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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Kelly, June

Year: 1949
Complete Citation:
Kelly, June. “American Music Comes of Age.” Music Journal (September 1949).
Source: Journal
VI. Topical Studies
L. Ives and America

Kelly, Kevin

Year: 2000
Complete Citation:
Kelly, Kevin. “Reviews of Books,” Review of A Descriptive Catalogue of the Music of Charles Ives, by James B. Sinclair. The Bulletin of the Society for American Music, Vol. 26, No. 1 (2000): 27-28.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Keough, James

Year: 2004
Complete Citation:
Keough, James. “Are My Ears on Wrong?” Strings, vol. 19, no. 3 (October 2004): 122.
Notes:

<a target="_blank" href="http://www.stringsmagazine.com/issues">A look at the Ives legacy, especially in “Decoration Day.” Available online at www.stringsmagazine.com/issues.</a&gt;

Source: Magazine
VI. Topical Studies
R. Performance Approaches

Kerman, Joseph and Gary Tomlinson

Year: 2015
Complete Citation:
Kerman, Joseph and Gary Tomlinson. “The First American Modernist: Ives.” In Listen. Boston, MA: Bedford/St. Martin's, 2015.
Source: Chapter/Section in Book
VI. Topical Studies
L. Ives and America

Kerr, Harrison

Year: 1934
Complete Citation:
Kerr, Harrison. “Contemporary Music in New York. I—The Pan-Ameri-cans.” Trend 2/3 (May-June 1934): 145.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Khittl, Christoph

Year: 1995
Complete Citation:
Khittl, Christoph. “‘Jenseits im Diesseits’: Ubungen zur Rezeptionsasthetik und Rezeptionsdidaktik.” Polyaisthesis 3 (1995): 98-106.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kimball, Warren

Year: 2016
Complete Citation:
Kimball, Warren. “Review of Mad Music: Charles Ives, the Nostalgic Rebel.” American Music, vol. 34, no. 3, 2016, pp. 402-404.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Kinney, Arthur

Year: 1986
Complete Citation:
Kinney, Arthur. Modern Fiction Studies 31 (Summer 1985): 411-413.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Kiraly, Philippa

Year: 1985
Complete Citation:
Kiraly, Philippa. Review of Charles Ives: The Ideas behind the Music, by J. Peter Burkholder. Library Journal 111/1 (January 1986): 71.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Kirkpatrick, John

Year: 1942
Complete Citation:
Kirkpatrick, John. “Aaron Copland's Piano Sonata.” Modern Music 19/4 (May--June 1942): 246-248, 250.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1960
Complete Citation:
Kirkpatrick, John. “The Religious Perspective of a Musician.” Lecture, Anabel Taylor Hall, Cornell University, November 30, 1960.
Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1968
Complete Citation:
Kirkpatrick, John. “The Evolution of Carl Ruggles: A Chronicle Largely in His Own Words.” Perspectives of New Music (Spring-Summer, 1968): 146-166.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1970
Complete Citation:
Klrkpatrick, John. Review of Charles Ives: A Bibliography of His Music, by Dominique-Rene De Lerma. Notes 27/2 (September-December 1970): 260-262.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1974
Complete Citation:
Kirkpatrick, John. Review of From the Steeples and Mountains, by David Wooldridge. High Fidelity/Musical America, September 1974, 33-36; December 1974, 20.
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1976
Complete Citation:
Kirkpatrick, John. “Ives as Prophet.” In South Florida's Historic Ives Festival, 1974-1976, 59. Coral Gables, FL: University of Miami, 1976.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Kirkpatrick, John.

Year: 1970
Complete Citation:
Kirkpatrick, John. Review of Charles Edward Ives, 1874-1954: A Bibliography of his Music, by Dominique-René De Lerma. Notes (December 1970) 27/2: 260--262.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1975-76
Complete Citation:
Kirkpatrick, John. “Thoughts on the Ives Year.” Student Musicologists at Minnesota 6 (1975-1976): 218-224.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kirkpatrick, John and David Wooldridge

Year: 1974
Complete Citation:
Wooldridge, David. “The New Ives Biography: A Disagreement.” High Fidelity/Musical America, December 1974, 18-20.
Notes:

Rebuttal to John Kirkpatrick’s review of From the Steeples and Mountains

Source: Magazine
III. Book-Length Studies
C. Book Reviews

Kirkpatrick, Ralph

Year: 2014
Complete Citation:
Kirkpatrick, Ralph. “Elliott Carter.” In Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar, edited by Meredith Kirkpatrick, 120-122. Eastman Studies in Music. Woodbridge, United Kingdom: Boydell & Brewer, 2014.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2014
Complete Citation:
Kirkpatrick, Ralph. “John Kirkpatrick.” In Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar, edited by Meredith Kirkpatrick, 89-94. Eastman Studies in Music. Woodbridge, United Kingdom: Boydell & Brewer, 2014.
Source: Chapter in Book
VI. Topical Studies
P. Ives Collaborators and Colleagues