Saal, Rollene W.
Year: 1969
Complete Citation:
Saal, Rollene W. Review of Charles Ives and His Music, by Henry and Sidney Cowell. “Pick of the Paperbacks: The Arts.” (June 21, 1969) 52/25: 62.Source: Journal/Magazine
III. Book-Length Studies
C. Book Reviews
Sabin, Robert
Year: 1955
Complete Citation:
1955 - R[obert] S[abin]. "Cowells Write Study of Ives."Musical Amer-ica (1956 February 1) 76/3: 29.Source: Journal
III. Book-Length Studies
C. Book Reviews
Sallmen, Mark
Year: 2001
Complete Citation:
Sallmen, Mark. Review of The Music of Charles Ives, by Philip Lambert. Music Theory Spectrum 23/2 (Fall 2001): 255--263.Source: Journal
III. Book-Length Studies
C. Book Reviews
Sarette, Gregory L.
Year: 1977
Complete Citation:
Sarette, Gregory L. “Rhythm(ic?) Devices in Selected Works in Charles Ives.” M.A. Thesis, University of Wyoming, 1977.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Schaal-Gotthardt, Susanne
Year: 2005
Complete Citation:
Schaal-Gotthardt, Susanne. Review of Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp. Österreichische Musikzeitschrift, Vol. 60, No. 10-11 (2005): 81.Source: Journal
III. Book-Length Studies
C. Book Reviews
Schans, Peter J.
Year: 1955
Complete Citation:
Peter J. Schans. “A Book About Charles Ives.” MONY Talks (February) 14/5: 10.Source: Journal
III. Book-Length Studies
C. Book Reviews
Schermer, Richard
Year: 1980
Complete Citation:
Schermer, Richard. “The Aesthetics of Charles Ives in Relation to his ‘String Quartet No. 2’.” M.A. thesis, California State University, 1980.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Schiff, David
Year: 1994
Complete Citation:
Schiff, David. “Composers on the Couch: Does It Help Anyone to Psychoanalyze a Composer’s Work?” Atlantic Monthly 273/1, January 1994, 106-108, 110, 112-116, 118-122.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Schoffman, Nachum
Year: 1989
Complete Citation:
Schoffman, Nachum. Review of Charles Ives, by Wolfgang Rathert. Tempo 175 (December 1990): 31-32.Source: Journal
III. Book-Length Studies
C. Book Reviews
Schonberg, Harold C.
Year: 1955
Complete Citation:
Schonberg, Harold C. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Musical Courier 151, no. 4 (15 February 1955): 45; reprinted in Tempo 36 (Summer 1955): 31-32.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1955
Complete Citation:
Schonberg, Harold C. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Musical Courier 151/4 (February 15): 45.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Schubert, Giselher
Year: 1985
Complete Citation:
Schubert, Giselher. Review of Charles Ives: The Ideas behind the Music, by J. Peter Burkholder. Neue Zeitschrift fur Musik 148/1 (January 1987): 63.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1987
Complete Citation:
Schubert, Giselher. Review of Charles Ives: The Ideas Behind the Music, by J. Peter Burkholder; and Charles Ives: Ausgewählte Texte, edited by Werner Bartschi. Neue Zeitschrift für Musik (January 1987): 63.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Schuld, Diana Boe
Year: 1971
Complete Citation:
Schuld, Diana Boe. “The influence of transcendentalism upon the Music of Charles Ives.” M.A. Thesis, Hofstra University, 1971.Source: M.A. Thesis
B. Theses
Senick, John Peter
Year: 1982
Complete Citation:
Senick, John Peter. “An analysis of selected songs of Charles Ives.” M.A. Thesis, Syracuse University, 1982.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Shaffle, Michael R.
Year: 1989
Complete Citation:
Bulletin for the Council for Research in Music Education 100 (Spring 1989): 34-39.Source: Bulletin
III. Book-Length Studies
C. Book Reviews
Sharp, Mary Elizabeth
Year: 1979
Complete Citation:
Sharp, Mary Elizabeth. “A Survey of Musical Quotation from 1940-1975.” M.M. thesis, University of Louisville, 1979.Notes: References to Ives: in Part 1, “Introduction”: “The use of common material such as folk tunes, hymns, and patriotic songs will not be included since the music is not from the concert tradition. However, this creates a problem of inconsistency in some cases. Charles Ives quotes music from popular material together with concert pieces which have programmatic signifi-cance.”; in Part 5, “Early Twentieth-Century Practices in the Use of Quotation”: “The very same motive (Beethoven’s Symphony No. 5) is quoted by Ives in the Concord Sonata and is used as a cyclic device to depict fate and the character of Beethoven himself’; and in Parts 7-10, “Charles Ives' Use of Quotation.”
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Shelton, Gregory Allard
Year: 1985
Complete Citation:
Shelton, Gregory Allard. An analysis of Charles Ives’s Three-page Sonata for Piano. M.A. Thesis, The American University, 1985.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Sherwood, Gayle
Year: 2003
Complete Citation:
Sherwood, Gayle. “Vivian Perlis, Charles Ives Remembered: An Oral History.” The Journal of Musicological Research, Vol. 22, No. 3 (2003): 296-299.Source: Journal
III. Book-Length Studies
C. Book Reviews
Shulman, Ivan
Year: 2008
Complete Citation:
Shulman, Ivan. “Symphony no. 2 by Charles Ives: An Historic Review and Consideration of Performance Practice.” M.M. thesis, California State University at Long Beach, 2008.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses