Lindner, Ursel
Year: 2004
Complete Citation:
Lindner, Ursel. “Neue Kunst in der Neuen Welt, Charles Ives: Central Park in the Dark 1911.” In Musik im Kontext. Innsbruck, Austria: Helbling Publishing, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Lipkis, Larry A.
Year: 1996
Complete Citation:
Lipkis, Larry A. Review of Charles Ives: A Life with Music, by Jan Swafford. Library Journal 121/5 (March 15, 1996): 74.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Lipkis, Larry A. Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Library Journal 121/5 (March 15, 1996): 74.Source: Journal
III. Book-Length Studies
C. Book Reviews
Lipkis, Laurence Alan
Year: 1996
Complete Citation:
Lipkis, Laurence Alan. Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Library Journal 121 (August 1996): 74.Source: Journal
III. Book-Length Studies
C. Book Reviews
Lockspeiser, Edward
Year: 1955
Complete Citation:
Lockspeiser, Edward. Review of Charles Ives and His Music, by Henry and Sidney Cowell. The Musical Times 96/1352 (October 1955): 532-533.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1955
Complete Citation:
Lockspeiser, Edward. Review of Charles Ives and His Music, by Henry and Sidney Cowell. The Musical Times, vol. 96: 532-533.Source: Journal
III. Book-Length Studies
C. Book Reviews
Lowens, Irving
Year: 1955
Complete Citation:
1955 - Irving Lowens. "White House Books on Music: A Varied and Intriguing List.” Sunday [Washington] Star (1963 September 1).Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Year: 1970
Complete Citation:
Lowens, Irving. Review of Charles Edward Ives, 1874-1954: A Bibliography of his Music, by Dominique-René De Lerma. Washington Star. November 22, 1970, sec. C: 8.III. Book-Length Studies
C. Book Reviews
Luck, Hartmut
Year: 2004
Complete Citation:
Luck, Hartmut. “Visionen einer andern Wirklichkeit: Die symphonischen Werke von Charles Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 123-137. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Lyle, Wilson
Year: 1985
Complete Citation:
Lyle, Wilson. Dictionary of Pianists, 140, 151, 183. New York, NY: Schirmer Books, 1985.Notes: p. 151: the first performance of Ives's Concord Sonata by John Kirkpatrick. p. 183 the first performance of Ives’s Sonata No. 1 by William Masselos.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
Lyman, Zachary
Year: 2010
Complete Citation:
Lyman, Zachary. “Realizing Ives's Universe Symphony: An Interview with Johnny Reinhard.” American Music, vol. 28, no. 4, (2010): 459-480.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Lyman, Zachary and Larry Austin
Year: 2008
Complete Citation:
Lyman, Zachary, and Larry Austin. “Completing Ives's Universe Symphony: An Interview with Larry Austin.” American Music, vol. 26, no. 4 (2008): 442-473.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
M.E.
Year: 1996
Complete Citation:
M.E. Review of Die Musik und ihre Zukunft, by Charles Ives. Musikerzeihung: Zeitschrift de Musikerziehen Osterreichs 50/1 (1996): 40.Source: Journal
III. Book-Length Studies
C. Book Reviews
Mabry, Sharon
Year: 1989
Complete Citation:
Mabry, Sharon. “New Directions: Contemporary Chamber Works.” NATS Journal 45/3 (January-February 1989): 44.Notes: Discussion of Sunrise.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Mack, Dieter
Year: 1994
Complete Citation:
Mack, Dieter. “Auf der Suche nach einer amerikanischen Musik? Zur Musiksprache von Charles Ives anhand der Three-Page-Sonata.” In Visionen und Aufhruche: Zur Krise der modernen Musik 1908-1933, edited by Gunther Metz. Hochschuldokumentationen zu Musikwissenschaft und Musikpadagogik Musikhochschule Freiburg No. 5. Kassel, Germany: Bosse, 1994, 201-233.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Magee, Gayle Sherwood
Year: 2008
Complete Citation:
Magee, Gayle Sherwood. Review of Selected Correspondence of Charles Ives, by Tom C. Owens. American Music, vol. 26, no. 1 (2008): 114-117.Source: Journal
III. Book-Length Studies
C. Book Reviews
Magers, Roy V.
Year: 1977
Complete Citation:
Magers, Roy V. “Charles Ives’s Optimism: or, The Program’s Progress.” In Music in American Society, 1776-1976: from Puritan Hymn to Synthesizer, edited by George McCue, 73-86. New Brunswick, NJ: Transaction Books, 1977.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Maher, Erin K.
Year: 2017
Complete Citation:
Maher, Erin K. Review of John Kirkpatrick, American Music, and the Printed Page, by Drew Massey. The Bulletin of the Society for American Music 43, no. 2 (Spring 2017): 20-21.Notes: Interview for “Moral Fire: Musical Portraits from America's Fin de Siècle”
Source: Newsletter
III. Book-Length Studies
C. Book Reviews
Mainka, J.
Year: 1989
Complete Citation:
Mainka, J. “Buchbesprechungen: Charles Ives, Ausgewählte Texte.” Beiträge zur Musikwissenschaft, Vol. 31, No. 3 (1989): 220.Source: Journal (book review)
III. Book-Length Studies
C. Book Reviews
Maisel, Arthur
Year: 1981
Complete Citation:
Maisel, Arthur. “The ‘Fourth of July’ by Charles Ives. Mixed Harmonic Criteria in a 20th-Century Classic.” Theory and Practice VI (1981): 3-32.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works