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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Krebs, Harald

Year: 1992
Complete Citation:
Krebs, Harald. Review of The Charles Ives Tunebook, by Clayton Henderson. Die Musikforschung, Vol. 45 (1992): 435.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Krehm, Ida

Year: 1946
Complete Citation:
Krehm, Ida. “The Performing Artist Looks at American Music.” Pan Pipes 38/4 (April 1946): 260--262.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Lambert, J. Philip

Year: 1989
Complete Citation:
Lambert, J. Philip. “Ives’s “Piano-Drum” Chords.” Intégral Vol. 3 (1989): 1-36.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Lambert, Philip

Year: 2016
Complete Citation:
Lambert, Philip. Review of Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives, by Matthew McDonald. Music Theory Spectrum, vol. 38, no. 2 (2016): 271-273.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Lang, Paul Henry

Year: 1946
Complete Citation:
Lang, Paul Henry. “Charles Ives.” The Saturday Review, June 1, 1946.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Leuchtmann, Horst

Year: 1975
Complete Citation:
Leuchtmann, Horst. Review of Charles Ives in seiner Kammermusik fur drei bis sechs Instrumente, by Ulrich Maske. Neue Musikzeitung 24/4 (1975): 15.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Lindergan, Edward

Year: 1997
Complete Citation:
Lindergan, Edward. “Book Reviews: “All Made of Tunes: Charles Ives and the Uses of Musical Borrowing,” by J. Peter Burkholder.” Choral Journal, Vol. 37, No. 8 (1997): 60-61.
Source: Book
III. Book-Length Studies
C. Book Reviews

Lipkis, Larry A.

Year: 1996
Complete Citation:
Lipkis, Larry A. Review of Charles Ives: A Life with Music, by Jan Swafford. Library Journal 121/5 (March 15, 1996): 74.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Lipkis, Larry A. Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Library Journal 121/5 (March 15, 1996): 74.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Lipkis, Laurence Alan

Year: 1996
Complete Citation:
Lipkis, Laurence Alan. Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Library Journal 121 (August 1996): 74.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Lockspeiser, Edward

Year: 1955
Complete Citation:
Lockspeiser, Edward. Review of Charles Ives and His Music, by Henry and Sidney Cowell. The Musical Times 96/1352 (October 1955): 532-533.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1955
Complete Citation:
Lockspeiser, Edward. Review of Charles Ives and His Music, by Henry and Sidney Cowell. The Musical Times, vol. 96: 532-533.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Lowens, Irving

Year: 1955
Complete Citation:
1955 - Irving Lowens. "White House Books on Music: A Varied and Intriguing List.” Sunday [Washington] Star (1963 September 1).
Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Year: 1970
Complete Citation:
Lowens, Irving. Review of Charles Edward Ives, 1874-1954: A Bibliography of his Music, by Dominique-René De Lerma. Washington Star. November 22, 1970, sec. C: 8.
III. Book-Length Studies
C. Book Reviews

Lyle, Wilson

Year: 1985
Complete Citation:
Lyle, Wilson. Dictionary of Pianists, 140, 151, 183. New York, NY: Schirmer Books, 1985.
Notes:

p. 151: the first performance of Ives's Concord Sonata by John Kirkpatrick. p. 183 the first performance of Ives’s Sonata No. 1 by William Masselos.

Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

M.E.

Year: 1996
Complete Citation:
M.E. Review of Die Musik und ihre Zukunft, by Charles Ives. Musikerzeihung: Zeitschrift de Musikerziehen Osterreichs 50/1 (1996): 40.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Mack, Dieter

Year: 1994
Complete Citation:
Mack, Dieter. “Auf der Suche nach einer amerikanischen Musik? Zur Musiksprache von Charles Ives anhand der Three-Page-Sonata.” In Visionen und Aufhruche: Zur Krise der modernen Musik 1908-1933, edited by Gunther Metz. Hochschuldokumentationen zu Musikwissenschaft und Musikpadagogik Musikhochschule Freiburg No. 5. Kassel, Germany: Bosse, 1994, 201-233.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Magee, Gayle Sherwood

Year: 2008
Complete Citation:
Magee, Gayle Sherwood. Review of Selected Correspondence of Charles Ives, by Tom C. Owens. American Music, vol. 26, no. 1 (2008): 114-117.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Maher, Erin K.

Year: 2017
Complete Citation:
Maher, Erin K. Review of John Kirkpatrick, American Music, and the Printed Page, by Drew Massey. The Bulletin of the Society for American Music 43, no. 2 (Spring 2017): 20-21.
Notes:

Interview for “Moral Fire: Musical Portraits from America's Fin de Siècle”

Source: Newsletter
III. Book-Length Studies
C. Book Reviews

Mainka, J.

Year: 1989
Complete Citation:
Mainka, J. “Buchbesprechungen: Charles Ives, Ausgewählte Texte.” Beiträge zur Musikwissenschaft, Vol. 31, No. 3 (1989): 220.
Source: Journal (book review)
III. Book-Length Studies
C. Book Reviews