor of the “Journal”: [Carol K. Baron's Review “All Made of Tunes: Charles Ives and the Uses of Musical Borrowing”]. Journal of the American Musicological Society, Vol. 54, No. 2 (2001): 424-428.Source: Journal (book review)
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Burrell, D.
Year: 1999
Complete Citation:
Burrell, D. Musical Times 140/1869 (Winter 1999): 75-76.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Call, William Anson
Year: 1971
Complete Citation:
Call, William Anson. “A Study of the Transcendental Aesthetic Theories of John S. Dwight and Charles E. Ives and the Relationship of These Theories to Their Respective Work as Music Critic and Composer.” D.M.A. diss., University of Illinois, 1971.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Cane, Giampiero
Year: 1997
Complete Citation:
Cane, Giampiero. “Sinfonia dell’universo,” review of Prima della Sonata, by Charles Ives. II mani- festo martedi (August 26, 1997): 24--25.Source: Chapter in Book
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1997
Complete Citation:
Cane, Giampiero. “Sinfonia dell’universo,” review of Prima della Sonate, by Charles Ives. II mani-festo martedi (August 26, 1997): 24--25.III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Carleton, Chantal
Year: 2015
Complete Citation:
Carleton, Chantal. “The Distance between the Notes: The Journey from Text to Music in American Epiphanic Poetry.” Ph.D. diss., Indiana University, 2015.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Carlson, Michael
Year: 1996
Complete Citation:
Michael Carlson. “The Discomposing Composer.” Specta-tor 277/8781, November 2, 1996, 44.Notes:
“[H]is marvelous ‘From Hanover Square North’ ranks with Nielsen's Fifth as the most moving reactions to the Great War.”
Source: Magazine
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Carlson, Paul Bollinger
Year: 1964
Complete Citation:
Carlson, Paul Bollinger. “An historical background and stylistic analysis of three twentieth century compositions for violin and piano.” Ph.D. diss., University of Missouri at Kansas City, 1964.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Chase, Gilbert
Year: 1966
Complete Citation:
Chase, Gilbert. Review of Music in a New Found Land: Themes and Developments in the History of American Music, Wilfrid Mellers. Yearbook of the Inter--American Institute for Musical Research 2 (1966): 164--166.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1974
Complete Citation:
Notes:
Spanish translation of Gilbert Chase’s review of <i>A Year from Monday: New Lectures and Writings</i>, by John Cage.
Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1975
Complete Citation:
Review of A Year from Monday: New Lectures and Writings, by John Cage. Yearbook of the Inter--American Institute for Music Research (1967) 3: 101--110.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Chau, Paul S.
Year: 1982
Complete Citation:
Chau, Paul S. “The piano trio paul chau.” D.M.A. diss., University of Colorado, 1982.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations