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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Gibbons, William

Year: 2008
Complete Citation:
Gibbons, William. “‘Yankee Doodle’ and Nationalism, 1780-1920.” American Music 26/2 (2008): 246-274.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Gilbert, Chase

Year: 1967
Complete Citation:
Gilbert, Chase. Review of Epilogue from Essays before a Sonata, by Charles Ives. Yearbook of Inter-American Institute for Musical Research 3 (1967): 101--110.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Gilbert, Steven E.

Year: 1971
Complete Citation:
Gilbert, Steven E. “Carl Ruggles and Total Chromaticism.” Anuario Interamericano De Investigación Musical, vol. 7 (1971): 43-50.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1972
Complete Citation:
Gilbert, Steven E. “Carl Ruggles (1876-1971): An Appreciation.” Perspectives of New Music, vol. 11, no. 1 (1972): 224-232.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Gillespie, Don

Year: 1975-1976
Complete Citation:
Gillespie, Don. “John Becker, the Musical Crusader of St. Thomas College.” Student Musicologists at Minnesota 6 (1975-1976).
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1976
Complete Citation:
Gillespie, Don. “John Becker, Musical Crusader of St. Paul.” Musical Quar-terly 62/12 (April 1976): 195-217.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Gillmore, Max

Year: 1976
Complete Citation:
Max Gillmore. “Interview with John Cage [1973].” Contact (Autumn 14, 1976).
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Gilmore, Bob

Year: 1996
Complete Citation:
Gilmore, Bob. “Reinventing Ives.” Music Analysis 19/1 (March 2000): 101-123.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2000
Complete Citation:
Gilmore, Bob. "Reinventing Ives,” review of Charles Ives Studies, edited by Philip Lambert. Music Analysis 19/1 (March 2000): 101--123.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2000
Complete Citation:
Gilmore, Bob. “Reinventing Ives,” review of Ives: Concord Sonata, by Geoffrey Block. Music Analysis 19/1 (March 2000): 101-123.
Source: Journal
Reprints:

Second Edition, transferred to digital printing: 2006. <br>

III. Book-Length Studies
C. Book Reviews
Year: 2014
Complete Citation:
Gilmore, Bob. “Five Maps of the Experimental World.” In Artistic Experimentation in Music: An Anthology, edited by Bob Gilmore and Darla Crispin, 23-30. Leuven, Belgium: Leuven University Press, 2014.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Gingerich, Lora Louise

Year: 1986
Complete Citation:
Gingerich, Lora Louise. “A Technique of Melodic Motivic Analysis in the Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1986
Complete Citation:
Gingerich, Lora Louise. “A Technique for Melodic Motivic Analysis in the Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Glahn, Denise Von

Year: 2003
Complete Citation:
Glahn, Denise Von. “The sounds of place: music and the American cultural landscape.” In The Sounds of Place: Music and the American Cultural Landscape. Boston, MA: Northeastern University Press, 2003.
Source: Book
VI. Topical Studies
L. Ives and America

Gligo, Niksa

Year: 1971
Complete Citation:
Gligo, Niksa. “Prostornost i pokret u imanenciji glazbe.” [Space and Movement in the Immanence of Music.] Zvuk — Jugoslovenska Ruzicka Revija 111-112 (1971): 1-20.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Glinsky, Albert

Year: 2001
Complete Citation:
Glinsky, Albert. Theremin: Ether Music and Espionage. Urbana, IL: University of Illinois Press, 2001.
Notes:

Mentions Ives's financial support for the Rhythmicon (140-141) and of Pan American Association of Com- posers (158).

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Goldberg, Jeff

Year: 1974
Complete Citation:
Jeff Goldberg. “John Cage Interview.” Soho Weekly News (September 12, 1974).
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Goldman, Richard Franko

Year: 1955
Complete Citation:
Goldman, Richard Franko. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Notes 12, no. 2 (March 1955): 217- 218.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1955
Complete Citation:
Goldman, Richard Franko. Notes 12/2 (March 1955): 217-218.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Goldstein, Malcolm

Year: 2008
Complete Citation:
Goldstein, Malcolm. “Some Anecdotal Evidence.” American Music 26, no. 4 (Winter 2008): 499-513.
Source: Journal
VI. Topical Studies
R. Performance Approaches