Image
Complete Citation:
Brooks, William. “A Drummer-Boy Looks Back: Percussion in Ives’s Fourth Symphony.” Percussionist 22, no. 6 (1984), p. 4-45.
Bibliography
Genres
Brooks, William
Year: 1984
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1984
Complete Citation:
Brooks, William. “A Drummer Boy Looks Back: Percussion in Ives’ ‘Fourth Symphony’.” Percussive Notes 22 (1984): 4-45.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Brooks, Williams
Year: 1993
Complete Citation:
Brooks, Williams. Review of A Union of Diversities: Style in the Music of Charles Ives, by Larry Starr. American Music 11, no. 4 (Winter 1993): 488-491.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Brooks, William Fordyce
Year: 1993
Complete Citation:
Brooks, William Fordyce. Review of A Union of Diversities, by Larry Starr. American Music 11/4 (Winter 1993): 488-491.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Browning, James
Year: 1972
Complete Citation:
Browning, James. Review of Memos, by Charles Ives. Music Journal 30/10 (December 1972): 49.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Brown, John Robert
Year: 2012
Complete Citation:
Brown, John Robert. “Book Review: “Moral Fire: Musical Portraits from America’s Fin de Siècle,” by Joseph Horowitz.” Classical Music (2012): 83.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Bruhn, Christopher
Year: 2005
Complete Citation:
Bruhn, Christopher. “‘A Shamelessly Personal Batch of Choices’: The Kirkpatrick ‘Copy’ of Ives's Concord Sonata.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.Source: Conference paper
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 2011
Complete Citation:
Bruhn, Christopher. “The Transitive Multiverse of Charles Ives’s ‘Concord’ Sonata.” Journal of Musicology 28.2 (Spring 2011): 166-194.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 2015
Complete Citation:
Bruhn, Christopher. Review of Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives, by Matthew McDonald. Music & Letters, vol. 96, no. 2 (May 2015): 289-291.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 2015
Complete Citation:
Bruhn, Christopher. Review of Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives, by Matthew McDonald. Music and Letters, vol. 96, no. 2 (2015): 289-291.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Bruzaud, Radosveta
Year: 2004
Complete Citation:
Bruzaud, Radosveta. “La Notion de Musique à Programme dans les Poèmes Symphoniques de Charles Ives.” L’éducation Musicale (2004): 21-29.Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 2004
Complete Citation:
Bruzaud, Radosveta. “La Dimension Verbale des “Take-Offs” et des “Songs Without Voice” de Charles Ives.” L’éducation Musicale (2004): 16-24.Source: Magazine
IV. Individual Studies by Genre
E. Songs
E. Songs
Bryan, Paul
Year: 1975
Complete Citation:
Bryan, Paul. “Orchestra and Band Music by K. M. Snoek, Charles Ives.” Notes 31, no. 3 (March 1, 1975): 654.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Buchman, Andrew
Year: 1994
Complete Citation:
Buchman, Andrew. Review of Charles Ives: “My Father's Song” — A Psychoanalytic Biography, by Stuart Feder. Biography, Vol. 17, no. 2 (1994): 187-191.Source: Magazine
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Budde, Elmar
Year: 1971
Complete Citation:
Budde, Elmar. “Anmerkungen zum Streichquartett Nr. 2 von Charles E. Ives.” “Bericht über den internationalen Kongreß” Bonn 1970, edited by Carl Dahlhaus, 303-307. Stuttgart, Germany: Bärenreiter, 1971.Source: Book
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Bumpass, Kathryn
Year: 1998
Complete Citation:
Bumpass, Kathryn. Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Notes 54 (March 1998): 677-680.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1998
Complete Citation:
Bumpass, Kathryn. “Book Reviews: Two Books about Charles Ives.” Music Library Association, Vol. 54, USA, 1998.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1998
Complete Citation:
Bumpass, Kathryn. Notes (March 1998) 54/3: 677-680.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Burge, David
Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Charles Ives’ First Sonata.” Keyboard Magazine 12/11 (November 1986): 116-118.Notes:
Reprinted in David Burge. <i>Twentieth-Century Piano Music</i>. New York, NY: Schirmer Books, 1990: 33-45. Chapter 3, “Charles Ives.”
Source: Magazine, Book
Reprints:
Burge, David. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: The Early Years of Charles Ives.” Keyboard Magazine 12/10 (October 1986): 101.Source: Journal
Reprints:
Burge, Daivd. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works