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Bibliography

Gilmore, Bob

Year: 2000
Complete Citation:
Gilmore, Bob. “Reinventing Ives,” review of Ives: Concord Sonata, by Geoffrey Block. Music Analysis 19/1 (March 2000): 101-123.
Source: Journal
Reprints:

Second Edition, transferred to digital printing: 2006. <br>

III. Book-Length Studies
C. Book Reviews

Glahn, Denise von

Year: 2004
Complete Citation:
Glahn, Denise von. “Musikalische Stadtlandschaft: Central Park in the Dark.” In Musik-Konzepte 123 —Charles Ives, edited by Ulrich Tadday, 89-108. Munich, Germany: Edition Text und Kritik, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Goldman, Richard Franko

Year: 1955
Complete Citation:
Goldman, Richard Franko. Notes 12/2 (March 1955): 217-218.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1955
Complete Citation:
Goldman, Richard Franko. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Notes 12, no. 2 (March 1955): 217- 218.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Goodman, Alan

Year: 2005
Complete Citation:
Goodman, Alan. “A Bassoon Lite, Please... Eyeballing Mehta.” The Double Reed, Vol. 28, No. 4 (2005): 109-110.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Gordon, Stewart

Year: 1996
Complete Citation:
Gordon, Stewart. Review of Charles Ives: A Life with Music, by Jan Swafford. American Music Teacher 46/6 (June--July 1997): 88--89.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Gordon, Stewart. Review of Charles Ives: A Life with Music, by Jan Swafford. American Music Teacher 46/6 (June-July 1997): 88-89.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Gould, Glenn

Year: 1965
Complete Citation:
Gould, Glenn. “The Ives Fourth.” High Fidelity/Musical America (1965): 96.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Gradenwitz, Peter

Year: 1989
Complete Citation:
Peter Gradenwitz. Review of Die Musik und ihre Zukunft, by Charles Ives. Die Musikforschung 42/1 (January-March 1989): 81-82.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Gratovich, Eugene

Year: 2004
Complete Citation:
Gratovich, Eugene. “Play It!: “Decoration Day” by Charles Ives (1912).” Strings, Vol. 19, No. 3 (2004): 24-25.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Gray, Michael H.

Year: 1974
Complete Citation:
Gray, Michael H. Review of Charles E. Ives: Discography, by Richard Warren. Notes 31, no. 1 (1974): 63-64.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1974
Complete Citation:
Gray, Michael H. Notes 31/1 (September 1974): 63-66.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Greenberg, Robert

Year: 2004
Complete Citation:
Greenberg, Robert. “Lecture 19: Charles Ives.” In The Symphony. Chantilly, VA: Teaching Company, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Hall, David

Year: 1965
Complete Citation:
Hall, David. “Premiere and Cultural Turning Point: Charles Ives’ Fourth Symphony: An Account of the History and Preparation of the Score, the Problematic Rehearsals, and the First Performance of an Almost Legendary Work.” HiFi/Stereo Review Review, July 1965), 55-58.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Hall, Michael

Year: 1985
Complete Citation:
Hall, Michael. Review of Charles Ives: The Ideas behind the Music, by J. Peter Burkholder. Journal of American Studies 21/1 (April 1987): 117-118.
Notes:

Observes that the ideas are taken largely from the Essays Before a Sonata (All).

Source: Journal
III. Book-Length Studies
C. Book Reviews

Hamm, Chelsey

Year: 2013
Complete Citation:
Hamm, Chelsey. “Book Review: Breaking Time’s Arrow: Experiment and Expression In the Music of Charles Ives, by Matthew McDonald.” Indiana Theory Review, Vol. 31, No. 1-2 (2013): 185-190.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Harbaum, Darrell

Year: 1991
Complete Citation:
Harbaum, Darrell. “Style Traits and Compositional Techniques as Found in the Symphonies.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Harrison, Max

Year: 1975
Complete Citation:
Harrison, Max. Review of Charles Ives Remembered, by Vivian Perlis, and Charles E. Ives: Memos, edited by John Kirkpatrick. Composer 55 (Summer 1975): 37-38.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1977-1978
Complete Citation:
Harrison, Max. Review of Charles Ives: A Discography, by Charles Warren: Charles Ives and the American Band Tradition, by Jonathan Elkus; and Charles Ives, by H. Wiley Hitchcock. Composer (London) 62 (Winter 1977-1978): 48-50.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1977-1978
Complete Citation:
Harrison, Max. Composer 62 (Winter 1977-78): 48-50.
Source: Journal
III. Book-Length Studies
C. Book Reviews