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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Metzer, David

Year: 1996
Complete Citation:
Metzer, David. “Charles Ives Read.” Institute for Studies in American Music Newsletter 26/1 (Fall 1996): 10, 15.
Source: Newsletter
III. Book-Length Studies
C. Book Reviews

Metzer, David J.

Year: 1992
Complete Citation:
Metzer, David J. Review of American Experimental Music, 1890-1940, by David Nicholls. American Music 10, no. 3 (Autumn 1992): 373-376.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Mihura, Brian L.

Year: 1982
Complete Citation:
Mihura, Brian L. “The Great Jew's Harp Hunt of 1954.” Verundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft 1 (1982): 44-48.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Miller, Catherine Keyes

Year: 1955
Complete Citation:
Miller, Catherine Keyes. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Library Journal 80/5 (March 1, 1955): 570.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Moomaw, Charles J.

Year: 1971
Complete Citation:
Moomaw, Charles J. “A PL/1 Program for the Harmonic Analysis of Music by the Theories of Paul Hindemith and Howard Hanson.” Master’s thesis, University of Cincinnati, 1971.
Source: Master's Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works

Moore, R.

Year: 2009
Complete Citation:
Moore, R. “Charles Ives Reconsidered.” American Record Guide 72 (2009): 252.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Mörchen, Raoul

Year: 2009
Complete Citation:
Mörchen, Raoul. “Bücher: Schlechte und wahre Unendlichkeit.” Dissonanz (2009): 56-57.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Morelli, Giovanni

Year: 1974
Complete Citation:
Morelli, Giovanni. Review of L'America musicale di Charles Ives, by Gianfranco Vinay. Rivista Italiana di Musicologia 9 (1974): 316-322.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Morgan, Robert P.

Year: 1975
Complete Citation:
Morgan, Robert P. Review of Charles Ives and His America, by Frank R. Rossiter. Yearbook for Inter-American Musical Research 11 (1975): 225-228.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Morris, Harold

Year: 1932
Complete Citation:
Morris, Harold. “Fourth of July.” Contemporary American Music [Rice Institute, Houston] (April 1932): 5.
Source: Conference Publication
IV. Individual Studies by Genre
A. Orchestral and Band Works

Mueller, John H.

Year: 1951
Complete Citation:
Mueller, John H. The American Symphony Orchestra: A Social History of Musical Taste. Bloomington, IN: Indiana University Press, 1951.
Source: Book
Reprints:

Mueller, John H. <i>Orchestras: A History and Analysis of Their Repertoires, Seasons 1842-43 through 1969-70</i>, 183-184. Bloomington, IN: Indiana University Press, 1973.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Mugmon, Matthew

Year: 2015
Complete Citation:
Mugmon, Matthew “Reviews: “Charles Ives in the Mirror: American Histories of an Iconic Composer” by David C. Paul.” The Bulletin of the Society for American Music, Vol. 41, No. 1 (2015): 11-13.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2015
Complete Citation:
Mugmon, Matthew. “Book Review: Moral Fire: Musical Portraits from America's Fin de Siècle.” Journal of the Society for American Music, Vol. 9, No. 1 (2015): 130-133.
Notes:

Moral Fire: Musical Portraits from America’s Fin de Siècle

Source: Journal
III. Book-Length Studies
C. Book Reviews

Muser, Frani

Year: 1975
Complete Citation:
Muser, Frani. Review of Charles Ives and the American Mind, by Rosalie Sandra Perry. The Musical Quarterly 61 (July 1975): 489-490.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1975
Complete Citation:
Muser, Frani. Review of Charles Ives Remembered, by Vivian Perlis, and Charles Ives and the American Mind, by Rosalie Sandra Perry. The Musical Quarterly 61/3 (July 1975): 485-490.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Nelson, Mark Douglas

Year: 1984
Complete Citation:
Nelson, Mark D. “Beyond Mimesis: Transcendentalism and Processes of Analogy in Charles Ives’ ‘The Fourth of July.’” Perspectives of New Music 22, Nos. 1-2 (1984): 353.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Newlin, Dika

Year: 1971
Complete Citation:
Newlin, Dika. Review of Memos, by Charles Ives. Library Journal (1971 December) 96/22: 4097.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Nicholls, David

Year: 1991
Complete Citation:
Nicholls, David. Review of The Evolving Keyboard Style of Charles Ives, by Michael John Alexander. Music and Letters 72/3 (August 1991): 494.
III. Book-Length Studies
C. Book Reviews
Year: 1993
Complete Citation:
Nicholls, David.
“Unanswerable Questions/Questionable Answers,” review of A Union of Diversities, by Larry Starr. Music & Letters 75/2 (May 1994): 246-252.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1994
Complete Citation:
Nicholls, David. “Unanswerable Questions/Questionable An-swers.” Music & Letters 75/2 (May 1994): 246-252.
Source: Journal
III. Book-Length Studies
C. Book Reviews