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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Gilman, Lawrence

Year: 1927
Complete Citation:
Gilman, Lawrence, “Music: A New Opera (Milhaud), a New Sym-phony (Ives) and a Debussy Fragment.” The New York Herald Tribune, January 31, 1927.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Gilmore, Bob

Year: 2000
Complete Citation:
Gilmore, Bob. “Reinventing Ives,” review of Ives: Concord Sonata, by Geoffrey Block. Music Analysis 19/1 (March 2000): 101-123.
Source: Journal
Reprints:

Second Edition, transferred to digital printing: 2006. <br>

III. Book-Length Studies
C. Book Reviews
Year: 2000
Complete Citation:
Gilmore, Bob. "Reinventing Ives,” review of Charles Ives Studies, edited by Philip Lambert. Music Analysis 19/1 (March 2000): 101--123.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Glahn, Denise von

Year: 2004
Complete Citation:
Glahn, Denise von. “Musikalische Stadtlandschaft: Central Park in the Dark.” In Musik-Konzepte 123 —Charles Ives, edited by Ulrich Tadday, 89-108. Munich, Germany: Edition Text und Kritik, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Goldman, Richard Franko

Year: 1955
Complete Citation:
Goldman, Richard Franko. Notes 12/2 (March 1955): 217-218.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1955
Complete Citation:
Goldman, Richard Franko. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Notes 12, no. 2 (March 1955): 217- 218.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Goleeke, Thomas

Year: 1984
Complete Citation:
Goleeke, Thomas. Literature for Voice: An Index of Songs in Collec-tions and Source Book for Teachers of Singing, 56-60, 65-66. Metuchen, NJ: Scare-crow, 1984.
Source: Book
IV. Individual Studies by Genre
E. Songs

Gollin, Rita K.

Year: 2006
Complete Citation:
Gollin, Rita K. “Charles Ives's Hawthorne.” Nathaniel Hawthorne Review, vol. 32, no. 2 (2006): 23-36.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Goodman, Alan

Year: 2005
Complete Citation:
Goodman, Alan. “A Bassoon Lite, Please... Eyeballing Mehta.” The Double Reed, Vol. 28, No. 4 (2005): 109-110.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Goodman, John

Year: 1968
Complete Citation:
Goodman, John. “An Urbanized Thoreau.” The New Leader (September 23, 1968: 23-24.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Gordon, Stewart

Year: 1996
Complete Citation:
Gordon, Stewart. Review of Charles Ives: A Life with Music, by Jan Swafford. American Music Teacher 46/6 (June--July 1997): 88--89.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Gordon, Stewart. Review of Charles Ives: A Life with Music, by Jan Swafford. American Music Teacher 46/6 (June-July 1997): 88-89.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Goudie, Andrea

Year: 1972
Complete Citation:
Goudie, Andrea. “Exploring the Broad Margins: Charles Ives’s Interpretation of Thoreau.” The Midwest Quarterly 13 (1972): 309-317.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Gould, Glenn

Year: 1965
Complete Citation:
Gould, Glenn. “The Ives Fourth.” High Fidelity/Musical America (1965): 96.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Graddy, Julia H.

Year: 2002
Complete Citation:
Graddy, Julia H. “Twentieth-Century Character Portraits for the Solo Voice.” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 58, No. 4 (2002): 283-296.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Gradenwitz, Peter

Year: 1989
Complete Citation:
Peter Gradenwitz. Review of Die Musik und ihre Zukunft, by Charles Ives. Die Musikforschung 42/1 (January-March 1989): 81-82.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Grantham, Donald

Year: 1979
Complete Citation:
Grantham, Donald. “A Harmonic ‘Leitmotif’ System in Ives’s Psalm 90.” In Theory Only Vol. 5 no. 2 (May-June 1979): 3-14.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Gratovich, Eugene

Year: 1974
Complete Citation:
Gratovich, Eugene. “The Violin Sonatas.” Music Educator’s Journal 61, no. 2 (October 1974): 58-63.
Source: Journal
Reprints:

Gratovich, Eugene. “The Violin Sonatas of Charles E. Ives.” <i>The Strad</i> 85 (December 1974): 471.

IV. Individual Studies by Genre
B. Chamber Works
Year: 1975
Complete Citation:
Gratovich, Eugene. “Performing the Violin Sonatas of Charles Ives.” American String Teacher, Vol. 25, Issue 1 (February 1975): 24-25.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Year: 1979
Complete Citation:
Gratovich, Eugene. “Ives Second Violin Sonata: Performance Alternatives.” American String Teacher 29/2 (Spring 1979): 46-49. 
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works