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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Perkins, Lawrence

Year: 1961
Complete Citation:
Perkins, Lawrence. “The Sonatas for Violin and Piano by Charles Ives.” Master’s Essay, Eastman School of Music, University of Rochester, 1961.
Notes:

Unpublished

Source: Master’s Thesis
IV. Individual Studies by Genre
B. Chamber Works

Phelps, Thomas

Year: 1997
Complete Citation:
Phelps, Thomas. “‘As I Look Back on These Times’—über Charles Ives und seine Musik in drei Satze.” In Musik/Revolution: Festschrift für Georg Knepler zum 90. Geburststag, edited by Hanns--Werner Heister, 209-240. Volume 2. Hamburg, Germany: Von Bockel Verlag, 1997.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2004
Complete Citation:
Phelps, Thomas. “Manner, Muskeln, Diskussionen. Zum 2. Streich-quartett.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 85-105. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works

Piccardi, Carlo

Year: 1997
Complete Citation:
Piccardi, Carlo. Review of Prima della Sonata, translated and edited by Aloma Bardi. Cooperazione (March 8, 1998).
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1998
Complete Citation:
Piccardi, Carlo. Review of Prima della Sonata. Cooperazione (March 8, 1998).
Source: Chapter in Book
III. Book-Length Studies
C. Book Reviews

Pohly, Linda

Year: 1995
Complete Citation:
Pohly, Linda. “Alleluia! Sacred Choral Music in New England.” American Music 13, no. 1 (Spring 1995): 124-126.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Porter, Cecelia

Year: 1998
Complete Citation:
Porter, Cecelia. “Classical Music: Organist Gregory D’Agostino.” The Washington Post (1998): C4.
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works

Porter, David

Year: 1998
Complete Citation:
Porter, David. “Reconstructing the Emerson Concerto.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Source: Conference paper
Reprints:

“Reconstructing the Emerson Concerto.” College Music Symposium (1999) 39: 27--42.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Porter, David G.

Year: 1965
Complete Citation:
Porter, David G. “Definitely Maybe: A Definitive Text of Charles Ives's Memos.” Musical Times (July 1965) 138/1853: 11--17.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1998
Complete Citation:
Porter, David G. “On the Reconstruction of Charles Ives’s ‘Emerson’ Piano Concerto.” Unpublished commentary, 1998.
Source: Unpublished commentary.
IV. Individual Studies by Genre
A. Orchestral and Band Works

Porter, David Gray

Year: 1980
Complete Citation:
Porter, David Gray. “The Third Orchestral Set of Charles Edward Ives.” M.A. thesis, California State University, Fullerton, 1980.
Source: M.A. Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1997
Complete Citation:
Porter, David Gray, “Definitely Maybe.” Musical Times 138, no. 1853 (July 1997): 11-17.
Notes:

Review of published Memos in Cowells’ Charles Ives and His Music

Source: Journal
III. Book-Length Studies
C. Book Reviews

Porter, David H.

Complete Citation:
Porter, David H. “From Plato to piano strings: An ‘Outward Bound’ for the mind.” The Chronicle of Higher Education 42, no. 28 (March 22, 1996): A52.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Pouter, D. G.

Year: 1997
Complete Citation:
Pouter, D.G. “Definitely maybe: Definitive text of Charles Ives’s Memos.” The Musical Times, Vol. 138, No. 1853 (1997): 11-18.
Source: Journal (book review?)
III. Book-Length Studies
C. Book Reviews

Pozzi, Raffaele

Year: 1985
Complete Citation:
Pozzi, Raffaele. “Polemica antiurbana ed isolamento ideologico in ‘Central Park in the Dark’ di Charles Ives.” Nuova Rivista Musicale Italiana 19 (1985): 471-481.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Prausnitz, Frederik

Year: 1975
Complete Citation:
Prausnitz, Frederik. Review of Charles E. Ives: Memos, edited by John Kirkpatrick. Tempo 114 (September 1975): 28-30.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1975
Complete Citation:
Prausnitz, Frederik. “Reviews of — Charles Ives Remembered: An Oral History by Vivian Perlis. Charles Ives: A Portrait by David Wooldridge. Charles Ives and the American Band Tradition by Jonathan Elkus. L’America Musicale di Charles Ives by Gianfranco Vinay.” Tempo, no. 114, 1975, 28-33.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Preiss, Robin

Year: 2015
Complete Citation:
Preiss, Robin. Modernism and Postmodernism: Review of Charles Ives in the Mirror: American Histories of an Iconic Composer, by David C. Paul. Notes, Vol. 71, No. 3 (2015): 507-508.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Principe, Quirino

Year: 1997
Complete Citation:
Principe, Quirino. “Geniale e impuro,” Review of Prima della Sonata, translated and edited by Aloma Bardi. Sole (September 14, 1997): 37.
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Principe, Quirino. “Geniale e «impuro»,” review of Prima della Sonata, by Charles Ives. II Sole (September 14, 1997): 37.
Source: Chapter in Book
III. Book-Length Studies
C. Book Reviews