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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Bruzaud, Radosveta

Year: 2004
Complete Citation:
Bruzaud, Radosveta. “La Dimension Verbale des “Take-Offs” et des “Songs Without Voice” de Charles Ives.” L’éducation Musicale (2004): 16-24.
Source: Magazine
IV. Individual Studies by Genre
E. Songs

Buchman, Andrew

Year: 1994
Complete Citation:
Buchman, Andrew. Review of Charles Ives: “My Father's Song” — A Psychoanalytic Biography, by Stuart Feder. Biography, Vol. 17, no. 2 (1994): 187-191.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Bumpass, Kathryn

Year: 1998
Complete Citation:
Bumpass, Kathryn. “Book Reviews: Two Books about Charles Ives.” Music Library Association, Vol. 54, USA, 1998.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1998
Complete Citation:
Bumpass, Kathryn. Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Notes 54 (March 1998): 677-680.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1998
Complete Citation:
Bumpass, Kathryn. Notes (March 1998) 54/3: 677-680.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Burke, Jack

Year: 1971
Complete Citation:
Burke, Jack. Community Herald (Monona, Washington). June 10, 1971: 7.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Burkholder, J. Peter

Year: 2001
Complete Citation:
Burkholder, J. Peter. “To the Editor of the “Journal”: [Carol K. Baron's Review “All Made of Tunes: Charles Ives and the Uses of Musical Borrowing”]. Journal of the American Musicological Society, Vol. 54, No. 2 (2001): 424-428.
Source: Journal (book review)
III. Book-Length Studies
C. Book Reviews

Burr, Raymond A.

Year: 1976
Complete Citation:
Burr, Raymond A. “The Art Songs of Charles Ives.” In South Florida's Historic Ives Festival, 1974-1976, 53-56. Coral Gables, FL: University of Miami, 1976.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Burrell, D.

Year: 1999
Complete Citation:
Burrell, D. Musical Times 140/1869 (Winter 1999): 75-76.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Cane, Giampiero

Year: 1997
Complete Citation:
Cane, Giampiero. “Sinfonia dell’universo,” review of Prima della Sonata, by Charles Ives. II mani- festo martedi (August 26, 1997): 24--25.
Source: Chapter in Book
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Cane, Giampiero. “Sinfonia dell’universo,” review of Prima della Sonate, by Charles Ives. II mani-festo martedi (August 26, 1997): 24--25.
III. Book-Length Studies
C. Book Reviews

Carlson, Michael

Year: 1996
Complete Citation:
Michael Carlson. “The Discomposing Composer.” Specta-tor 277/8781, November 2, 1996, 44.
Notes:

“[H]is marvelous ‘From Hanover Square North’ ranks with Nielsen's Fifth as the most moving reactions to the Great War.”

Source: Magazine
III. Book-Length Studies
C. Book Reviews

Carr, Cassandra Irene

Year: 1989
Complete Citation:
Carr, Cassandra I. “Charles Ives's Humor as Reflected in His Songs.” Amer-ican Music 7/2 (Summer 1989): 123-139.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Carter, Chandler

Year: 2001
Complete Citation:
Carter, Chandler. “‘Coke Cans and Chain Mail’: Contemplating Diver-sity and Unity in Charles Ives’s Tom Sails Away.” Paper presented at Annual Meeting of the Music Theory Society of New York State. New York University, New York, New York, April 8, 2001.
Source: Conference Paper
IV. Individual Studies by Genre
E. Songs

Chase, Gilbert

Year: 1966
Complete Citation:
Chase, Gilbert. Review of Music in a New Found Land: Themes and Developments in the History of American Music, Wilfrid Mellers. Yearbook of the Inter--American Institute for Musical Research 2 (1966): 164--166.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1974
Complete Citation:
Notes:

Spanish translation of Gilbert Chase’s review of <i>A Year from Monday: New Lectures and Writings</i>, by John Cage.

Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1975
Complete Citation:
Review of A Year from Monday: New Lectures and Writings, by John Cage. Yearbook of the Inter--American Institute for Music Research (1967) 3: 101--110.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Childs, Andrew S.

Year: 2004
Complete Citation:
Childs, Andrew S. “The Children’s Hour: The Thematic Voice of Childhood in the Songs of Charles Ives.” D.M.A. diss., Univer-sity of Washington, 2004.
Source: D.M.A. Dissertation
IV. Individual Studies by Genre
E. Songs

Christy, Van A.

Year: 1979
Complete Citation:
Christy, Van A. Foundations in Singing, 56-60. 4th ed. Dubuque, IA: Wm. C. Brown Company, 1979.
Notes:

Includes examples from At Sea, At the River, Evening, The Indians, and Remembrance.

Source: Book
IV. Individual Studies by Genre
E. Songs

Christopher, Norris

Year: 1975
Complete Citation:
Norris, Christorpher. Review of Charles Ives: A Portrait, by David Wooldridge. Music and Musicians 23/12 (August 1975): 37.
Source: Journal
III. Book-Length Studies
C. Book Reviews