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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Sweeney-Turner, Steve

Complete Citation:
Steve Sweeney-Turner. “Reasonable Knowledge.” Musical Times (1996 November) 137: 32-33.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Sweet, Michael

Year: 2014
Complete Citation:
Sweet, Michael. “Charles Ives: Concord Sonata (1919).” In Writing Interactive Music for Video Games: A Composer’s Guide. Upper Saddle River, NJ: Addison-Wesley, 2014.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Sykes, James

Year: 1964
Complete Citation:
Sykes, James. “Program Notes on the Shorter Piano Pieces of Charles Ives.” Liner notes for The Short Piano Pieces of Charles Ives. Folkways FM 3348, 1964, 33.3 RPM.
Source: Liner notes
IV. Individual Studies by Genre
C. Keyboard Works

Szigeti, Joseph

Year: 1967
Complete Citation:
Szigeti, Joseph. With Strings Attached, 104, 134, 333. New York, NY: Alfred A. Knopf, 1967.
Notes:

States that Ives expressed approval of Szigeti’s performance of Sonata No. 4.

Source: Book
IV. Individual Studies by Genre
B. Chamber Works

Tagg, Barbara, and Linda Ferreira

Year: 2003
Complete Citation:
Tagg, Barbara, and Linda Ferreira. “A Celebration of American Choral Music: Past, Present, and Future.” The Choral Journal, vol. 43, no. 8 (2003): 7-8.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 2003
Complete Citation:
Tagg, Barbara, and Linda Ferreira. “Fourteen Conductors Speak About American Choral Music.” The Choral Journal 43/8 (2003): 9-25.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Taruskin, Richard

Year: 1994
Complete Citation:
Taruskin, Richard. “Away With the Ives Myth: The 'Universe' Is Here at Last.” The New York Times. October 23, 1994, sec. H: 42. 
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1996
Complete Citation:
Taruskin, Richard. “Out of Hibernation, Ives's Mythical Beast.” The New York Times. June 2 1996, sec. 2, 26.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Taruskin, Richard. “Two Stabs at the Universe.” In The Danger of Music: And Other Anti-Utopian Essays, 1st ed., 51-59. Berkeley, CA: University of California Press, 2009.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Tenney, James

Year: 1963
Complete Citation:
Tenney, James. “Some Notes on the Music of Charles Ives.” Liner notes for Songs by Charles Ives. Folkways Records, FM 3344,1966, LP.
Source: Liner Notes
IV. Individual Studies by Genre
E. Songs

Thompson, Lawrence S.

Complete Citation:
Review of Charles Edward Ives, 1874-1954: A Bibliography of his Music, by Dominique-René De Lerma. Papers of the Bibliographical Society of America 66/1 (First Quarter 1972): 98.
III. Book-Length Studies
C. Book Reviews

Thompson, William Curt

Year: 2004
Complete Citation:
Thompson, William Curt. “The Fourth Sonata for Violin and Piano (“Children’s Day at the Camp Meeting”) by Charles Ives: Contextual, Structural, and Stylistic Considerations." D.M.A. dissertation. Rice University, 2004.
Source: D.M.A. Dissertation
IV. Individual Studies by Genre
B. Chamber Works

Thomson, Virgil

Year: 1949
Complete Citation:
Thomson, Virgil. “New Symphonies.” New York Herald Tribune. Feb-ruary 20, 1949, sec. 5, 5.
Source: Newspaper
Reprints:

Thomson, Virgil. “New Symphonies.” In <i>Music Right and Left</i>, 108-111. New York, NY: Henry Holt, 1951.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Thurmaier, David

Year: 2006
Complete Citation:
Thurmaier, David. “Kaboom! The Development of Explosions in The Fourth of July by Charles Ives.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2013
Complete Citation:
Thurmaier, David. “Charles Ives and the Horn.” The Horn Call: Journal of the International Horn Society, Vol. 43, No. 2 (2013): 59-63.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2016
Complete Citation:
Thurmaier, David. Review of Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives, by Matthew McDonald.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2016
Complete Citation:
Thurmaier, David. Review of Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives, by Matthew McDonald. Journal of the Society for American Music, vol. 10, no. 3 (2016): 371-374.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Tick, Judith

Year: 1994
Complete Citation:
Tick, Judith. Review of “My Father’s Song”: A Psychoanalytic Biography, by Stuart Feder. New England Quarterly (September 1994) 67/3: 520-525.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Tick, Judith. “Composer for an Ideological Age: A Review Essay.” American Music 17/2 (Summer 1999): 200--205.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1999
Complete Citation:
Tick, Judith. “Composer for an Ideological Age: A Review Essay.” American Music (Summer 1999) 17/2: 200-205.
Source: Journal
III. Book-Length Studies
C. Book Reviews