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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Gratovich, Eugene

Year: 2004
Complete Citation:
Gratovich, Eugene. “Play It!: “Decoration Day” by Charles Ives (1912).” Strings, Vol. 19, No. 3 (2004): 24-25.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Gray, Michael H.

Year: 1974
Complete Citation:
Gray, Michael H. Notes 31/1 (September 1974): 63-66.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1974
Complete Citation:
Gray, Michael H. Review of Charles E. Ives: Discography, by Richard Warren. Notes 31, no. 1 (1974): 63-64.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Green, Douglass M.

Year: 1978
Complete Citation:
Green, Douglass M. “A Chord Motive in Ives’s ‘Serenity.’” In Theory Only Vol. 4, No. 5 (October 1978): 20-21.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1978
Complete Citation:
Green, Douglass M. “Exempli gratia: A Chord Motive in Ives’s Serenity.” In Theory Only 4 (October 1978): 20-21.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Greenberg, Robert

Year: 2004
Complete Citation:
Greenberg, Robert. “Lecture 19: Charles Ives.” In The Symphony. Chantilly, VA: Teaching Company, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Grill, Stanley

Year: 1982
Complete Citation:
Grill, Stanley. “A language so transcendent: an analysis of style and content in the songs of Charles Ives.” New York, NY: Stanley Grill, 1982.
Source: Book
IV. Individual Studies by Genre
E. Songs

Hahn, Hilary

Year: 2011
Complete Citation:
Hahn, Hilary. “Masterclass: Ives’ Violin Sonata No. 4, second movement.” The Strad, Vol. 122 (2011): 86-89.
Source: Magazine
IV. Individual Studies by Genre
B. Chamber Works

Hall, David

Year: 1965
Complete Citation:
Hall, David. “Premiere and Cultural Turning Point: Charles Ives’ Fourth Symphony: An Account of the History and Preparation of the Score, the Problematic Rehearsals, and the First Performance of an Almost Legendary Work.” HiFi/Stereo Review Review, July 1965), 55-58.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1967
Complete Citation:
Hall, David. “Review of Ives’ Choral Music, vol. I.” Hi-fi/Stereo Review, Vol. 18 (January 1967).
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Hall, James Husst

Year: 1953
Complete Citation:
Hall, James Husst. “The Later American School.” In The Art Song, 284-287. Norman, OK: University of Oklahoma Press, 1953.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Hall, Michael

Year: 1985
Complete Citation:
Hall, Michael. Review of Charles Ives: The Ideas behind the Music, by J. Peter Burkholder. Journal of American Studies 21/1 (April 1987): 117-118.
Notes:

Observes that the ideas are taken largely from the Essays Before a Sonata (All).

Source: Journal
III. Book-Length Studies
C. Book Reviews

Hamm, Chelsey

Year: 2013
Complete Citation:
Hamm, Chelsey. “Book Review: Breaking Time’s Arrow: Experiment and Expression In the Music of Charles Ives, by Matthew McDonald.” Indiana Theory Review, Vol. 31, No. 1-2 (2013): 185-190.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2017
Complete Citation:
Hamm, Chelsey. “Charles Ives’s Songs for “Horn.”” The Horn Call 47, no. 3 (2017): 92.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Harbaum, Darrell

Year: 1991
Complete Citation:
Harbaum, Darrell. “Style Traits and Compositional Techniques as Found in the Symphonies.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Harris, Roger

Year: 1979
Complete Citation:
Harris, Roger. “Review of The Celestial Country.” Music and Musicians 27, no. 10 (June 1979): 64+.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Harrison, Lou

Year: 1954
Complete Citation:
Harrison, Lou. “On Ives's First Piano Sonata.” In Charles E. Ives First Sonata For Piano. New York, NY: Peer International Corporation, 1954.
Source: Score
Reprints:

Harrison, Lou. “On Ives's First Piano Sonata.” In <i>Charles E. Ives First Sonata For Piano</i>, ii. Revised edition. New York, NY: Peer International Corporation, 1954.

IV. Individual Studies by Genre
C. Keyboard Works

Harrison, Max

Year: 1975
Complete Citation:
Harrison, Max. Review of Charles Ives Remembered, by Vivian Perlis, and Charles E. Ives: Memos, edited by John Kirkpatrick. Composer 55 (Summer 1975): 37-38.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1977-1978
Complete Citation:
Harrison, Max. Composer 62 (Winter 1977-78): 48-50.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1977-1978
Complete Citation:
Harrison, Max. Review of Charles Ives: A Discography, by Charles Warren: Charles Ives and the American Band Tradition, by Jonathan Elkus; and Charles Ives, by H. Wiley Hitchcock. Composer (London) 62 (Winter 1977-1978): 48-50.
Source: Journal
III. Book-Length Studies
C. Book Reviews