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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Carlson, Michael

Year: 1996
Complete Citation:
Michael Carlson. “The Discomposing Composer.” Specta-tor 277/8781, November 2, 1996, 44.
Notes:

“[H]is marvelous ‘From Hanover Square North’ ranks with Nielsen's Fifth as the most moving reactions to the Great War.”

Source: Magazine
III. Book-Length Studies
C. Book Reviews

Carr, Cassandra Irene

Year: 1989
Complete Citation:
Carr, Cassandra I. “Charles Ives's Humor as Reflected in His Songs.” Amer-ican Music 7/2 (Summer 1989): 123-139.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Carson, Gerald

Year: 1965
Complete Citation:
Carson, Gerald. “The Piano in the Parlor.” American Heritage, December 1965.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Carter, Chandler

Year: 2001
Complete Citation:
Carter, Chandler. “‘Coke Cans and Chain Mail’: Contemplating Diver-sity and Unity in Charles Ives’s Tom Sails Away.” Paper presented at Annual Meeting of the Music Theory Society of New York State. New York University, New York, New York, April 8, 2001.
Source: Conference Paper
IV. Individual Studies by Genre
E. Songs

Charles, Sydney Robinson

Year: 1967
Complete Citation:
Charles, Sydney Robinson. “The Use of Borrowed Materials in Ives’ Second Symphony.” The Music Review, 28/2 (May, 1967): 102-111.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Chase, Gilbert

Year: 1966
Complete Citation:
Chase, Gilbert. Review of Music in a New Found Land: Themes and Developments in the History of American Music, Wilfrid Mellers. Yearbook of the Inter--American Institute for Musical Research 2 (1966): 164--166.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1974
Complete Citation:
Notes:

Spanish translation of Gilbert Chase’s review of <i>A Year from Monday: New Lectures and Writings</i>, by John Cage.

Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1975
Complete Citation:
Review of A Year from Monday: New Lectures and Writings, by John Cage. Yearbook of the Inter--American Institute for Music Research (1967) 3: 101--110.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Chasins, Abram

Year: 1979
Complete Citation:
Chasins, Abram. Leopold Stokowski: A Profile, 219, 236-237, 242. New York, NY: Hawthorne Books, 1979.
Notes:

Discusses Stokowski’s performance of Ives Symphony No. 4, and Stokowski’s list which includes the Robert Browning Overture and Symphony No. 4.

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Childs, Andrew S.

Year: 2004
Complete Citation:
Childs, Andrew S. “The Children’s Hour: The Thematic Voice of Childhood in the Songs of Charles Ives.” D.M.A. diss., Univer-sity of Washington, 2004.
Source: D.M.A. Dissertation
IV. Individual Studies by Genre
E. Songs

Chmaj, Betty E.

Year: 1989
Complete Citation:
Chmaj, Betty E. "Charles Ives and the Concord Sonata.” In Poetry and the fine arts: papers from the poetry sessions of the European Association for American Studies Biennial Conference, Rome 1984, edited by Hagenbüchle, Roland and Jacqueline Saunier-Ollier.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Christy, Van A.

Year: 1979
Complete Citation:
Christy, Van A. Foundations in Singing, 56-60. 4th ed. Dubuque, IA: Wm. C. Brown Company, 1979.
Notes:

Includes examples from At Sea, At the River, Evening, The Indians, and Remembrance.

Source: Book
IV. Individual Studies by Genre
E. Songs

Christiansen, Larry A.

Year: 1969
Complete Citation:
Christiansen, Larry A. “Charles E. Ives and the Sixty-Seventh Psalm.” Music: The AGO & RCCO Magazine III, February 1969, 20-21.
Source: Magazine
IV. Individual Studies by Genre
D. Choral Works
Year: 1969
Complete Citation:
Christiansen, Larry A. “Charles E. Ives and the Sixty--Seventh Psalm.” Music/AGO-RCCO Magazine 3/2 (February 1969): 20-21.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Christopher, Norris

Year: 1975
Complete Citation:
Norris, Christorpher. Review of Charles Ives: A Portrait, by David Wooldridge. Music and Musicians 23/12 (August 1975): 37.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Church, Michael

Year: 1986
Complete Citation:
Church, Michael. “The Insurance Salesman Who Invented Modernism Friday Book; the Life of Charles Ives by Stuart Feder.” The Independent, October 15, 1999.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Clarke, Henry Leland

Year: 1964
Complete Citation:
Clarke, Henry Leland. Review of Essays Before a Sonata and Other Writings, edited by Howard Boatwright. Musical Quarterly 50/1 (January 1964): 101-103.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Clark, J. Bunker

Year: 1985
Complete Citation:
Clark, J. Bunker. Review of Charles Ives: The Ideas behind the Music, by J. Peter Burkholder. American Studies 28/2 (Fall 1987): 58-59.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1987
Complete Citation:
Clark, J. Bunker. Review of The Music of Charles Ives, by Philip Lambert. American Studies (1987 Fall) 28/2: 58--59.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
J. Bunker Clark. Review of Charles Ives: A Life with Music, by Jan Swafford. American Studies 39/3 (1998 Fall): 196-197.
Source: Journal
III. Book-Length Studies
C. Book Reviews