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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Balshaw, Paul A.

Year: 1975
Complete Citation:
Balshaw, Paul A. “Charles Ives: The Man and His Music: The Celestial Country: An Introduction.” The Choral Journal, vol. 15, no. 7 (1975): 16-20.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Banfield, Stephen

Year: 1978
Complete Citation:
Banfield, Stephen. Review of Ives, by H. Wiley Hitchcock. Music and Letters 59, no. 3 (1978):346-347.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1979
Complete Citation:
Banfield, Stephen. Review of An Ives Celebration, edited by H. Wiley Hitchcock and Vivian Perlis. Music and Letters 60 (April 1979): 216-217.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Bardi, Aloma

Year: 2004
Complete Citation:
Bardi, Aloma. “Transformazione e identita nella Concord Sonata.” Musica 160 (October 2004): 36--38.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Barker, John W.

Year: 1976
Complete Citation:
Barker, John W. “Who Owns Charles Ives?” Reviews in American History 4, no. 3 (September 1976): 442-450.
III. Book-Length Studies
C. Book Reviews

Barnick, Jens

Year: 2004
Complete Citation:
Barnick, Jens. “Charles Ives: Durch das Leben mit 114 Liedern.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 35-72. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Baron, C. K.

Year: 2000
Complete Citation:
Baron, C. K. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Journal of the American Musicological Society, Vol. 53, No. 2 (2000): 437-444.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Baron, Carol K.

Year: 1994
Complete Citation:
Baron, Carol K. “What Motivated Charles Ives's Search for Time Past.” Musical Quarterly 78/2 (1994): 206-219.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1994
Complete Citation:
Baron, Carol K. “What Motivated Charles Ives’s Search for Time Past?” The Musical Quarterly 78, no. 2 (Summer 1994): 206-219.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Baron, Carol K. “Analysis and Manuscript Study of Ives's Symphony No. 1 as Biographical Tools: Parker's Lessons.” Paper presented at Sonneck Society for American Music Meeting, Washington, D.C., March, 1996.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2001
Complete Citation:
Baron, Carol K. Journal of the American Musicological Society 54/2 (Summer 2001): 424-428.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2002
Complete Citation:
Baron, Carol K. “Biography and Compositional Process in Charles Ives's First Symphony: Lessons Learned; Mastery Gained.” Paper presented at the meeting of the Greater New York Chapter of the American Musi-cological Society. Rutgers University, Brunswick, New Jersey, February 2002.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2002
Complete Citation:
Baron, Carol K. “Tonal Systems in Crisis: Composition and Autog-raphy in Charles Ives's First Symphony.” Paper presented at Fifth Eu-ropean Music Analysis Conference. University of Bristol, Bristol, England, April 2002.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Baron, Carol Kitzes

Year: 1987
Complete Citation:
Baron, Carol Kitzes. “Ives on His Own Terms: An Explanation, a Theory of Pitch Organization, and a New Critical Edition for the Three Page Sonata.” Ph.D. diss., City University of New York, 1987.
Source: Ph.D. Dissertation
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1993
Complete Citation:
Baron, Carol Kitzes. Review of A Union of Diversities, by Larry Starr. Notes 50/1 (1993): 167-168.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1994
Complete Citation:
Baron, Carol Kitzes. “What Motivated Charles Ives’s Search tor Time Past.” The Musical Quarterly 78/2 (1994 Summer): 206-219.
Notes:

Her article includes a review of this book.

Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1994
Complete Citation:
Baron, Carol Kitzes. "What Motivated Charles Ives's Search for Time Past." The Musical Quarterly 78/2 (Summer 1994): 206-219.
Notes:

Includes a review of <i>“My Father’s Song”: A Psychoanalytic Biography</i>, by Stuart Feder

Source: Journal
III. Book-Length Studies
C. Book Reviews

Bartel, Dennis

Year: 1996
Complete Citation:
Bartel, Dennis. “Books for the Holiday Season: “Charles Ives and His World” edited by Peter Burkholder.” Chamber Music, Vol. 13, No. 6 (1996): 26.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Bärtschi, Werner

Year: 1986
Complete Citation:
Bärtschi, Werner. “‘Concord, Massachusetts, 1840-1860’: Ives’ zweite Klaviersonate.” Neue Zürcher Zeitung 207/112 (May 17-18, 1986): 89-102.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Bäßler, Hans

Year: 1992
Complete Citation:
Bäßler, Hans. “Die manipulierte Hymne: Didaktische anmerkung zu Charles Ives Variations on ’America.’” Deutsche Tonkünstler-Zeitung 24/5 (September-October 1992): 47-52.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works