Heyman, Katherine
Year: 1928
Complete Citation:
Heyman, Katherine. “Do You Like Modern Music?” Radio Speech-Sorbonne (Paris) (March 8, 1928).Source: Radio Speech
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Hfelman, Harold
Year: 1955
Complete Citation:
1955 - H[arold] Hfelman]. "A Father of American Music."Musical Opinion (1956 January) 79/940: 217.Source: Journal
III. Book-Length Studies
C. Book Reviews
Hick, Brian
Complete Citation:
Hick, Brian. Review of Classical Music and Postmodern Knowledge, by Lawrence Kramer. Musical Opinion 119, Winter 1996, 239.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Hicks, Michael
Year: 1991
Complete Citation:
Hicks, Michael. “The Imprisonment of Henry Cowell.” Journal of the American Music Society 44, No. 1 (1991).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2002
Complete Citation:
Hicks, Michael. Henry Cowell, Bohemian. Urbana, IL: University of Illinois Press, 2002.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hickman, Larry A., ed.
Year: 2010
Complete Citation:
Hickman, Larry A., ed. “The Deweyan Aesthetic of Charles Ives.” In The continuing relevance of John Dewey: reflections on aesthetics, morality, science, and society. Amsterdam, Netherlands: Rodopi, 2010.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Hiekel, Jörn Peter
Year: 1999
Complete Citation:
Hiekel, Jörn Peter. “Komponierte Erfahrungsräume: Zeit- Und Wirklichkeitsbezüge in Der Musik.” Neue Zeitschrift Für Musik (1991-), vol. 160, no. 5 (1999): 10-15.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Higbee, Dale
Year: 1970
Complete Citation:
Higbee, Dale. Review of Charles Edward Ives, 1874-1954: A Bibliography of his Music, by Dominique-René De Lerma. American Recorder 11/4 (Fall 1970): 147.III. Book-Length Studies
C. Book Reviews
Highet, Gilbert
Year: 1957
Complete Citation:
Highet, Gilbert. “The Fascination of What’s Difficult.” In Talents and Geniuses: The Pleasures of Appreciation. New York, NY: Oxford University Press: 48-55.Source: Chapter in Book
Reprints: Highet, Gilbert. “The Fascination of What Is Difficult.” Guil-ford, CT: Jeffrey Norton Publishers, 1970.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Hiller, Egbert
Year: 2011
Complete Citation:
Hiller, Egbert. “«Manische Entwicklungslinien»: Der Ungarische Komponist Martin Illés.” Neue Zeitschrift Für Musik, vol. 172, no. 1 (2011): 46-49.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hirsch, Alan
Year: 1995
Complete Citation:
Hirsch, Alan. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Booklist 92, December 15, 1995, 678.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Hirsch, Alan. Review of Charles Ives: A Life with Music, by Jan Swafford. Booklist 92/14, March 15, 1996, 12-33.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Hitchcock, H. Wiley
Year: 1985
Complete Citation:
Hitchcock, H. Wiley. “Ivesiana. The Gottschalk Connection.” Institute for Studies in American Music Newsletter 15/1 (November 1985): 5.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1987
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives und seine Zeit.” In Amerikanische Musik seit Charles Ives: Interpretationen, Quellentexte, Komponistenmonographien. Laaber, Germany: Lauber-Verlag (1987): 21-29.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1992
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives and the spiritual “In the morning”/Give me Jesus.” In New Perspectives on Music: Essays in Honor of Eileen Southern, edited by Josephine Wright with Samuel Floyd, Jr. Warren MI: Harmonie Park Press, 1992, 163-71.VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1993
Complete Citation:
Hitchcock, H. Wiley. “Keynote Address: Ives and Copland: An Odd Couple, and Yet…” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1993
Complete Citation:
Hitchcock, H. Wiley. Review of “My Father’s Song”: A Psychoanalytic Biography, by Stuart Feder. Journal of the American Musicological Society 46/2 (Summer 1993): 319-329.Source: Journal
III. Book-Length Studies
C. Book Reviews
Hitchcock, H. Wiley, and Vivian Perlis, eds.
Year: 1977
Complete Citation:
Hitchcock, H. Wiley, and Vivian Perlis, eds. “Five Composers’ Views.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 187-208. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hitchcock, H. Wiley, ed.
Year: 1981
Complete Citation:
Hitchcock, H. Wiley. “Schoenberg on Ives.” Institute for Studies in American Music Newsletter (May 1981) 10/2: 5.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hitchcock, H. Wiley Vivian Perlis, and J. Peter Burk-holder
Year: 1993
Complete Citation:
Hitchcock, H. Wiley Vivian Perlis, and J. Peter Burk-holder. “Ives and Copland and Their Contribution to an American Mythol-ogy.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Paper at Conference
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers