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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Owens, Tom C.

Year: 2009
Complete Citation:
Owens, Tom C. Review of Charles Ives Reconsidered, by Gayle Sherwood Magee.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2009
Complete Citation:
Owens, Tom C. Review of Charles Ives Reconsidered, by Gayle Sherwood Magee. Journal of the Society for American Music, vol. 3, no. 1 (2009): 110-113.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Padel, Ruth

Year: 1997
Complete Citation:
Padel, Ruth. Review of Charles Ives and His World, edited by J. Peter Burkholder. The Observer, February 16, 1997.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Pasler, Jann

Complete Citation:
Pasler, Jann. Review of Classical Music and Postmodern Knowledge, by Lawrence Kramer. Notes (1997) 53/3: 756-761.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Complete Citation:
Pasler, Jann. Review of Classical Music and Postmodern Knowledge, by Lawrence Kramer. Notes 53/3 (1997): 756-761.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Patterson, Frank

Year: 1927
Complete Citation:
Patterson, Frank. “The Circus.” Musical Courier. February 10, 1927, 28.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Patterson, Melva

Year: 1971
Complete Citation:
Patterson, Melva. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Pan Pipes (May 1971) 63/4: 35.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Peretti, Burton

Year: 1997
Complete Citation:
Peretti, Burton W. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. American Studies 38/1 (Spring 1997): 139-149.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Pergament, Moses

Year: 1933
Complete Citation:
Pergament, Moses. “Fourth of July.” Svenska Dogbladet [Stockholm], November 1933, 35.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Phelps, Thomas

Year: 1997
Complete Citation:
Phelps, Thomas. “‘As I Look Back on These Times’—über Charles Ives und seine Musik in drei Satze.” In Musik/Revolution: Festschrift für Georg Knepler zum 90. Geburststag, edited by Hanns--Werner Heister, 209-240. Volume 2. Hamburg, Germany: Von Bockel Verlag, 1997.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Piccardi, Carlo

Year: 1997
Complete Citation:
Piccardi, Carlo. Review of Prima della Sonata, translated and edited by Aloma Bardi. Cooperazione (March 8, 1998).
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1998
Complete Citation:
Piccardi, Carlo. Review of Prima della Sonata. Cooperazione (March 8, 1998).
Source: Chapter in Book
III. Book-Length Studies
C. Book Reviews

Porter, David

Year: 1998
Complete Citation:
Porter, David. “Reconstructing the Emerson Concerto.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Source: Conference paper
Reprints:

“Reconstructing the Emerson Concerto.” College Music Symposium (1999) 39: 27--42.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Porter, David G.

Year: 1965
Complete Citation:
Porter, David G. “Definitely Maybe: A Definitive Text of Charles Ives's Memos.” Musical Times (July 1965) 138/1853: 11--17.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1998
Complete Citation:
Porter, David G. “On the Reconstruction of Charles Ives’s ‘Emerson’ Piano Concerto.” Unpublished commentary, 1998.
Source: Unpublished commentary.
IV. Individual Studies by Genre
A. Orchestral and Band Works

Porter, David Gray

Year: 1980
Complete Citation:
Porter, David Gray. “The Third Orchestral Set of Charles Edward Ives.” M.A. thesis, California State University, Fullerton, 1980.
Source: M.A. Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1997
Complete Citation:
Porter, David Gray, “Definitely Maybe.” Musical Times 138, no. 1853 (July 1997): 11-17.
Notes:

Review of published Memos in Cowells’ Charles Ives and His Music

Source: Journal
III. Book-Length Studies
C. Book Reviews

Pouter, D. G.

Year: 1997
Complete Citation:
Pouter, D.G. “Definitely maybe: Definitive text of Charles Ives’s Memos.” The Musical Times, Vol. 138, No. 1853 (1997): 11-18.
Source: Journal (book review?)
III. Book-Length Studies
C. Book Reviews

Pozzi, Raffaele

Year: 1985
Complete Citation:
Pozzi, Raffaele. “Polemica antiurbana ed isolamento ideologico in ‘Central Park in the Dark’ di Charles Ives.” Nuova Rivista Musicale Italiana 19 (1985): 471-481.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Prausnitz, Frederik

Year: 1975
Complete Citation:
Prausnitz, Frederik. Review of Charles E. Ives: Memos, edited by John Kirkpatrick. Tempo 114 (September 1975): 28-30.
Source: Journal
III. Book-Length Studies
C. Book Reviews