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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Marcinik, Laurent

Year: 2015
Complete Citation:
Marcinik, Laurent. “Les disques de A à Z: Charles Ives.” Diapason: le magazine du disque et de la musique vivante (2015): 106-107.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Marco, Guy A.

Year: 1991
Complete Citation:
Marco, Guy A. Review of The Charles Ives Tunebook, by Clayton W. Henderson. Choice 28/8 (April 1991): 1290.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Mark, Michael

Year: 2004
Complete Citation:
Mark, Michael. “Collections: “James Levine Tribute.”” American Record Guide, Vol. 67, No. 5 (2004): 225-226.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Matthews, David

Year: 1997
Complete Citation:
David Matthews. “To the Point of Chaos.” Times Literary- Supplement 4939 (November 28, 1997): 12.
Notes:

An “engaging biography.”

Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Matthews, David. “To the Point of Chaos.” Times Literary- Supplement 4939 (November 28, 1997): 12.
Source: Newsletter Supplement
III. Book-Length Studies
C. Book Reviews

Matthew, David

Year: 1997
Complete Citation:
David Matthews. “To the Point of Chaos,” review of The Music of Charles Ives, by Philip Lambert. Times Literary Supplement 4939 (November 28, 1997): 12.
Notes:

“Like a musi-cological laboratory.”

Source: Newspaper
III. Book-Length Studies
C. Book Reviews

McCalla, J. Charles

Year: 2008
Complete Citation:
McCalla, J. Review of Charles Ives Reconsidered, by Gayle Sherwood Magee. American Library Association Choice, Vol. 46 (2008).
Source: Magazine
III. Book-Length Studies
C. Book Reviews

McClure, John

Year: 1967
Complete Citation:
McClure, John. “Charles Ives—Lonely American Giant.” Gramophone 44/527, April 1967, 516-517.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

McColley, Robert

Year: 2002
Complete Citation:
McColley, Robert. “Classics in America.” Fanfare: The Magazine for Serious Record Collectors, Vol. 25, No. 3 (2002): 264.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

McGregor, Andrew

Year: 2002
Complete Citation:
McGregor, Andrew. “Andrew McGregor's Discs of the Month.” BBC Music Magazine, Vol. 10, No. 10 (2002): 57.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

McLellan, Joseph

Year: 1993
Complete Citation:
McLellan, Joseph. “Classical Recordings: A Courier for Ives: The Albany Records Compilation.” The Washington Post, January 3, 1993, G4.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

McPhee, Colin

Year: 1939
Complete Citation:
McPhee, Colin. “Scores and Records.” Modern Music 16/4 (May--June 1939): 264--267.
Notes:

An announcement of the establishment of the Arrow Music Press that will now issue Cos Cob Press publications.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1941
Complete Citation:
McPhee, Colin. “Records and Scores.” Modern Music 18/4 (May--June 1941): 267--269.
Notes:

Lists contemporary Americans whose works arc recorded by Columbia and RCA. "Why no Ives, no Copland, no Harris—to mention a few who have done something significant in piano music.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1943
Complete Citation:
McPhee, Colin. “Scores and Records.” Modern Music 20/2 (January-February): 126-129.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Mead, Ernest

Year: 1954
Complete Citation:
Mead, Ernest. “Ives and His Music: Life of Composer Timely, Absorbing.” Richmond News-Leader (1954).
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Meine, Sabine

Year: 1997
Complete Citation:
Meine, Sabine. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Neue Zeitschrift für Musik 158/2, July-August 1997, 74-75.
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Meine, Sabine. Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Neue Zeitschrift fur Musik 158, no. 2 (July-August 1997): 75.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Mellers, Wiflrid

Year: 1969
Complete Citation:
Mellers, Wilfrid. Review of Charles Ives and His Music, by Henry and Sidney Cowell (2nd edition]. The Musical Times 110 (November 1969): 1144.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Mellers, Wilfrid

Year: 1955
Complete Citation:
Mellers, Wilfrid. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Music and Letters 36, no. 4 (October 1955): 400.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1969
Complete Citation:
Mellers, Wilfrid. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Instrumentalist 24/1 (August 1969): 16. “Ives."
Source: Journal
III. Book-Length Studies
C. Book Reviews