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Bibliography

Hitchcock, H. Wiley

Year: 1993
Complete Citation:
Hitchcock, H. Wiley. Review of “My Father’s Song”: A Psychoanalytic Biography, by Stuart Feder. Journal of the American Musicological Society 46/2 (Summer 1993): 319-329.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Hitchcock, H. Wiley. ““A grand and glorious noise!”: Charles Ives as Lyricist.” American Music 15/1 (1997): 26-44.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1997
Complete Citation:
Hitchcock, H. Wiley. “‘A grand and glorious noise!’: Charles Ives as Lyri-cist.” American Music 15/1 (Spring 1997): 26-44.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1999
Complete Citation:
Hitchcock, H. Wiley. “Ives’s 114 [+15] Songs and What He Thought of Them.” Journal of the American Musicological Society 52/1 (Spring 1999): 97-144. 
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2004
Complete Citation:
Hitchcock, H. Wiley. “Ives as Songwriter and Lyricist.” In 129 Songs, edited by H. Wiley Hitchcock, xvii--lxxi. Music of the United States of America, No. 12. Middle-town, WI: A--R Editions, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Hitchcock, H. Wiley, and Noel Zahler

Year: 1988
Complete Citation:
Hitchcock, H. Wiley, and Noel Zahler. “Just What Is Ives’s Unanswered Question?” Notes 44, No. 3 (March 1988).
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Hitchcock, H. Wiley, ed.

Year: 2004
Complete Citation:
Hitchcock, H. Wiley. Critical Commentaries for Charles Ives - 129 Songs. Middleton, WI: A-R Editions, Inc., 2004.
Notes:

<a target="_blank" href="https://charlesives.org/sites/default/files/Ives_129_Songs.pdf">Critical commentary to accompany Music of the United States of America, Vol. 12 and Recent Researches in American Music, Vol. 46. Published for the American Musicological Society. Available at: https://charlesives.org/sites/default/files/Ives_129_Songs.pdf. </a>

Source: Book
IV. Individual Studies by Genre
E. Songs

Hitchcock, Wiley H.

Year: 1988
Complete Citation:
Hitchcock, Wiley H. Review of Perfect Pitch: A Life Story. Institute for Studies in American Music Newsletter 17/1 (May 1988): 14.
Source: Newsletter
III. Book-Length Studies
C. Book Reviews

Hitchcok, H. Wiley

Year: 1998
Complete Citation:
Hitchcock, H. Wiley. “Ives's 114 [+15] Songs and What He Thought of Them.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Source: Conference paper
Reprints:

Hitchcock, H. Wiley. “Ives's 114 [+15] Songs and What He Thought of Them.”<i>Journal of the American Musicological Society</i> 52/1 (Spring 1999): 97-144.

IV. Individual Studies by Genre
E. Songs

Hitchock, H. Wiley, and Vivian Perlis, eds.

Year: 1977
Complete Citation:
“Three Realizations of Chromâtimelôdtune.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 87-109. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Holmes, Leslie M.

Year: 2010
Complete Citation:
Holmes, Leslie M. “A Conversation with William Sharp, Part 2.” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 67, No. 1 (2010): 91-97.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2011
Complete Citation:
Holmes, Leslie M. “A Conversation with Gerald Finley, Part 2.” Journal of Singing 67, No. 5 (May 2011): 617-623.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Houtchens, Alan and Janis P. Stout

Year: 1996
Complete Citation:
Houtchens, Alan and Janis P. Stout. “Intertextuality and Meaning in Charles Ives’s In Flanders Fields.” In The Maynooth International Musicological Conference 1995: Selected Proceedings, edited by Patrick F. Devine and Harry White. Dublin, Ireland: Four Courts Press, 1996.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 1997
Complete Citation:
Houtchens, Alan, and Janis P. Stout. “‘Scarce heard amidst the guns below’: Intertextuality and Meaning in Charles Ives’s War Songs.” Journal of Musicology 15/1 (Winter 1997): 66-97.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Hughes, Allen

Year: 2001
Complete Citation:
Hughes, Allen. “Cover to Cover: Modern Thinking.” Chamber Music, Vol. 18, No. 3 (2001): 42-43.
Source: Magazine
IV. Individual Studies by Genre
B. Chamber Works

Hume, Paul

Year: 1955
Complete Citation:
Hume, Paul. “A New Book on Ives’ Music.” Washington Post and Times-Herald (June 12) H: 10.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Hunnicutt, Ellen

Year: 1987
Complete Citation:
Hunnicutt, Ellen. “The Practical Uses of Emerson: Charles Ives.” Soundings: An Interdisciplinary Journal, vol. 70, no. 1/2 (1987): 189-198.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Hüsken, Renata

Year: 1980
Complete Citation:
Hüsken, Renata. “Charles Ives' ‘Robert Browning Overture.’” Neuland 1 (1980): 16-24.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Hutton, Edna Rait

Complete Citation:
Hutton, Edna Rait. Review of Charles Edward Ives, 1874-1954: A Bibliography of his Music, by Dominique-René De Lerma. Pan Pipes (January 1972) 64/2: 30.
III. Book-Length Studies
C. Book Reviews
Year: 1971
Complete Citation:
Hutton, Edna Rait. Review of Charles Edward Ives, 1874-1954: A Bibliography of his Music, by Dominique-René De Lerma. Pan Pipes 63/2 (January 1971): 29.
III. Book-Length Studies
C. Book Reviews