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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Metzer, David

Year: 1996
Complete Citation:
Metzer, David. “Charles Ives Read.” Institute for Studies in American Music Newsletter 26/1 (Fall 1996): 10, 15.
Source: Newsletter
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Metzer, David. “Charles Ives Read.” Institute for Studies in American Music Newsletter 26/1 (Fall 1996): 10, 15.
Source: Newsletter
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Reviews of Reviews: David Metzer. “Charles Ives Read,” review of Charles E. Ives, by Leo Schrade. Institute for Studies in American Music Newsletter 26/1 (Fall 1996): 10, 15.
Source: Newsletter
III. Book-Length Studies
C. Book Reviews

Metzer, David J.

Year: 1992
Complete Citation:
Metzer, David J. Review of American Experimental Music, 1890-1940, by David Nicholls. American Music 10, no. 3 (Autumn 1992): 373-376.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Meyer, Felix

Year: 1991
Complete Citation:
Source: Book
Reprints:

Meyer, Felix. <i>The art of speaking extravagantly: eine vergleichende Studie der ‘Concord Sonata’ und der ‘Essays before a Sonata’ von Charles Ives</i>. Publikationen Der Schweizerischen Musikforschenden Gesellschaft, vol. 34. Bern, Switzerland: Haupt, 1991.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 2000
Complete Citation:
Meyer, Felix. “Transformation and adaptation: the evolution of Charles Ives's song “From ‘Paracelsus.’” In The Rosaleen Moldenhauer memorial: music history from primary sources: a guide to the Moldenhauer Archives. Washington, D.C.: Library of Congress, 2000.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. “Adaption - Transformation - Rekomposition. Zu Einigen Liedbearbeitungen Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 60, no. 2 (2003): 115-135.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. Adaptation - Transformation - Rekomposition: zu einigen Liedbearbeitungen von Charles Ives. Stuttgart, Germany: Franz Steiner Verlag, 2003.
Source: Book
IV. Individual Studies by Genre
E. Songs

Mihura, Brian L.

Year: 1982
Complete Citation:
Mihura, Brian L. “The Great Jew's Harp Hunt of 1954.” Verundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft 1 (1982): 44-48.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Mikhashoff, Yvar

Complete Citation:
Mikhashoff, Yvar. A thematic survey of the first movement (Emerson) of the Sonata no. 2, “Concord, Mass. 1840-1860” of Charles Ives. Unpublished manuscript. Yvar Mikhashoff Papers. Mss. 10, Folder 6. Music Library, University at Buffalo. 198?.
IV. Individual Studies by Genre
C. Keyboard Works

Miller, Catherine Keyes

Year: 1955
Complete Citation:
Miller, Catherine Keyes. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Library Journal 80/5 (March 1, 1955): 570.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Miller, Kenneth E.

Year: 1983
Complete Citation:
Miller, Kenneth E. Principles of Singing, 198. Englewood Cliffs, NJ: Pren-tice-Hall, 1983.
Notes:

Discusses When Stars Are in the Quiet Skies.

Source: Book
IV. Individual Studies by Genre
E. Songs

Milligan, Terry Gilbert

Year: 1982
Complete Citation:
Milligan, Terry Gilbert. “Charles Ives: A Survey of the Works for Chamber Ensemble Which Utilize Wind Instruments.” Journal of Band Research 18, no. 1 (Fall 1982): 60-68.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Moomaw, Charles J.

Year: 1971
Complete Citation:
Moomaw, Charles J. “A PL/1 Program for the Harmonic Analysis of Music by the Theories of Paul Hindemith and Howard Hanson.” Master’s thesis, University of Cincinnati, 1971.
Source: Master's Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works

Moore, R.

Year: 2009
Complete Citation:
Moore, R. “Charles Ives Reconsidered.” American Record Guide 72 (2009): 252.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Mörchen, Raoul

Year: 2009
Complete Citation:
Mörchen, Raoul. “Bücher: Schlechte und wahre Unendlichkeit.” Dissonanz (2009): 56-57.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Morelli, Giovanni

Year: 1974
Complete Citation:
Morelli, Giovanni. Review of L'America musicale di Charles Ives, by Gianfranco Vinay. Rivista Italiana di Musicologia 9 (1974): 316-322.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Morgan, Robert P.

Year: 1975
Complete Citation:
Morgan, Robert P. Review of Charles Ives and His America, by Frank R. Rossiter. Yearbook for Inter-American Musical Research 11 (1975): 225-228.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Morris, Harold

Year: 1932
Complete Citation:
Morris, Harold. “Fourth of July.” Contemporary American Music [Rice Institute, Houston] (April 1932): 5.
Source: Conference Publication
IV. Individual Studies by Genre
A. Orchestral and Band Works

Mortenson, Gary Curtis and Robert Frederick Schmalz

Year: 1989
Complete Citation:
Mortenson, Gary Curtis and Robert Frederick Schmalz. “Perspectives on Charles Ives’s From the Steeples and the Mountains (1901).” Inter-national Trumpet Guild Journal 13/3 (1989): 25-27.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works