Johnson [Swafford], Jan L.
Year: 1968
Complete Citation:
Johnson [Swafford], Jan L. “The Second Phase Compositional Tech-niques and Form in Ives’ Fourth Symphony.” B.A. senior honors essay, Harvard College, Harvard University, 1968.Source: B.A. senior honors essay
IV. Individual Studies by Genre
A. Orchestral and Band Works
Johnson, Timothy A.
Year: 1996
Complete Citation:
Johnson, Timothy A. “Chromatic Quotations of Diatonic Tunes in Songs of Charles Ives.” Music Theory Spectrum 18 (1996): 236-2-61.Source: Journal
IV. Individual Studies by Genre
E. Songs
Jolas, Betsy
Year: 1970
Complete Citation:
Jolas, Betsy. “Sur Ives: ‘The Unanswered Question,’” Musique en Jeu, No. 1 (1970).Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1970
Complete Citation:
Jolas, Betsy. “Introduction a la Musique Americaine: Sur The Unanswered Question.” Musique en Jeu 1 (November 1970): 13-16.Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Jones Jr., Malcolm
Year: 1996
Complete Citation:
Malcolm Jones, Jr. Review of Charles Ives: A Life with Music, by Jan Swafford. Newsweek, September 9, 1996, 74.Notes: “In Swafford, Ives got the biographer he deserves. Thoughtful, witty, instructive, this is one of the best biographies in recent memory, as warm and strangely inspiring as the man and the music it describes.”
Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Jones, Jr., Malcolm
Year: 1996
Complete Citation:
Jones, Jr., Malcolm. Review of Charles Ives: A Life with Music, by Jan Swafford. Newsweek (September 9, 1996): 74.Notes: “In Swaf-ford, Ives got the biographer he deserves. Thoughtful, witty, instructive, this is one of the best biographies in recent memory, as warm and strangely inspiring as the man and the music it describes.”
Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Jones, Robert C.
Year: 1996
Complete Citation:
Robert C. Jones. “Eloquent Silence,” review of Charles Ives: A Life with Music, by Jan Swafford. American Scholar 67/1 (1998 Winter): 187-189.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1998
Complete Citation:
Jones, Robert C. “Eloquent Silence.” American Scholar 67/1, Winter 1998, 187-189.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Josephson
Year: 1978
Complete Citation:
Josephson, Nors S. “Besprechungen: G. Vinay: L’America Musicale di Charles Ives.” Die Musikforschung, Vol. 31, No. 3 (1978): 347.Source: Journal
III. Book-Length Studies
C. Book Reviews
Josephson, Noms S.
Year: 1974
Complete Citation:
Josephson, Noms S. Die Musikforschung 27/2 (1974): 236.Source: Journal
III. Book-Length Studies
C. Book Reviews
Josephson, Nors S.
Year: 1974
Complete Citation:
Josephson, Nors S. “Zur Formalen Struktur Einiger Später Orchesterwerke Von Charles Ives (1874-1954).” Die Musikforschung, vol. 27, no. 1 (1974): 57-64.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1974
Complete Citation:
Josephson, Nors S. “Besprechungen: Ulrich Maske: Charles Ives in seiner Kammermusik für drei bis sechs Instrumente.” Die Musikforschung, Vol. 27, No. 4 (1974): 490.Source: Journal (book review)
IV. Individual Studies by Genre
B. Chamber Works
Year: 1974
Complete Citation:
Josephson, Nors S. “Zur Formalen Struktur einiger später Orchester-werke von Charles Ives (1874-1954).” Die Musikforschung 27 (1974): 57-64.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1984-1985
Complete Citation:
Josephson, Nors S. “The Initial Sketches for Ives’s ‘St. Gaudens in Boston Common’.” Soundings: A Music Journal 12 (1984-1985): 46-63.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Julien, Jean-Remy
Year: 1981
Complete Citation:
Julien, Jean-Remy. Review of An Ives Celebration, edited by H. Wiley Hitchcock and Vivian Perils. Revue de Musicologie 67. no. 1 (1981):118-119.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Kagen, Sergius
Year: 1949
Complete Citation:
Kargen, Sergius. Music for the Voice: A Descriptive List of Concert and Teaching Material, 330. New York, NY: Rinehart & Company, 1949.Notes: Reprint adds brief annotations for August, Autumn, Charlie Rutlage, Evening, From "Lincoln, the Great Commoner," The Greatest Man, and Walking.
Source: Book
Reprints: Kargen, Sergius. <i>Music for the Voice: A Descriptive List of Concert and Teaching Material</i>.<i> </i>Bloomington, IN: Indiana University Press, 1968: 506- 507.
IV. Individual Studies by Genre
E. Songs
Kalish, Gilbert
Year: 1977
Complete Citation:
Kalish, Gilbert. Liner notes for “Charles Ives Piano Sonata No. 2.” Nonesuch Records H-71337, 1977, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
C. Keyboard Works
Kämper, Dietrich
Year: 1987
Complete Citation:
Kämper, Dietrich. “Die ‘114 Songs’ von Charles E. Ives.” In Amerikanische Musik seit Charles Ives: Interpretation, Quellentexte, Komponistenmonographien, 135-145. Laaber, Germany: Laaber Verlag, 1987.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1987
Complete Citation:
Kämper, Dietrich. “Die ‘114 Songs’ von Charles E. Ives.” In Amerikanische Musik seit Charles Ives: Interpretationen, Quellentexte, Komponistenmonographien, edited by Herbert Danuser, Dietrich Kämper, and Paul Terse. Laaber, Germany: Lauber-Verlag (1987): 135-148.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 1989
Complete Citation:
Kämper, Dietrich. Review of Charles Ives, by Wolfgang Rathert. Musiktheorie 6/1 (1991): 93-94.Source: Journal
III. Book-Length Studies
C. Book Reviews