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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Hartman, James B.

Year: 2004
Complete Citation:
Hartman, James B. “Alternative Organists.” The Diapason, Vol. 95, No. 7 (2004): 20-22.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Hartsock, R.

Year: 2000
Complete Citation:
Hartsock, R. Review of A Descriptive Catalogue of the Music of Charles Ives, by James Sinclair. Choice 37, no. 6 (February 2000): 1080.
Notes:

A Descriptive Catalogue of the Music of Charles Ives

Source: Journal
III. Book-Length Studies
C. Book Reviews

Hartsock, Ralph

Year: 2000
Complete Citation:
Hartsock, Ralph. Review of A Descriptive Catalogue of the Music of Charles Ives, by James Sinclair. Choice 37/6, February 2000, 1080.
Notes:

A Descriptive Catalogue of the Music of Charles Ives

Source: Magazine
III. Book-Length Studies
C. Book Reviews

Haskell, Harry

Year: 1996
Complete Citation:
Haskell, Harry. “Paul Rosenfeld, ‘Ives’s Concord Sonata’.” In The attentive listener: three centuries of music criticism. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Hawes, Peter

Year: 1998
Complete Citation:
Hawes, Peter. “Learning to Love a Cranky Composer.” Yale Alumni Magazine (March 1998).
Notes:

A report of a pre-concert talk prior to a performance by the National Symphony Orchestra at the University of Arizona’s Centennial Hall in Tucson by Leonard Slatkin, the orchestra’s conductor. The Unanswered Question was on the program that evening. Slatkin’s remarks about Ives and Symphony No. 4 are somewhat negative. A general article prompted by the awarding of the first Charles Ives Living to Martin Bresnick.

Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Heaton, Charles Huddleston

Year: 1970
Complete Citation:
Heaton, Charles Huddleston. Review of Charles Ives: A Bibliography of His Music, by Dominique-Rene De Lerma. Music: The AGO/RCCO Magazine 4 (September 1970): 44.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Heister, Hanns-Werner, Werner Kremp, eds.

Year: 2004
Complete Citation:
Heister, Hanns-Werner, Werner Kremp, eds. Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Book
IV. Individual Studies by Genre
E. Songs

Helm, Everett

Year: 1963
Complete Citation:
Helm, Everett. Review of Essays Before a Sonata, and Other Writings, by Howard Boatwright. Musical America, vol. 52 (February, 1963).
III. Book-Length Studies
C. Book Reviews
Year: 1963
Complete Citation:
Helm, Everett. Review of Essays Before a Sonata and Other Writings, edited by Howard Boatwright. Musical America 83/2 (February 1963): 52.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1963
Complete Citation:
Helm, Everett. Review of Essays Before a Sonata, The Majority and Other Writings, edited by Howard Boatwright. Musical America 83 (February 1963): 52.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1973
Complete Citation:
Helm, Everett. Music Review 34/2 (May 1973): 175-176.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1978
Complete Citation:
Helm, Everett. Review of An Ives Celebration, edited by H.Wiley Hitchcock and Vivian Perlis. Fontes Artis Musicae 25, no. 3 (1978): 278-279.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Henahan, Donal

Year: 1996
Complete Citation:
Henahan, Donal. “Bring in da Noise.” New York Times Book Review, August 4, 1996, 11-12.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Henahan, Donal. “Bring in da Noise,” review of Charles Ives: A Life with Music, by Jan Swafford. New York Times Book Review (August 4): 11--12.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Henck, Herbert

Year: 1980
Complete Citation:
Henck, Herbert. ““Waltz-Rondo” und andere Klavierstücke von Charles Ives.” Neuland - Ansätze zur Musik der Gegenwart 1 (1980): 44-46.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Henk, Herbert. “Randbemerkung. Zu Ives’ ‘Gesamtem Klavierwerk.’” In Neuland: Ansatze zur Musik der Gegenwart, 43. Vol. 1. Cologne, Germany: Neuland Musikverlag Herbert Henck, 1980.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1982
Complete Citation:
Henck, Herbert. “Versehen - Versehren. 2. Lanze. Zur Neuausgabe von Charles E. Ives’ Erster Klaviersonate.” Neuland - Ansätze zur Musik der Gegenwart 2 (1982): 206-207.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1983
Complete Citation:
Henck, Herbert. “Aus zweiter Hand: Charles E. Ives’ “Study No. 20.”” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.
Source: Chapter in Book
Reprints:

Henck, Herbert. "Aus zweiter Hand: Charles E. Ives' 'Study No. 20.' Review of Study No. 20 by Charles Ives.]"Neuland 3 (1982-83): 242.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1988
Complete Citation:
Henck, Herbert. “Charles Ives Piano Sonata No. 2: ‘Concord, Mass., 1840-1960’.” In Charles Ives und die amerikanische Musik. International Symposium, February 24-27, 1988. Cologne, Germany.
Source: Festival Booklet
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1992
Complete Citation:
Henck, Herbert. “Klavierwerke von Charles Ives: Werkkommentare.” In Experimentelle Pianistik: Improvisation, Interpreta-tion, Komposition: Schriften zur Klaviermusik (1982 bis 1992), 167-183. Mainz, Germany: Schott, 1992.
Notes:

Contents: Einfuhrung (167-168), Biographisches (168-169), Piano Sonata No. 1 (170-172), Piano Sonata No. 2: "Concord, Mass., 1840- 1860" (172-177), Ausgewählte Klavierstucke (177-183).

Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works