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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
(-) XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Pasler, Jann

Complete Citation:
Pasler, Jann. Review of Classical Music and Postmodern Knowledge, by Lawrence Kramer. Notes 53/3 (1997): 756-761.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Complete Citation:
Pasler, Jann. Review of Classical Music and Postmodern Knowledge, by Lawrence Kramer. Notes (1997) 53/3: 756-761.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Patterson, Melva

Year: 1971
Complete Citation:
Patterson, Melva. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Pan Pipes (May 1971) 63/4: 35.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Peretti, Burton

Year: 1997
Complete Citation:
Peretti, Burton W. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. American Studies 38/1 (Spring 1997): 139-149.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Phillips, A.

Year: 1993
Complete Citation:
Phillips, A. “Blankert: ‘Charles Ives.’” Dance Theatre Journal 11/1 (Winter 1993): 37.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Piccardi, Carlo

Year: 1997
Complete Citation:
Piccardi, Carlo. Review of Prima della Sonata, translated and edited by Aloma Bardi. Cooperazione (March 8, 1998).
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1998
Complete Citation:
Piccardi, Carlo. Review of Prima della Sonata. Cooperazione (March 8, 1998).
Source: Chapter in Book
III. Book-Length Studies
C. Book Reviews

Porter, David G.

Year: 1965
Complete Citation:
Porter, David G. “Definitely Maybe: A Definitive Text of Charles Ives's Memos.” Musical Times (July 1965) 138/1853: 11--17.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Porter, David Gray

Year: 1997
Complete Citation:
Porter, David Gray, “Definitely Maybe.” Musical Times 138, no. 1853 (July 1997): 11-17.
Notes:

Review of published Memos in Cowells’ Charles Ives and His Music

Source: Journal
III. Book-Length Studies
C. Book Reviews

Pouter, D. G.

Year: 1997
Complete Citation:
Pouter, D.G. “Definitely maybe: Definitive text of Charles Ives’s Memos.” The Musical Times, Vol. 138, No. 1853 (1997): 11-18.
Source: Journal (book review?)
III. Book-Length Studies
C. Book Reviews

Prausnitz, Frederik

Year: 1975
Complete Citation:
Prausnitz, Frederik. “Reviews of — Charles Ives Remembered: An Oral History by Vivian Perlis. Charles Ives: A Portrait by David Wooldridge. Charles Ives and the American Band Tradition by Jonathan Elkus. L’America Musicale di Charles Ives by Gianfranco Vinay.” Tempo, no. 114, 1975, 28-33.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1975
Complete Citation:
Prausnitz, Frederik. Review of Charles E. Ives: Memos, edited by John Kirkpatrick. Tempo 114 (September 1975): 28-30.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Preiss, Robin

Year: 2015
Complete Citation:
Preiss, Robin. Modernism and Postmodernism: Review of Charles Ives in the Mirror: American Histories of an Iconic Composer, by David C. Paul. Notes, Vol. 71, No. 3 (2015): 507-508.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Principe, Quirino

Year: 1997
Complete Citation:
Principe, Quirino. “Geniale e impuro,” Review of Prima della Sonata, translated and edited by Aloma Bardi. Sole (September 14, 1997): 37.
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Principe, Quirino. “Geniale e «impuro»,” review of Prima della Sonata, by Charles Ives. II Sole (September 14, 1997): 37.
Source: Chapter in Book
III. Book-Length Studies
C. Book Reviews

Ramsey, Basil

Year: 1970
Complete Citation:
Ramsey, Basil. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Musical Opinion (April 1970) 93/1111: 369.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1976
Complete Citation:
Ramsey, Basil. Review of Memos, by Charles Ives. Musical Opinion (February 1976) 99/1180: 239.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Regner, Otto Friedrich

Year: 1972
Complete Citation:
Hartmut Regitz, Otto Friedrich Regner, and Heinz-Ludwig Schneiders. Reclams Ballet- führer. Stuttgart, Germany: Stuttgart Reclams, 1972.
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Reny, Bob

Year: 2015
Complete Citation:
Reny, Bob. “Between the Ears: DoAM Ensemble - “Mists: Charles Ives For Jazz Orchestra.”” IAJRC Journal, Vol. 48, No. 2 (2015): 70-71.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Richard Dufallo and Brenden Gill, developers.

Year: 1975
Complete Citation:
Richard Dufallo and Brenden Gill, developers. Meeting Mr. Ives (1975); theater piece.
Notes:

Music: The Unanswered Question’, General William Booth Enters into Heaven', Like a Sick Eagle', and The Children's Hour. <br><br>Prf: 1975 August 20--24: Lenox, MA; Lenox Art Center; Dennis Nahat, choreographer and stage director; Wayne Turnage, bari-tone; Catherine Rowe, soprano; Donald Symington (George Ives); David Westfass (Charles Ives).

Source: Theater Piece
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre