Henck, Herbert
Year: 2004
Complete Citation:
Henck, Herbert. “‘Do whatever seems natural or best to you’: Noten- text und Interpretation von Charles Ives’ Concord Sonata.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 116-122. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Henderson, C.W.
Year: 2008
Complete Citation:
Henderson, C. W. Review of Selected Correspondence of Charles Ives, edited by Thomas C. Owens. Notes, Vol. 64, No. 4 (2008): 748-750.Source: Journal
III. Book-Length Studies
C. Book Reviews
Henderson, Clayton
Year: 1996
Complete Citation:
Henderson, Clayton. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Choice 33/8, April 1996, 13-20.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Henry, Barbara D.
Year: 1970
Complete Citation:
Henry, Barbara D. Review of Charles Edward Ives, 1874-1954: A Bibliography of his Music, by Dominique-René De Lerma. Library Journal 95/15 (September 1, 1970): 27-88.Notes: Suggests that this is a valuable source book because the Kirkpatrick catalogue had limited distribution.
Source: Journal
Reprints: Henry, Barbara D. “Library Journal Book Review 1970.” New York/London, United Kingdom: R.R. Bowker, 1970: 26.
III. Book-Length Studies
C. Book Reviews
Hermann, Bernard
Year: 1945
Complete Citation:
Hermann, Bernard. “Four Symphonies by Charles Ives.” Modern Music, vol. 22, no. 6 (November-December 1945).Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Herrmann, Bernard
Year: 1945
Complete Citation:
Herrmann, Bernard. “Four Symphonies of Charles Ives.” Modern Music 22 (1945): 215-222.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1955
Complete Citation:
Herrmann, Bernard. “Yankee Composer.” Review of Charles Ives and His Music, by Henry Cowell. Saturday Review 38, no. 3 (January 15, 1955): 27-28.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Hertz, David Michael
Year: 1996
Complete Citation:
Hertz, David Michael. “European Influences: Ives and the Piano.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 43-46. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1997
Complete Citation:
Hertz, David Michael. “Ives's Concord Sonata and the Texture of Music.” In Charles Ives and His World, edited by J. Peter Burkholder, 75-117. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Hewett, Ivan
Year: 2013
Complete Citation:
Hewett, Ivan. “The Latest in our Series on Short Works by the World’s Greatest Composers; Ivan Hewett’s Classic 50; no 21 Charles Ives - the Housatonic at Stockbridge.” Daily Telegraph, May 9, 2013, 27.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Hfelman, Harold
Year: 1955
Complete Citation:
1955 - H[arold] Hfelman]. "A Father of American Music."Musical Opinion (1956 January) 79/940: 217.Source: Journal
III. Book-Length Studies
C. Book Reviews
Hick, Brian
Complete Citation:
Hick, Brian. Review of Classical Music and Postmodern Knowledge, by Lawrence Kramer. Musical Opinion 119, Winter 1996, 239.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Higbee, Dale
Year: 1970
Complete Citation:
Higbee, Dale. Review of Charles Edward Ives, 1874-1954: A Bibliography of his Music, by Dominique-René De Lerma. American Recorder 11/4 (Fall 1970): 147.III. Book-Length Studies
C. Book Reviews
Hines, Robert Stephen, ed.
Year: 1970
Complete Citation:
Hines, Robert Stephen, ed. The Orchestral Composer's Point of View: Essays on Twentieth -Cen-tury Music by Those Who Wrote It, 39-60. Norman, OK: The University of Oklahoma Press, 1970.Notes: An untitled essay by Elliott Carter mentions Ives several times (40, 58), indicating the difficulties of performing Ives’s orchestral works as well as the expan-siveness of Ives's orchestral scores. Several passing remarks about Ives in the articles by Ross Lee Finney and Gunther Schuller [Remarks that Ives’s music was not being performed by orchestral musicians in the 1940s.]
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Hinson, Maurice
Year: 1974-1975
Complete Citation:
Hinson, Maurice. “The Solo Piano Music of Charles Ives.” Piano Quarterly 88 (Winter 1974-1975): 32-35.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1983
Complete Citation:
Hinson, Maurice. Music for More Than One Piano: An Annotated Guide, 96-91. Bloomington, IN: Indiana University Press, 1983.Notes: Discusses Three Quarter-Tone Pieces for two pianos and Calcium Light Night.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
Hinson, Maurice and Wesley Roberts
Year: 2014
Complete Citation:
Hinson, Maurice and Wesley Roberts. “I.” In Guide to the Pianist's Repertoire, Fourth Edition, 4th ed., 528-537. Bloomington, IN: Indiana University Press, 2014.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Hirsch, Alan
Year: 1995
Complete Citation:
Hirsch, Alan. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Booklist 92, December 15, 1995, 678.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Hirsch, Alan. Review of Charles Ives: A Life with Music, by Jan Swafford. Booklist 92/14, March 15, 1996, 12-33.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Hitchcock, H. Wiley
Year: 1977
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives’s Book of 114 Songs.” In A Musical Offering: Essays in Honor of Martin Bernstein, edited by Edward H. Clinksdale and Claire Brook, 127-135. New York, NY: Pendragon Press, 1977.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
