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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Burge, David

Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Unifying Ele-ments in Ives’ Piano Sonatas.” Keyboard Magazine 12/12 (December 1986): 102-103.
Notes:

Comments about Sonatas Nos. 1 and 2.

Source: Magazine
Reprints:

Burge, Daivd. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1987
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Skeletal Motifs in the Emerson Movement of Ives’ Concord Sonata.” Keyboard Maga-zine 13/1 (January 1987): 92.
Source: Magazine
Reprints:

Burge, David. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1990
Complete Citation:
Burge, David. “From 1900 to the end of World War I.” In Twentieth-century piano music. New York, NY: Schirmer Books, 1990.
Source: Chapter in Book
Reprints:

Burge, David. “From 1900 to the end of World War I.” In <i>Twentieth-century piano music</i>. Lanham, MD: Scarecrow Press, 2004.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 2018
Complete Citation:
Burge, David. “Unifying elements in Ives’ piano sonatas.” In Timeless relevance: the Keyboard Magazine Columns, 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2018
Complete Citation:
Burge, David. “Charles Ives’ ‘First Sonata.’” Timeless relevance: the Keyboard Magazine Columns 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2018
Complete Citation:
Burge, David. “Skeletal motifs in the ‘Emerson’ movement of Ives’ ‘Concord sonata.’” In Timeless relevance: the Keyboard Magazine Columns, 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.
IV. Individual Studies by Genre
C. Keyboard Works

Burke, Jack

Year: 1971
Complete Citation:
Burke, Jack. Community Herald (Monona, Washington). June 10, 1971: 7.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Burk, James

Year: 1969
Complete Citation:
Burk, James. “The Wind Music of Charles Ives.” The Instrumentalist, October 1969.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1969
Complete Citation:
Burk, James (1969) The Wind Music of Charles Ives. The Instrumentalist, Vol. 24, No. 3, pp. 36.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Burk, James M.

Year: 1969
Complete Citation:
James M. Burk. “Charles Ives’ ‘Variations on “America”’ for Band.” In Letters to the Editor. Instrumentalist 23/10 (May 1969): 18.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1974
Complete Citation:
Burk, James M. “Ives Innovations in Piano Music.” Clavier 13 (October, 1974): 14-16.
IV. Individual Studies by Genre
C. Keyboard Works

Burkholder, J. Peter

Year: 1987
Complete Citation:
Burkholder, J. Peter. “Quotation and Paraphrase in Ives’s Second Symphony.” 19th-Century Music XI (1987): 3-25.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2001
Complete Citation:
Burkholder, J. Peter. “To the Editor of the “Journal”: [Carol K. Baron's Review “All Made of Tunes: Charles Ives and the Uses of Musical Borrowing”]. Journal of the American Musicological Society, Vol. 54, No. 2 (2001): 424-428.
Source: Journal (book review)
III. Book-Length Studies
C. Book Reviews
Year: 2002
Complete Citation:
Burkholder, J. Peter. “The Organist in Ives.” Journal of the American Musicological Society 55/2 (2002): 255-310.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Burr, Raymond A.

Year: 1976
Complete Citation:
Burr, Raymond A. “The Art Songs of Charles Ives.” In South Florida's Historic Ives Festival, 1974-1976, 53-56. Coral Gables, FL: University of Miami, 1976.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Burrell, D.

Year: 1999
Complete Citation:
Burrell, D. Musical Times 140/1869 (Winter 1999): 75-76.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Butterworth, Neil

Year: 1999
Complete Citation:
Neil Butterworth. “Charles Ives.” In The American Symphony, 36-44. Brookfield, VT: Ashgate Publishing, 1999.
Notes:

Discusses the four numbered sym-phonies and the Universe Symphony. States that the four movements of the Holidays Symphony “form separate patriotic pieces” that can “in no way...collectively constitute a symphony.”

Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Calvert Bean, Jr.

Year: 1969
Complete Citation:
Calvert Bean, Jr. “Re: Variations on ‘America.’” Instru-mentalist 24/2 (September 1969): 14.
IV. Individual Studies by Genre
C. Keyboard Works

Cane, Giampiero

Year: 1997
Complete Citation:
Cane, Giampiero. “Sinfonia dell’universo,” review of Prima della Sonata, by Charles Ives. II mani- festo martedi (August 26, 1997): 24--25.
Source: Chapter in Book
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Cane, Giampiero. “Sinfonia dell’universo,” review of Prima della Sonate, by Charles Ives. II mani-festo martedi (August 26, 1997): 24--25.
III. Book-Length Studies
C. Book Reviews